Stephen King - Faithful

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Faithful: краткое содержание, описание и аннотация

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Early in 2004, two writers and Red Sox fans, Stewart O’Nan and Stephen King, decided to chronicle the upcoming season, one of the most hotly anticipated in baseball history. They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan’s notes for the ages.
Amazon.com Review
Fans watching the 2004 baseball playoffs were often treated to shots of Stephen King sitting in the stands, notebook in hand. Given the bizarre events on the field, from the Red Sox’s unprecedented comeback against their most hated rivals to their ace pitcher’s bleeding, stitched-together ankle--not to mention the Sox’s first championship in 86 years--you could be forgiven for thinking King was writing the script as he went along, passing new plot twists down to the dugouts between innings.
What he was writing, though, along with his friend and fellow novelist Stewart O’Nan, was Faithful, a diary of the 2004 Red Sox season. Faithful is written not from inside the clubhouse or the press room, but from the outside, from the stands and the sofa in front of the TV, by two fans who, like the rest of New England, have lived and died (mostly died) with the Sox for decades. From opposite ends of Red Sox Nation, King in Maine and O’Nan at the border of Yankees country in Connecticut, they would meet in the middle at Fenway Park or trade emails from home about the games they’d both stayed up past midnight to watch. King (or, rather, “Steve”) is emotional, O’Nan (or “Stew”) is obsessively analytical. Steve, as the most famous Sox fan who didn’t star in Gigli, is a folk hero of sorts, trading high fives with doormen and enjoying box seats better than John Kerry’s, while Stew is an anonymous nomad, roving all over the park. (Although he’s such a shameless ballhound that he gains some minor celebrity as "Netman" when he brings a giant fishing net to hawk batting-practice flies from the top of the Green Monster.)
You won’t find any of the Roger Angell-style lyricism here that baseball, and the Sox in particular, seem to bring out in people. (King wouldn’t stand for it.) Instead, this is the voice of sports talk radio: two fans by turns hopeful, distraught, and elated, who assess every inside pitch and every waiver move as a personal affront or vindication. Full of daily play-by-play and a season’s rises and falls, Faithful isn’t self-reflective or flat-out funny enough to become a sports classic like Fever Pitch, Ball Four, or A Fan’s Notes, but like everything else associated with the Red Sox 2004 season, from the signing of Curt Schilling to Dave Roberts’s outstretched fingers, it carries the golden glow of destiny. And, of course, it’s got a heck of an ending. —Tom Nissley From Publishers Weekly
Of all the books that will examine the Boston Red Sox’s stunning come-from-behind 2004 ALCS win over the Yankees and subsequent World Series victory, none will have this book’s warmth, personality or depth. Beginning with an e-mail exchange in the summer of 2003, novelists King and O’Nan started keeping diaries chronicling the Red Sox’s season, from spring training to the Series’ final game. Although they attended some games together, the two did most of their conversing in electronic missives about the team’s players, the highs and lows of their performance on the field and the hated Yankees (“limousine longballers”). O’Nan acts as a play-by-play announcer, calling the details of every game (sometimes quite tediously), while King provides colorful commentary, making the games come alive by proffering his intense emotional reactions to them. When the Red Sox find themselves three games down during the ALCS, King reflects on the possibilities of a win in game four: “Yet still we are the faithful… we tell ourselves it’s just one game at a time. We tell ourselves the impossible can start tonight.” After the Sox win the Series, O’Nan delivers a fan’s thanks: “You believed in yourselves even more than we did. That’s why you’re World Champions, and why we’ll never forget you or this season. Wherever you go, any of you, you’ll always have a home here, in the heart of the Nation.” (At times, the authors’ language borders on the maudlin.) But King and O’Nan are, admittedly, more eloquent than average baseball fans (or average sportswriters, for that matter), and their book will provide Red Sox readers an opportunity to relive every nail-biting moment of a memorable season.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Wrong. There’s a problem. A big one. Father Curt is on the cover of Sports Illustrated this week, that’s the problem . He’s standing on the mound at Fenway with his arms spread and every letter on the front of his uniform clearly visible.

How could they?

With all the other stuff we have to worry about, how damn could they? Because while there’s no evidence of the Curse of the Bambino other than the failure of the Red Sox to win the World Series since 1918 (and they are not alone in that), there’s plenty of evidence that the Sports Illustrated Curse actually exists. [53] Unlike, let us say, the supposed Campbell’s Chunky Soup Curse, where I can only find four football players—Terrell Davis, Kurt Warner, Jerome Bettis and Donovan McNabb—who actually suffered injuries after appearing in the ads, despite all the rumors.

Two games after his cover appearance on SI , Kurt Warner suffered an injury that sidelined him for five games (although in Warner’s case I’m at least willing to admit the possibility that Campbell’s Soup may have been a contributing factor). One day after Anna Kournikova appeared on the SI cover, she was bounced from the French Open, her earliest exit from a Grand Slam event in three years. In his first Monday Night Football game after his cover shot, Howard Cosell went from hero to zero by referring to a Redskins wide receiver as “that little monkey.” After Dale Murphy of the Atlanta Braves appeared on the cover, the Braves dropped fourteen of their next fifteen games. Other sufferers of the SI Jinx have included Tom Watson, Kirk Gibson, George Brett, Pedro Martinez’s brother, Ramon…and ex–Red Sox franchise player Nomar Garciaparra. After Nomar, stripped to the waist and looking most righteously buff, appeared on the cover, he went down with a popped wrist tendon and played hardly at all during the first half of the season.

