Christopher Hitchens - Mortality

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Mortality: краткое содержание, описание и аннотация

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On June 8, 2010, while on a book tour for his bestselling memoir,
, Christopher Hitchens was stricken in his New York hotel room with excruciating pain in his chest and thorax. As he would later write in the first of a series of award-winning columns for
, he suddenly found himself being deported “from the country of the well across the stark frontier that marks off the land of malady.” Over the next eighteen months, until his death in Houston on December 15, 2011, he wrote constantly and brilliantly on politics and culture, astonishing readers with his capacity for superior work even in extremis.
Throughout the course of his ordeal battling esophageal cancer, Hitchens adamantly and bravely refused the solace of religion, preferring to confront death with both eyes open. In this riveting account of his affliction, Hitchens poignantly describes the torments of illness, discusses its taboos, and explores how disease transforms experience and changes our relationship to the world around us. By turns personal and philosophical, Hitchens embraces the full panoply of human emotions as cancer invades his body and compels him to grapple with the enigma of death.
MORTALITY Amazon Best Books of the Month, September 2012:
Amazon.com Review
Review Curious and prolific to the end, combative writer Christopher Hitchens leaves us with a posthumously published analysis of his dying days.
is the anti-
: Stripping away semantics and sentimentality, Hitchens treats his cancer as he would any other topic—with dogged inquisitiveness and brutal honesty. Which makes it all the more poignant when he begins losing his voice, his “freedom of speech,” and sinks deeper into his “year of living dyingly.” Funny, smart, irreverent, and surprisingly moving, this lucid, unflinching end-of-life journey through “Tumorville” is brave and powerful stuff. The unfinished jottings that comprise the final pages are a heartbreaking display of a mind that never stopped till the very end.
—Neal Thompson “Nothing sharpened Christopher Hitchens’ mind like Cancer. He wrote the best, most piercing, most clarifying prose of his career as he faced down the specter of his own demise. As he dealt with fatigue and nausea, with the anger, disgust and frustration that must accompany what he knew was a death sentence, Hitch poured it all into words as painfully honest as they were hilarious.”
Sharon Waxman,
“Among the many things that made Hitchens unique was his precision of thought and expression. What made him rare were his courage and tenacity. He was fearless in the field and relentless in his defense of the defenseless with that mightiest of swords—his pen. Judging from his final essays, he was also fearless in the fact of death.”
Kathleen Parker,
"I have no doubt that Christopher Hitchens will have an afterlife. As one of the most original and provocative writers of his generation, his words will continue to mesmerize, incite, confound, and entertain."
Rabbi Shmuley Boteach,
“His unworldly fluency never deserted him, his commitment was passionate, and he never deserted his trade. He was the consummate writer, the brilliant friend. In Walter Pater's famous phrase, he burned ‘with this hard gem-like flame.’ Right to the end.”
Ian McEwan “A seeker of truth to the end, and a deservedly legendary witness against the hypocrisy of the ever-sactimonious establishment. What zeal this man had to eviscerate the conceits of the powerful, whether their authority derived from wealth, the state, or a claim to the ear of the divine.”
Robert Scheer,
“Reading and responding to the Hitch is ceaselessly inspiring and seldom less than exhilarating. More, it is an instigatory experience: it compels you to get involved more deeply with the world around and inside you. Reading any worthwhile writer is an act of celebration, a shared reaction to the act of creation. More, it is an exercise in how to write, read, think and live.”
PopMatters.com

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Christopher had an enviable career arc that began with his own brand of fiery journalism at Britain’s New Statesman and then wended its way to America, where he wrote for everyone from the Atlantic and Harper’s to Slate and the New York Times Book Review. And we all called him our own. He was a legend on the speakers’ circuit and could debate just about anyone on anything. He won umpteen awards (although that was not the sort of thing that fueled his work) and in the last decade he wrote bestsellers, including his well-received, best-selling memoir, Hitch-22, that finally put some money into his family’s pocket. In the last weeks of his life, he was told that an asteroid had been named after him. He was pleased by the thought, and inasmuch as the word is derived from the Greek, meaning “star-like,” and asteroids are known to be volatile, it is a fitting honor.

To his friends, Christopher will be remembered for his elevated but inclusive humor and for a staggering, almost punishing memory that held up under the most liquid of late-night conditions. And to all of us, his readers, Christopher Hitchens will be remembered for the words he left behind. These last ones, free as they are of sentiment or self-pity, are among his last. They are also among his best.

June 2012

New York City

I

IHAVE MORE THAN ONCE IN MY TIME WOKEN UP feeling like death. But nothing prepared me for the early morning in June when I came to consciousness feeling as if I were actually shackled to my own corpse. The whole cave of my chest and thorax seemed to have been hollowed out and then refilled with slow-drying cement. I could faintly hear myself breathe but could not manage to inflate my lungs. My heart was beating either much too much or much too little. Any movement, however slight, required forethought and planning. It took strenuous effort for me to cross the room of my New York hotel and summon the emergency services. They arrived with great dispatch and behaved with immense courtesy and professionalism. I had the time to wonder why they needed so many boots and helmets and so much heavy backup equipment, but now that I view the scene in retrospect I see it as a very gentle and firm deportation, taking me from the country of the well across the stark frontier that marks off the land of malady. Within a few hours, having had to do quite a lot of emergency work on my heart and my lungs, the physicians at this sad border post had shown me a few other postcards from the interior and told me that my immediate next stop would have to be with an oncologist. Some kind of shadow was throwing itself across the negatives.

