Steve Erickson - Arc d'X

“I don’t want to talk about my father,” the girl said with such a hard look in her eyes that Dee immediately thought to herself, So that’s what this is. We take off our clothes and humiliate daddy. And as if she’d read Dee’s mind, the girl continued, “It has nothing to do with him. I’ve been looking for someone.”

“And you thought you’d find him here?”

“All the men come here sooner or later, don’t they?”

“Maybe yours already came through and moved on. Or maybe he won’t come around for a while yet. You could take off your clothes for a lot of men waiting to take them off for one in particular.”

The girl nodded.

“Does he know you’re here?”

“I don’t see how.”

“I mean your father.”

“No.”

“Go home and forget it.”

“I don’t care if my father knows,” the girl insisted. “I think this is about the only thing I could do that would bother him at all.”

“Sounds like maybe this does have something to do with him.”

“Thank you for giving me the chance,” the girl said.

“Come back if you ever want another shot. The men would love you and the girls would get used to it.”

From the Fleurs d’X the girl carried Dee’s memory with her; with the snap of her fingers the two large gray dogs curled up against the wall followed. She returned to the theater where her father lived with the other actors; he didn’t ask where she’d been. She didn’t expect he would. Once or twice she considered bursting his self-absorption with an announcement, once or twice she thought some guy might stumble into the theater who just happened to have seen her feeble audition; he’d point her out and create a small furor, perhaps. Instead, in the silence of her stoicism, the seed of Dee’s memory flowered in the girl’s own consciousness until she recognized it one hour in the Arboretum corridor. It also recognized her.

She turned her corner as Wade, crazy with drugs and cognac and loss, turned his. He was far more stunned by the sight of her than she was by him. What shocked her instead was when he said, with the strangest look on his face, “Sally?” and then said it again and started toward her until she shook herself free of the sight and sound of him and ran. The next time she saw him, she didn’t run. She found him in a flat at the far end of the Arboretum lying in a heap against one wall. He was sweating profusely, mumbling nonsense and slipping in and out of consciousness. She approached and stood at his feet; when he opened his eyes, just cognizant enough to say the name again, she shook her head. “I’m not Sally,” she answered. “Sally was my mother.”

In his drunken haze, he narrowed his eyes to think. “Was?”

“I’m looking for a man,” Polly said. “His name is Etcher.”

SHE SEARCHED FOR HIM a year. She searched the Arboretum, sometimes returning to Fleurs d’X and the wary glances of the dancers; and then she left the Arboretum and began looking for him in the city. She wandered Downtown and the Market, occasionally sleeping in the street, and even spent a couple of nights in the same hotel, though not the same room, where her mother had awakened to a body many years before. It wasn’t likely she was consciously retracing any steps when she walked up the rock to Church Central. Working in the archives was a priest only a few years older than she, no less alarmed by her than Etcher had been the first afternoon he saw Sally Hemings with Polly in tow; if anything, Polly’s inquiry brought greater consternation. “You have to go now,” the priest croaked, as though the name she’d spoken was reverberating upstairs at this moment and he would be held accountable.

She waited for the archives clerk at the bottom of the rock. When he emerged from Church Central one twilight on a bicycle, Polly followed. He carried a large bag in one arm. Slowly he rode through the city, leaving Downtown and heading east with Polly hurrying along behind at a distance, her big gray dogs dawdling behind her. He crossed the peripheral highway and began pedaling over the lava fields in the direction of the volcano; perhaps, as she followed, she was cloaked in darkness. Perhaps, as she followed, she was cloaked in the rage of her abandonment by the mother’s death and the father’s ego. Perhaps crossing the black fields under the light of the moon in her white dress she would have appeared to the priest, had he looked back, as nothing more than a ripped veil blown over the waves of a black sea, or a robe discarded by a priest at the foot of the road. But no one saw her or the dogs: had she dropped her dress in the midst of the fields and walked naked, in the cloak of her ashy skin, she could not have been more invisible. She never meant to be unseen. She meant, rather, to ask the priest the same question she had asked in the archives. He disappeared in the distance and then returned an hour or so later, gliding right past her as he headed back to the city. Under one arm, where he’d held the bag, he now clutched some papers.

Polly didn’t turn back to the city but pressed onward. She reached the base of the volcano when light began to appear from the other side, and she made out the bicycle’s track as it veered off to the north and ascended the mountain. The track ended in a rocky cove, where she found a red mailbox standing alone with no address or name. The mailbox was empty. At the base of the mailbox was the bag left by the priest; inside were bread and cheese and fruit, water and wine. Her dogs, now thirsty and tired, sniffed at the bag. Polly left it and continued up the trail to the volcano. Not long before noon she reached the highest ridge of the volcano in time to meet the sun coming up the other side. Behind her she could see all of the lava fields and Aeonopolis beyond them and the sea beyond it, the zipper of the train’s tracks heading up the coast. South of the city where the beach twisted was the penal colony, attached to the landscape like a leech.

Below her was the crater. It smelled of sulfur. On the far east side oozed the white molten part of the mountain, the surrounding ground dead except for an occasional shrub or flower, a whimper of green from the black lava. Just inside the crater’s edge, teetering on a volcanic shelf, a tiny hut seemed to grow out of the rock. As the panting dogs ran ahead, sniffing at the crater in search of a lake to drink from, Polly sat watching for some time, once or twice deciding on retreat before she convinced herself she’d come too far to give up. The day began to slide toward the city and the sea. She made her way through the shadows of the crater toward the house.

When she came to the door she knocked quickly, leaving herself no time to change her mind.

Her knock went unanswered. She opened the door and pushed it ajar. “Hello?” she began to call, but it caught in her throat. She stepped into the house. A mattress lay in the corner not far from an unused stove. On the other side of the hut a box of dishes and utensils crumbled beneath the sink. Above the sink a cupboard sagged with the weight of wine bottles that threatened to tumble off any moment and shatter; Polly counted twenty or thirty empty ones rolling along the floor with little red puddles inside. On the other side of the room was another doorway.

A desk sat in the center of the second room, so buried beneath papers and manuscripts and writing implements that not a square inch of the surface showed through. Behind the desk was a shelf of books in old red covers. The binding of the volumes had been ripped apart and the pages were torn and loose, as though attacked by a wild animal. Covering the wall facing the desk was a huge map. Only after she’d studied it some time did Polly understand it was a diagram of the city. Lines were drawn in frantic flourishes from one end of the map to the other, from the volcano in the east to Church Central in the west to a place just north of the city boundaries, which examination revealed to be the Arboretum, crossing at a point of no distinction, a small alley off the Downtown streets of Desolate and Unrequited. Some zones were clearly designated — Sorrow and Ambivalence and Humiliation — and others not, the most confused being the name Redemption, which the map’s author had replaced with Desire, only to cross that out and rewrite Redemption, only to obliterate the first again for the second until all that was left was a crazed blotch of confirmation and denial.