And now, in addition to all our injuries and our far-from-secure lead in the wild card, in addition to a three-game bulge for the Yankees that won’t seem to shrink any lower than two games, I have to cope with the near certainty that Curt Schilling will not manage to win twenty games in the regular season, but will remain stuck on nineteen instead. Martinez, Wakefield, Arroyo, and the tragickal Mr. Lowe will have to take up the slack.

Thanks, Sports Illustrated .

Thanks a pantload.

You guys suck.

Behind Fenway, at the corner of Yawkey Way and Van Ness Street, sits the players’ parking lot. Four hours before game time the Sox take over Van Ness, barricading both ends and evicting any parked cars. By then a sizable clump of autograph hunters is already waiting. There’s no way you can get close enough to the players’ Mercedeses and Volvos and Range Rovers as they pull in (or Gabe Kapler’s and Kevin Millar’s chromed-out hogs), and the tall fence surrounding the lot is lined with a heavy green tarp so you can’t see in, but a hundred feet down Van Ness there are three horizontal slots cut into the fence about thigh-high, and as the players walk from their rides to the clubhouse entrance, some will stop to sign.

The slots are uncomfortably close to glory holes, with all that that implies. The only way to tell who’s coming is to kneel on the concrete, press your cheek against the metal edge and peer sideways through the slot like the opening of a pillbox.

Today I’m the first one there, and stake out a spot at the end of the first slot. Position is everything: some guys will sign just a few and then break off, leaving fans at slots two and three grumbling. I’ve also chosen a weekday for my hunting because weekends people are packed six and seven deep, and I’d feel like a heel claiming a spot before some little kid (little kids also have no qualms about stepping on you or crawling over your back).

As the other hunters show up, I realize that compared to them, I am a little kid, a rank amateur. They’re mostly pros, dealers who owe each other money and merchandise. They bring bat-bags full of Big Sticks, boxes of balls, albums of eight-by-ten glossies—high-ticket items they can sell on eBay. As we stand there waiting for the Sox to arrive, they’re cutting deals and boasting of recent acquisitions, trading information about upcoming shows.

“What are you working there?” one asks me. “Hat? Couple a balls?”

I try explaining that the hat’s for me—to wear—but it’s impossible for him to understand that I’m just a fan.

The coaches arrive first, together. No one wants them but me. No one seems to know who Ino Guerrero is, or care. I’m psyched to get Adam Hyzdu’s autograph on his PawSox card, while they just shrug. Likewise, when the middling Devil Rays players come walking right past us on Van Ness, the pros let them pass (“Damian Rhodes,” one calls Damian Rolls, “used to play for Baltimore”—mixing him up with old closer Arthur Rhodes).

When Jason Varitek signs, everyone behind me mobs the slot, crushing me down against the fence, reaching their merchandise over my shoulders and past my ears. Because all Tek can see of us are our hands, the pros get a first autograph, bounce out and grab a second bat or ball from their arsenal, shove in again and snag another. Double-dipping, it’s called, and while frowned upon (especially when not everyone gets even one autograph), it’s the pros’ bread and butter.

“How many Variteks you get?”

“Three.”

“Ha, I got four.”

I get one and I’m happy. Thanks, Tek.

Johnny Damon signs for a long time. Like Tek, he always tries to sign for everyone, and is always polite and nice. For a guy who looks like a wild man, he’s surprisingly soft-spoken, and has impeccable manners, even with the pushiest fans; his parents should be proud. Pokey signs (he doesn’t always), and Mark Bellhorn. The pros gripe about some other players who blow us off—Schilling and Wake especially (though Wake, I’ve heard, only signs for charities, and you have to respect that). They say Pedro and Manny are almost impossible to get out here, and that they hardly ever even see Orlando Cabrera.

Doug Mientkiewicz takes the time to sign, and Doug Mirabelli, Dave McCarty, Ricky Gutierrez, Billy Mueller, Dave Roberts. The hat looks great—silver Sharpie on black. By four o’clock I’ve got half the club. If I came tomorrow and Thursday as well, I’d be able to get most everyone. And even after three hours of being squashed and elbowed and having to listen to the dealers brag and haggle, I know I’ll be coming back. Because while most of these guys are pros, and hustling hard, there’s still something kid-like and hopeful about them. The rumor is that next year when the team enlarges the clubhouse the slots in the fence will be no more. I hope that’s not true, because for a fan like me, this is as close to the players as I’ll ever get.

September 15th

Pedro Martinez has pretty much owned Tampa Bay, the Red Sox have pretty much owned everyone while at Fenway Park, and the hapless Devil Rays were sending a twenty-year-old rookie named Scott Kazmir to the mound last night. The result, of course, was a comfy Tampa Bay win. At one point Kazmir struck out five in a row, and the only bright spot for the Faithful was an eighth-inning home run from the newly returned Trot Nixon. We have fallen a game further behind the Yankees (the Mariners beat the Angels, at least, there is that much joy in Mudville), and I find myself doing two things this morning to start the day. One is marking another game off the schedule. The other is wondering why, why, why Father Curt ever agreed to be on the cover of Sports Illustrated .

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