The previous evening, I had been launching my latest book at a successful event in New Haven. The night of the terrible morning, I was supposed to go on The Daily Show with Jon Stewart and then appear at a sold-out event at the 92nd Street Y, on the Upper East Side, in conversation with Salman Rushdie. My very short-lived campaign of denial took this form: I would not cancel these appearances or let down my friends or miss the chance of selling a stack of books. I managed to pull off both gigs without anyone noticing anything amiss, though I did vomit two times, with an extraordinary combination of accuracy, neatness, violence, and profusion, just before each show. This is what citizens of the sick country do while they are still hopelessly clinging to their old domicile.

The new land is quite welcoming in its way. Everybody smiles encouragingly and there appears to be absolutely no racism. A generally egalitarian spirit prevails, and those who run the place have obviously got where they are on merit and hard work. As against that, the humor is a touch feeble and repetitive, there seems to be almost no talk of sex, and the cuisine is the worst of any destination I have ever visited. The country has a language of its own—a lingua franca that manages to be both dull and difficult and that contains names like ondansetron, for anti-nausea medication—as well as some unsettling gestures that require a bit of getting used to. For example, an official met for the first time may abruptly sink his fingers into your neck. That’s how I discovered that my cancer had spread to my lymph nodes, and that one of these deformed beauties—located on my right clavicle, or collarbone—was big enough to be seen and felt. It’s not at all good when your cancer is “palpable” from the outside. Especially when, as at this stage, they didn’t even know where the primary source was. Carcinoma works cunningly from the inside out. Detection and treatment often work more slowly and gropingly, from the outside in. Many needles were sunk into my clavicle area—“Tissue is the issue” being a hot slogan in the local Tumorville tongue—and I was told the biopsy results might take a week.

Working back from the cancer-ridden squamous cells that these first results disclosed, it took rather longer than that to discover the disagreeable truth. The word “metastasized” was the one in the report that first caught my eye, and ear. The alien had colonized a bit of my lung as well as quite a bit of my lymph node. And its original base of operations was located—had been located for quite some time—in my esophagus. My father had died, and very swiftly, too, of cancer of the esophagus. He was seventy-nine. I am sixty-one. In whatever kind of a “race” life may be, I have very abruptly become a finalist.

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The notorious stage theory of Elisabeth Kübler-Ross, whereby one progresses from denial to rage through bargaining to depression and the eventual bliss of “acceptance,” hasn’t so far had much application to my case. In one way, I suppose, I have been “in denial” for some time, knowingly burning the candle at both ends and finding that it often gives a lovely light. But for precisely that reason, I can’t see myself smiting my brow with shock or hear myself whining about how it’s all so unfair: I have been taunting the Reaper into taking a free scythe in my direction and have now succumbed to something so predictable and banal that it bores even me. Rage would be beside the point for the same reason. Instead, I am badly oppressed by the gnawing sense of waste. I had real plans for my next decade and felt I’d worked hard enough to earn it. Will I really not live to see my children married? To watch the World Trade Center rise again? To read—if not indeed to write—the obituaries of elderly villains like Henry Kissinger and Joseph Ratzinger? But I understand this sort of non-thinking for what it is: sentimentality and self-pity. Of course my book hit the bestseller list on the day that I received the grimmest of news bulletins, and for that matter the last flight I took as a healthy-feeling person (to a fine, big audience at the Chicago Book Fair) was the one that made me a million-miler on United Airlines, with a lifetime of free upgrades to look forward to. But irony is my business and I just can’t see any ironies here: Would it be less poignant to get cancer on the day that my memoirs were remaindered as a box-office turkey, or that I was bounced from a coach-class flight and left on the tarmac? To the dumb question “Why me?” the cosmos barely bothers to return the reply: Why not?

The bargaining stage, though. Maybe there’s a loophole here. The oncology bargain is that, in return for at least the chance of a few more useful years, you agree to submit to chemotherapy and then, if you are lucky with that, to radiation or even surgery. So here’s the wager: You stick around for a bit, but in return we are going to need some things from you. These things may include your taste buds, your ability to concentrate, your ability to digest, and the hair on your head. This certainly appears to be a reasonable trade. Unfortunately, it also involves confronting one of the most appealing clichés in our language. You’ve heard it all right. People don’t have cancer: They are reported to be battling cancer. No well-wisher omits the combative image: You can beat this. It’s even in obituaries for cancer losers, as if one might reasonably say of someone that they died after a long and brave struggle with mortality. You don’t hear it about long-term sufferers from heart disease or kidney failure.

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