Robert Silverberg: The Reality Trip

In order to eat I must unseal it at the middle, a process that takes many minutes. Three times a day I unbutton myself so that I can stuff the food concentrates into my true gullet. Faulty design, I call that. They could just as easily have arranged it so I could pop the food into my Earthmouth and have it land in my own digestive tract. I suppose the newer models have that. Excretion is just as troublesome for me; I unseal, reach in, remove the cubes of waste, seal my skin again. Down the toilet with them. A nuisance.

And the loneliness! To look at the stars and know Homeworld is out there somewhere! To think of all the others, mating, chanting, dividing, abstracting, while I live out my days in this crumbling hotel on an alien planet, tugged down by gravity and locked within a cramped counterfeit body—always alone, always pretending that I am not what I am and that I am what I am not, spying, questioning, recording, reporting, coping with the misery of solitude, hunting for the comforts of philosophy—

In all of this there is only one real consolation, aside, that is, from the pleasure of knowing that I am of service to Homeworld. The atmosphere of New York City grows grimier every year. The streets are full of crude vehicles belching undigested hydrocarbons. To the Earthfolk, this stuff is pollution, and they mutter worriedly about it. To me it is joy. It is the only touch of Homeworld here: that sweet soup of organic compounds adrift in the air. It intoxicates me. I walk down the street breathing deeply, sucking the good molecules through my false nostrils to my authentic lungs. The natives must think I’m insane. Tripping on auto exhaust! Can I get arrested for over-enthusiastic public breathing? Will they pull me in for a mental checkup?

Elizabeth Cooke continues to waft wistful attentions at me. Smiles in the hallway. Hopeful gleam of the eyes. “Perhaps we can have dinner together some night soon, Mr. Knecht. I know we’d have so much to talk about. And maybe you’d like to see the new poems I’ve been doing.” She is trembling. Eyelids flickering tensely; head held rigid on long neck. I know she sometimes has men in her room, so it can’t be out of loneliness or frustration that she’s cultivating me. And I doubt that she’s sexually attracted to my outer self. I believe I’m being accurate when I say that women don’t consider me sexually magnetic. No, she loves me because she pities me. The sad shy bachelor at the end of the hall, dear unhappy Mr. Knecht; can I bring some brightness into his dreary life? And so forth. I think that’s how it is. Will I be able to go on avoiding her? Perhaps I should move to another part of the city. But I’ve lived here so long I’ve grown accustomed to this hotel. Its easy ways do much to compensate for the hardships of my post. And my familiar room, The huge many-paned window; the cracked green floor tiles in the bathroom; the lumpy patterns of replastering on the wall above my bed. The high ceiling; the funny chandelier. Things that I love. But of course I can’t let her try to start an affair with me. We are supposed to observe Earthfolk, not to get involved with them. Our disguise is not that difficult to penetrate at close range. I must keep her away somehow. Or flee.

Incredible! There is another of us in this very hotel! As I learned through accident. At one this afternoon, returning from my morning travels: Elizabeth in the lobby, as though lying in wait for me, chatting with the manager. Rides up with me in the elevator. Her eyes looking into mine. “Sometimes I think you’re afraid of me,” she begins. “You mustn’t be. That’s the great tragedy of human life, that people shut themselves up behind walls of fear and never let anyone through, anyone who might care about them and be warm to them. You’ve got no reason to be afraid of me.” I do, but how to explain that to her? To sidestep prolonged conversation and possible entanglement I get off the elevator one floor below the right one. Let her think I’m visiting a friend. Or a mistress. I walk slowly down the hall to the stairs, using up time, waiting so she will be in her room before I go up. A maid bustles by me. She thrusts her key into a door on the left: a rare faux pas for the usually competent help here, she forgets to knock before going in to make up the room. The door opens and the occupant, inside, stands revealed. A stocky, muscular man, naked to the waist. “Oh, excuse me,” the maid gasps, and backs out, shutting the door. But I have seen. My eyes are quick. The hairy chest is split, a dark gash three inches wide and some eleven inches long, beginning between the nipples and going past the navel. Visible within is the black shiny surface of a Homeworld carapace. My countryman, opening up for Second Feeding. Dazed, numbed, I stagger to the stairs and pull myself step by leaden step to my floor. No sign of Elizabeth. I stumble into my room and throw the bolt. Another of us here? Well, why not? I’m not the only one. There may be hundreds in New York alone. But in the same hotel? I remember, now, I’ve seen him occasionally: a silent, dour man, tense, hunted-looking, unsociable. No doubt I appear the same way to others. Keep the world at a distance. I don’t know his name or what he is supposed to do for a living.

We are forbidden to make contact with fellow Homeworlders except in case of extreme emergency. Isolation is a necessary condition of our employment. I may not introduce myself to him; I may not seek his friendship. It is worse now for me, knowing that he is here, than when I was entirely alone. The things we could reminisce about! The friends we might have in common! We could reinforce one another’s endurance of the gravity, the discomfort of our disguises, the vile climate. But no. I must pretend I know nothing. The rules. The harsh, unbending rules. I to go about my business, he his; if we meet, no hint of my knowledge must pass.

So be it. I will honor my vows. But it may be difficult.

He goes by the name of Swanson. Been living in the hotel eighteen months; a musician of some sort, according to the manager. “A very peculiar man. Keeps to himself; no small talk, never smiles. Defends his privacy. The other day a maid barged into his room without knocking and I thought he’d sue. Well, we get all sorts here.” The manager thinks he may actually be a member of one of the old European royal families, living in exile, or something similarly romantic. The manager would be surprised.

I defend my privacy too. From Elizabeth, another assault on it.

In the hall outside my room. “My new poems,” she said. “In case you’re interested.” And then: “Can I come in? I’d read them to you. I love reading out loud.” And: “Please don’t always seem so terribly afraid of me. I don’t bite, David. Really I don’t. I’m quite gentle.”

“I’m sorry.”

“So am I.” Anger, now, lurking in her shiny eyes, her thin taut lips. “If you want me to leave you alone, say so, I will. But I want you to know how cruel you’re being. I don’t demand anything from you. I’m just offering some friendship. And you’re refusing. Do I have a bad smell? Am I so ugly? Is it my poems you hate and you’re afraid to tell me?”

“Elizabeth—”

“We’re only on this world such a short time. Why can’t we be kinder to each other while we are? To love, to share, to open up, Communication, soul to soul.” Her tone changed, an artful shading. “For all I know, women turn you off. I wouldn’t put anybody down for that. We’ve all got our ways. But it doesn’t have to be a sexual thing, you and me. Just talk. Like, opening the channels. Please? Say no and I’ll never bother you again, but don’t say no, please. That’s like shutting a door on life, David. And when you do that, you start to die a little.”