Stephen King - Faithful

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Faithful: краткое содержание, описание и аннотация

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Early in 2004, two writers and Red Sox fans, Stewart O’Nan and Stephen King, decided to chronicle the upcoming season, one of the most hotly anticipated in baseball history. They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan’s notes for the ages.
Amazon.com Review
Fans watching the 2004 baseball playoffs were often treated to shots of Stephen King sitting in the stands, notebook in hand. Given the bizarre events on the field, from the Red Sox’s unprecedented comeback against their most hated rivals to their ace pitcher’s bleeding, stitched-together ankle--not to mention the Sox’s first championship in 86 years--you could be forgiven for thinking King was writing the script as he went along, passing new plot twists down to the dugouts between innings.
What he was writing, though, along with his friend and fellow novelist Stewart O’Nan, was Faithful, a diary of the 2004 Red Sox season. Faithful is written not from inside the clubhouse or the press room, but from the outside, from the stands and the sofa in front of the TV, by two fans who, like the rest of New England, have lived and died (mostly died) with the Sox for decades. From opposite ends of Red Sox Nation, King in Maine and O’Nan at the border of Yankees country in Connecticut, they would meet in the middle at Fenway Park or trade emails from home about the games they’d both stayed up past midnight to watch. King (or, rather, “Steve”) is emotional, O’Nan (or “Stew”) is obsessively analytical. Steve, as the most famous Sox fan who didn’t star in Gigli, is a folk hero of sorts, trading high fives with doormen and enjoying box seats better than John Kerry’s, while Stew is an anonymous nomad, roving all over the park. (Although he’s such a shameless ballhound that he gains some minor celebrity as "Netman" when he brings a giant fishing net to hawk batting-practice flies from the top of the Green Monster.)
You won’t find any of the Roger Angell-style lyricism here that baseball, and the Sox in particular, seem to bring out in people. (King wouldn’t stand for it.) Instead, this is the voice of sports talk radio: two fans by turns hopeful, distraught, and elated, who assess every inside pitch and every waiver move as a personal affront or vindication. Full of daily play-by-play and a season’s rises and falls, Faithful isn’t self-reflective or flat-out funny enough to become a sports classic like Fever Pitch, Ball Four, or A Fan’s Notes, but like everything else associated with the Red Sox 2004 season, from the signing of Curt Schilling to Dave Roberts’s outstretched fingers, it carries the golden glow of destiny. And, of course, it’s got a heck of an ending. —Tom Nissley From Publishers Weekly
Of all the books that will examine the Boston Red Sox’s stunning come-from-behind 2004 ALCS win over the Yankees and subsequent World Series victory, none will have this book’s warmth, personality or depth. Beginning with an e-mail exchange in the summer of 2003, novelists King and O’Nan started keeping diaries chronicling the Red Sox’s season, from spring training to the Series’ final game. Although they attended some games together, the two did most of their conversing in electronic missives about the team’s players, the highs and lows of their performance on the field and the hated Yankees (“limousine longballers”). O’Nan acts as a play-by-play announcer, calling the details of every game (sometimes quite tediously), while King provides colorful commentary, making the games come alive by proffering his intense emotional reactions to them. When the Red Sox find themselves three games down during the ALCS, King reflects on the possibilities of a win in game four: “Yet still we are the faithful… we tell ourselves it’s just one game at a time. We tell ourselves the impossible can start tonight.” After the Sox win the Series, O’Nan delivers a fan’s thanks: “You believed in yourselves even more than we did. That’s why you’re World Champions, and why we’ll never forget you or this season. Wherever you go, any of you, you’ll always have a home here, in the heart of the Nation.” (At times, the authors’ language borders on the maudlin.) But King and O’Nan are, admittedly, more eloquent than average baseball fans (or average sportswriters, for that matter), and their book will provide Red Sox readers an opportunity to relive every nail-biting moment of a memorable season.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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We lost the game at which I threw out that ceremonial first pitch, and not long after (my memory wants me to believe it was at that very game , but surely that can’t be right), we lost Gordon to an arm injury for the rest of the season. When the 2004 version of Tom Gordon shows up in these pages, he is, of course, wearing the uniform of the hated New York Yankees. And, only a month later, I was struck by a van while walking at the side of the road and badly hurt. Certainly if I had been a baseball player instead of a writer, my career would have been over.

So the last time I threw out a first pitch, bad things happened—for the team, for my favorite player on the team, and for me. Those are the superstitious reasons I’m slow about agreeing to Sarah McKenna’s proposal. The pragmatic reasons about superstition? Well, look. I know how superstitious the ballplayers themselves are, and the fans put them to shame. I mean, some guy actually risked his life to change that Storrow Drive overpass sign from REVERSE CURVE to REVERSE THE CURSE. And the press only eggs them on. Lately there’s been a story on several TV stations about a local Massachusetts teenager who got two of his front teeth knocked out by a foul line drive off the bat of Manny Ramirez. Because this kid just happens to live in the house where Babe Ruth once lived, the curse is now supposed to be broken. Broken teeth, broken curse. Geddit? This is the sort of numbnuts story you kind of expect from the local “If it bleeds it leads” TV in the doldrums of summer…but then, holy shit, the local papers pick it up too. So of course some people actually believe it. Why not? There are still people out there who think Fidel Castro had JFK shot and that cell phones cause brain cancer.

