Christopher Hitchens - Mortality

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Mortality: краткое содержание, описание и аннотация

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On June 8, 2010, while on a book tour for his bestselling memoir,
, Christopher Hitchens was stricken in his New York hotel room with excruciating pain in his chest and thorax. As he would later write in the first of a series of award-winning columns for
, he suddenly found himself being deported “from the country of the well across the stark frontier that marks off the land of malady.” Over the next eighteen months, until his death in Houston on December 15, 2011, he wrote constantly and brilliantly on politics and culture, astonishing readers with his capacity for superior work even in extremis.
Throughout the course of his ordeal battling esophageal cancer, Hitchens adamantly and bravely refused the solace of religion, preferring to confront death with both eyes open. In this riveting account of his affliction, Hitchens poignantly describes the torments of illness, discusses its taboos, and explores how disease transforms experience and changes our relationship to the world around us. By turns personal and philosophical, Hitchens embraces the full panoply of human emotions as cancer invades his body and compels him to grapple with the enigma of death.
MORTALITY Amazon Best Books of the Month, September 2012:
Amazon.com Review
Review Curious and prolific to the end, combative writer Christopher Hitchens leaves us with a posthumously published analysis of his dying days.
is the anti-
: Stripping away semantics and sentimentality, Hitchens treats his cancer as he would any other topic—with dogged inquisitiveness and brutal honesty. Which makes it all the more poignant when he begins losing his voice, his “freedom of speech,” and sinks deeper into his “year of living dyingly.” Funny, smart, irreverent, and surprisingly moving, this lucid, unflinching end-of-life journey through “Tumorville” is brave and powerful stuff. The unfinished jottings that comprise the final pages are a heartbreaking display of a mind that never stopped till the very end.
—Neal Thompson “Nothing sharpened Christopher Hitchens’ mind like Cancer. He wrote the best, most piercing, most clarifying prose of his career as he faced down the specter of his own demise. As he dealt with fatigue and nausea, with the anger, disgust and frustration that must accompany what he knew was a death sentence, Hitch poured it all into words as painfully honest as they were hilarious.”
Sharon Waxman,
“Among the many things that made Hitchens unique was his precision of thought and expression. What made him rare were his courage and tenacity. He was fearless in the field and relentless in his defense of the defenseless with that mightiest of swords—his pen. Judging from his final essays, he was also fearless in the fact of death.”
Kathleen Parker,
"I have no doubt that Christopher Hitchens will have an afterlife. As one of the most original and provocative writers of his generation, his words will continue to mesmerize, incite, confound, and entertain."
Rabbi Shmuley Boteach,
“His unworldly fluency never deserted him, his commitment was passionate, and he never deserted his trade. He was the consummate writer, the brilliant friend. In Walter Pater's famous phrase, he burned ‘with this hard gem-like flame.’ Right to the end.”
Ian McEwan “A seeker of truth to the end, and a deservedly legendary witness against the hypocrisy of the ever-sactimonious establishment. What zeal this man had to eviscerate the conceits of the powerful, whether their authority derived from wealth, the state, or a claim to the ear of the divine.”
Robert Scheer,
“Reading and responding to the Hitch is ceaselessly inspiring and seldom less than exhilarating. More, it is an instigatory experience: it compels you to get involved more deeply with the world around and inside you. Reading any worthwhile writer is an act of celebration, a shared reaction to the act of creation. More, it is an exercise in how to write, read, think and live.”
PopMatters.com

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When I do, I hear him, and he has the last word. Time after time, Christopher has the last word.

June 2012

Washington, D.C.

ABOUT THE AUTHOR

CHRISTOPHER HITCHENS was born April 13, 1949, in England and graduated from Balliol College at Oxford University. The father of three children, he was the author of more than twenty books and pamphlets, including collections of essays, criticism, and reportage. His book God Is Not Great: How Religon Poisons Everything was a finalist for the 2007 National Book Award and an international bestseller. His best-selling memoir, Hitch-22 , was a finalist for the 2010 National Book Critics Circle Award for autobiography. His 2011 bestselling omnibus of selected essays, Arguably , was named by the New York Times as one of the ten best books of the year. A visiting professor of liberal studies at the New School in New York City, he was also the I. F. Stone professor at the Graduate School of Journalism at the University of California, Berkeley. He was a columnist, literary critic, and contributing editor at Vanity Fair , the Atlantic , Slate , the Times Literary Supplement , the Nation , the New Statesman , World Affairs , and Free Inquiry , among other publications. He died in Houston on December 15, 2011.

Composed in Janson MT, a seventeenth-century serif typeface revived in the 1930s by Chauncey H. Griffith; and Requiem Text, a typeface designed by Jonathan Hoefler in 1992 based on inscriptional capitals dating from the 1530s.

ALSO BY CHRISTOPHER HITCHENS

Books

Hostage to History: Cyprus from the Ottomans to Kissinger

Blood, Class, and Nostalgia: Anglo-American Ironies

Imperial Spoils: The Curious Case of the Elgin Marbles

Why Orwell Matters

No One Left to Lie To: The Triangulations of William Jefferson Clinton

Letters to a Young Contrarian

The Trial of Henry Kissinger

Thomas Jefferson: Author of America

Thomas Paine’s “Rights of Man”: A Biography

God Is Not Great: How Religion Poisons Everything

The Portable Atheist

Hitch- 22 : A Memoir

Mortality

Pamphlets

Karl Marx and the Paris Commune

The Monarchy: A Critique of Britain’s Favorite Fetish

The Missionary Position: Mother Teresa in Theory and Practice

A Long Short War: The Liberation of Iraq

Essays

Prepared for the Worst: Essays and Minority Reports

For the Sake of Argument

Unacknowledged Legislation: Writers in the Public Sphere

Love, Poverty, and War: Journeys and Essays

Arguably

Collaborations

James Callaghan: The Road to Number Ten (with Peter Kellner)

Blaming the Victims (edited with Edward Said)

When the Borders Bleed: The Struggle of the Kurds (photographs by Ed Kash)

International Territory: The United Nations (photographs by Adam Bartos)

Vanity Fair’s Hollywood (with Graydon Carter and David Friend)

Copyright

First published in Australia and New Zealand by Allen Unwin in 2012 First - фото 21

First published in Australia and New Zealand by Allen & Unwin in 2012

First published in the United States in 2012 by Twelve, an imprint of Grand Central Publishing, Hachette Book Group, Inc.

Copyright © Christopher Hitchens 2012

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.

Allen & Unwin

Sydney, Melbourne, Auckland, London

83 Alexander Street

Crows Nest NSW 2065

Australia

Phone: (61 2) 8425 0100

Email: info@allenandunwin.com

Web: www.allenandunwin.com

Cataloguing-in-Publication details are available from the National Library of Australia

www.trove.nla.gov.au

ISBN 978-1-74237-461-1

Internal design and typesetting by Jouve, Brattleboro, Vermont; and Chennai, India

Printed and bound in Australia by Griffin Press

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