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Steve Erickson: Rubicon Beach

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Steve Erickson Rubicon Beach

Rubicon Beach: краткое содержание, описание и аннотация

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A prisoner with a haunted past is released into ravaged Los Angeles, where he pursues an elusive girl to the shores or Rubicon Beach and faces his lost destiny. In his second novel, Steve Erickson creates a decaying world filled with leftover passions and poetic vision that established him as one of the most original and evocative American writers of his generation.

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“If I’m ready to let someone blow my brains out, there’s not much you can do about it.”

“Exactly my own feelings,” Wade said. He laboriously unfolded himself from the bed, standing in midroom and fairly filling it. “But my superiors still want you alive for a while, and I don’t want to expend the energies of the local officials keeping my superiors happy. So I’m asking you to be a little careful, not embarrass me either by getting yourself taken out or by violating any of the local ordinances. For instance,” he said, watching the radio on my desk, “there is a local ordinance against radios. A misdemeanor of course, but in the case of a felon on parole even a misdemeanor is a lot of incrimination.”

“I didn’t know about the ordinance,” I started to say.

Wade raised his hand. “Don’t.” Watching the radio he said, “I’m sure you’ve broken no laws. If I knew you had broken any laws I’d have to arrest you, and it’s tedious. I have other things. If I knew you had a radio I’d have to take you in. Please, don’t. I know that I can assure my subordinates that your excursion into Chinatown the other night had nothing to do with any radio. If you had bought a radio,” he said, still staring at it, “by now you would have known enough to deep-six it in a canal somewhere. That makes life easier for me and for you.”

“It’s silly,” I said.

“We live in silly times,” he said. “In a town where music is the topographical map, radios are compasses of anarchy. The music of the earth is legal and the music of men is not. I don’t make the fucking laws.” He said, “Get rid of the radio, Cale,” Then he turned and went to the door. He said, “It’s enough I have to deal with guys messing with the music of the earth. You feel the shaking the other night?”

“I thought it was a quake.”

“That’s fine,” he said, “we’d as soon everyone thought it was a quake. Someone set off an underground explosion a couple miles northwest of here out on the peninsula. Redirected one of the underground rivers. Now the whole section of town other side of the harbor’s got a new melody. It’s a genuine subversive fuck-up. You want to tell me about silly? Of course my superiors on the seaboard think it’s political, because they think everything’s political. Because everything is political. So they wonder about you, of course. You’re not setting off underground explosions, are you Mister Cale?”

“Not lately.”

“Not of the geological sort anyway,” said Wade. “Well, all right. Consider yourself grilled and interrogated on the matter. My own understanding of your case is such as to lead me to believe it will suffice.” He paused a moment, looked at me sideways and nodded a bit and walked out. The dark of the library blotted him up; soon he was a tan coat floating in space. Then the dark of the library blotted up the tan coat too.

картинка 5

After I’d been in Los Angeles a month it seemed like a long time. Not forever: forever would preclude the days in a metal truck, and I hadn’t been anywhere so long as to forget those. Forever in Los Angeles would have precluded the experience of my conscience, the life of which stayed with me like the flashes of previous incarnations. Jon Wade did not come up to the tower again. It was the nature of the way and time I had been here that every such incident became a landmark. I left the library more and more. I don’t think the police appreciated it, but nobody said anything. Their understanding of my case was such as to lead them to conclude I was beyond the persuasion of threat; and they were right. Large black birds covered the town streets in malevolent flocks. The canal waters were always filled with artifacts — chairs and framed pictures, masks of gold leaf and music boxes in which cartoon characters danced behind small windows. The sound of the buildings had indeed changed since the night my tower shook. Blasted abandoned eateries and black doorless taverns gurgled and hissed in a new key. To most of the town’s population, which was largely old men and frightened indigents, it made life all the more disorienting. For myself it was one of the things that made a long time seem less like forever.

Another little landmark in my routine came about four or five clays after Wade’s appearance. A couple of guys from the town hall came to open up some of those locked rooms in the library. I was up in the tower when it happened. They poked around a while and then came up and brought me down to outline some of the new duties of my parole. Someone had decided it was a good idea for me to go through all the old manuscripts on the shelves, read them and file them and offer some estimations as to their value. Value to whom, I asked. Value to civic interests, value to territorial interests, they said. Value to the annexes or the government. Of course it was clear to me at once that none of this could have any value at all. I was supposedly a political subversive; if this were work of value, why would they have me sorting it out for them? I was right in thinking these people would not be giving me any important keys to important rooms; this was work to keep me occupied. I took the keys and thanked them for their profound trust in me. One of them laughed and said, That’s all right, Cale, you’re on our side now, right? Then the keys feIt like the proverbial silver in my fingers, one piece for each day of a month that fell short — by virtue of what silver buys — of a redemptive foreverness, forevermoreness.

I am thirty-eight, thirty-nine. I look in a mirror and it tells me I’m fifty, fifty-five. My hair is the same color it has been since I was seventeen but my beard is white and my eyes are red. How did I get so damned tired. When I was young I despised those who gave up so easily, I couldn’t imagine anyone could ever feel that old and that tired. In a musicless tower above an empty waterworld I grieve for what I feIt and how much I feIt it. Once I supposed I recognized my own voice when I spoke to strangers; it was something to know your own voice, to know it as well when you finished speaking as when you began. How is it I’m so old now I don’t know my voice anymore. How is it I’m so exhausted by what I once believed that the things I love affront me with the effort to love them. Prison was a good place to be tired. There I taught my conscience the art of fatigue, as a consequence of which passion and integrity died immediately, without protest.

I went walking that night, the day they gave me possibly important keys to possibly important rooms. I took the radio with me as well as the keys, zigzagging the streets eastward past Broadway. The city became deader and deader until I reached the quarter before the canal, where I found the rare sights and sounds of a half dozen bars going and guys laughing; I realized I’d been in L.A. a month and not heard anyone laugh. I didn’t go in any of the bars but instead to the boat landing where I caught a boat going down canal. All this way no cops followed me, there was none of the usual company. A big mistake on their part, I thought. Let down your guard once and those like myself who are genuinely depraved will rush to betray a trust: they can’t betray it fast enough. The canal would come out on the coast near San Bernardino and then the boat would drift down to Riverside. If I were still alive the day after tomorrow I might then get another boat and slip into port somewhere near the Yuma-Sonora annex. On the deck of the boat this night I feIt the last of me fading away. I was barely aware of the land gliding by or the cold of the wind, or of voices around me talking about the pirates hiding in the Downey coves waiting to take cargo of value. I had possibly important keys in a coat pocket, I had contraband radio in the other. I might cast one or both overboard. I might or might not remove them from my pockets before doing so.

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