Steve Erickson - Arc d'X

Polly stood looking at the havoc when, without hearing a sound, she knew someone else was in the room. It took several seconds to find the courage to peer over her shoulder. The shadow of the volcano’s ridge rumbled across the floor from the outer doorway to billow up at his feet and engulf him, until all she could be sure of was the cobalt blue of his eyes, as close to the blue of her own as she’d ever seen. They loomed all the larger behind his glasses. It was the only thing of him she recalled immediately; his life had long since been cut loose of not only her memory but his own. His clothes were tattered and filthy. His black hair was splattered with white and gray and, at two or three inches shorter than her father, he might have seemed smaller than she remembered if his humanity hadn’t imploded long before to leave the huge void of him howling at everything within range. The reek of him was more than wine and dirt, it was the stink of a life that had died years before, briefly preserved in ice but having begun its mortifying thaw just in time for her to greet the remains. There was nothing merciful about his impact, nothing compassionate or caring or reachable. She tried to say something. “My name is—”

“Yes,” he said. His eyes finally left her, to assess the situation of his books and papers.

“I didn’t touch anything,” she promised, though she couldn’t imagine how anyone would know, or whether he cared. Taking one or two steps he kicked papers on the floor beneath his feet. He went over to the chair behind the desk and sat down. He paid her no more attention, staring instead at the disarray before him and reaching below the desk to fumble for and hoist up a bottle of wine, which he poured into a dirty glass. She kept waiting for him to say something, even as she tried to think of what to say to him. But he just sat drinking his wine, pouring himself another glass and then another, shuffling about his desk in the dark of the room for a page he could have found only by some mad system. When he lit a candle on the desk and picked up a pen and began to write as though she weren’t there, still not saying a word to her except the yes that had evolved over the minutes into a no, having in the process completely banished her from his awareness, she raised her hand to her mouth to stifle a sob. Turning, she ran from the room.

She almost ran from the hut and the volcano but got as far as the front door. The voice that called her back wasn’t his but her own; she slid along the door to the floor and cried, wondering if there was anywhere in time she belonged. The exhaustion of the previous night caught up with her and she fell asleep. It was some time after she awoke in the dark, it was some time after she woke to the red glow that came through the window and she remembered she was sleeping in a volcano, that she also remembered she had passed out by the front door but was now lying on the mattress. In the dark of the night and the glow of the mountain she sat up and searched for a sign of Etcher in the room with her. When she couldn’t find him she went back to sleep.

He wasn’t there either when she woke the next morning, and he didn’t show up until the late afternoon when he came walking over the ridge of the volcano from the west. He was dressed in the same terrible clothes and carried in his arms the bag of food left at the red mailbox on the other side of the mountain. In the hut Etcher didn’t say a word, he didn’t look at Polly at all; but when he put some fruit from the bag in a dusty bowl to set on the floor by the mattress where she’d slept, and she reached to take it from him, he flinched at her hand as though it held a weapon or was raised to accuse him. He hurried into the other room, closing the door behind him. The rest of the day passed without his reappearance.

Over and over she told herself to leave. Every time she convinced herself to go, she convinced herself to stay. She took walks with the dogs around the volcano but mostly stayed close to the house, in case he should emerge from the back room. She had hoped to charm him or ingratiate herself, something she’d been good at since she was small, but he gave her no opportunity. The next day went by and then the next, without one word exchanged between them. As the days passed, her white dress became darker and darker until it was black, and Etcher drank more and more wine until by nightfall she’d look out the window of the house to see him dallying precariously on the crater’s edge, as though daring sobriety to prevent his toppling over. Any moment she was prepared to rush and save him, except that she remembered how he had flinched at the sight of her hands that first day and she was afraid if she sprang to retrieve him he’d take a fatal step back. Eventually he always wound up, by his own maneuvers, asleep in the chair behind the desk, while she lay on the mattress thinking of the Arboretum. By now she knew her father had noticed her absence. By now she assumed her father had noticed some part of him was missing, like a limb or an eye; he’d raised one of his arms by now to blithely observe that the appendage usually found at the end was replaced by a stump. She couldn’t be sure which tormented her more, that he might be wrenched by the discovery she was gone or indifferent to it.

On the third day Polly followed Etcher in the early hours of morning as he set out on another walk to the red mailbox. From the highest summit she watched him leave the papers he’d written the previous night, to be picked up by the priest on the bicycle, who left in return the bag of food and water and wine. Often Etcher seemed so drunk or hungover that Polly couldn’t see how he got beyond the hut’s porch, let alone all the way over the top of the mountain; and one morning after she’d been there a week, when he still hadn’t said a single word to her beyond that first yes, she found him snoring in his chair behind the desk with the night’s tortured pages wadded in his fists. She took the pages and smoothed them out on the floor and set off with the dogs for the mailbox.

Hours later she met Etcher on the way back, huffing and puffing up the side of the crater. Within twenty feet of her he stopped, his furious magnified eyes regarding the bag of food in her arms. “I took the papers to the mailbox for you,” she said. He answered this news with more of his black silence, approaching to take the bag from her. “I can carry it,” she assured him, and for a moment they tussled over the bag until he grabbed it away. He turned back toward the house and she followed in a hush. She had resolved over the course of the days and nights that she wouldn’t go until he told her to. She would outrage him from his wordlessness, if she had to. At the house, in the doorway, he suddenly turned to her.

“Where’s your father?” he said.

“Behind me,” she said, and he looked over her shoulder at the volcano’s horizon, but then realized that wasn’t what she meant. He went on inside the hut. She believed the opportunity was at hand: “I can barely remember you,” she said, directing her words straight at the past. “That’s good,” he answered, and ripped the bag ferociously to liberate some bread at the bottom, taking a bottle of wine from the cupboard above the sink and storming into the back room. For several minutes she stood staring at the closed door, trying to talk her anger into bursting through it and confronting him.

She had a dream that night in which a dead woman who looked much like her lay on the mattress in the corner of the hut where Polly herself was now sleeping. How the woman had died wasn’t clear, and for a moment, when she seemed to turn her head, Polly thought perhaps the woman was alive after all; then the woman disappeared, and Polly’s relief gave way to the certainty that the disappearance and not the death was the delusion. At the end of the dream Polly had the strangest impression she was dead herself, even though her life didn’t yet understand this: the circumstances of her life had gone so awry that ending it seemed the only viable option. Everything in the dream simply seemed so hopeless and involved such futility that suicide wasn’t an emotional decision but a practical one; she didn’t want to do it but was overwhelmed by the feeling that it was the only out.