So one thing I know: if I throw out the first pitch and the Red Sox lose , if their ten-game streak ends this afternoon, I will get some of the blame. Because I’m not only a Red Sox fan, I’m (creepy music here) NEW ENGLAND’S HORRORMEISTER!!! And worse—what if someone gets hurt (someone else to go along with Trot, Pokey, and Johnny Damon), or the game ends with a bum call, or—God forbid—there’s some sort of accident in the stands? Or what if the Red Sox go on to lose ten straight, end up nine back of the Yankees again, and four behind Anaheim in the wild card? Nor is this an entirely unbelievable scenario, with three coming up against Oakland (on their turf) and then three more in Seattle, who has suddenly gotten hot. I’LL GET BLAMED FOR THAT TOO! THEY’LL SAY IT ALL STARTED WHEN THAT BASTARD KING THREW OUT THE FIRST PITCH ON SEPTEMBER 4TH!

So of course I say yes.

1 P.M.: It’s stifling hot behind the gigantic American flag, and I’m scared out of my mind. I can’t believe I’ve agreed to do this. On my previous pitching adventure, I only had to walk from the Red Sox dugout to the mound, a matter of twenty-five or thirty steps. Now I’ll be walking in from the deepest part of the park. I am, in fact, positioned just beneath CLE in the out-of-town section of the left-field scoreboard.

My introduction finishes. Marty, my Red Sox minder, lifts the flag forme. I step out into brilliant sunshine and off the warning track, onto green grass. The crowd roars, and I have to remind myself that the PA announcer has cued them to go batshit, has told them that the cameras are rolling, and that they should make as much noise as possible. Still, that forty-second walk is a remarkable period of time for me, every second crystal clear, and as I approach the rusty red dirt of the infield, the exact color of old bricks in a factory wall (I cross at shortstop, where Orlando Cabrera will soon be standing and where Nomar Garciaparra stood for so many years before him), I remember that I promised my daughter-in-law that I’d give the crowd the Manny Salute. I do so without delay, cocking my free hand and glove hand like guns, and the crowd roars louder, laughing and delighted, giving me a verbal high five. It’s probably the best moment, even better than toeing the blinding white strip of the pitcher’s rubber and looking in at Jason Varitek, squatting behind home plate.

Except maybe the moment before I throw is the best moment, because I can see him so clearly (there’s no batter, of course, and he’s not wearing the mask). His face is grave, as if he actually expects me to throw a sixty-foot strike in front of thirty-five thousand people—me, who does his best work in an empty room with a cup of lukewarm tea for company.

And I almost do. My pitch dips at the last second and hits that red-brick dirt just in front of home plate. Varitek catches the ball easily and trots out to give it to me (it’s beside me as I write this, a little red scuff on one curve) as the crowd roars its approval. Varitek is kind, calling it first a sinker, then a “Hideo Nomo strike three.” Too cool.

I try to shake his hand with my glove. That’s how dazed I am.

3:45 P.M.: The good times have rolled and now my darker fears are coming true. Tim Wakefield—my current favorite Red Sox player—is on the mound, and he’s getting lit up. When Terry Francona finally comes out and takes the ball, the score is 8–1, Texas.

4:25 P.M.: The Sox make a game of it, at least—Mark Bellhorn hits a grand slam, and David Ortiz follows with a bases-empty round-tripper—but in the end Boston falls two runs short. There is even that bum call I obsessed about, a phantom tag on Dave Roberts the second-base ump sees as one-half of the game-ending double play. Manny Ramirez is left in the on-deck circle, and the Sox streak ends at ten. I am 0-2 in games where I throw out the first pitch, and tomorrow the newspapers will blame me. I just know it.

SK:I got a LARGE charge out of throwing the first pitch today. Broke off a slider that hit the dirt in front of home plate. Varitek, laughing, called it a “Nomo strike three.” And then we lost. Shit. But still a great game.

SO:Saw you on the tube joking with Tek—v.v. cool. Taped it if you want it. Wake looked awful. What’s his record in day games? Because I’ve seen him at least twice get shelled on beautiful Saturday afternoons. I called the Bellhorn granny, and had a feeling Big Papi would solo right after that. If Bill Mill’s shot up the middle gets through in the eighth, Tek pinch-hits with one out, but that galoot made a skate save. Least the Yanks lost. One more and The Stand’s over. Be sweet to bury the Rangers right here right now. Mr. Schill on the hill.

September 5th

Bob Hohler’s Boston Globe piece on yesterday’s game leads like this: “Searching for scapegoats? Try horrormeister Stephen King, who tossed out a ceremonial first pitch.”

Blame the horrormeister. What did I tell you?

Please, baseball gods, let Curt Schilling win today.

A weird, glancing Sox experience today. We drive the two hours from Avon to Boston, and around game time we deliver Caitlin and all her stuff to her dorm at B.U., then go over to Beacon Street for a farewell lunch. Fenway’s less than a block from us, and fans headed for the rubber game against Texas stream past, decked out in their Red Sox best. So not only do we feel lost, losing Caitlin, it feels like we’re going the wrong way, or doing the wrong thing, as in some unsettling, ominous dream.

On the way home, three now instead of four, we listen to the game unfolding farther and farther behind us. Schilling throws well, and we hold a 4–1 lead until the seventh, when Gabe Kapler adds two more with a bases-loaded single. It turns out that we need them, as Francona unwisely gives Schilling a chance at a complete game. Michael Young—again!—hits a Monster shot, and it’s 6–3 with one down when Foulke comes in. He gets an out with his first pitch, then gives up a single, a double, a single that makes it 6–5, until, finally, as we’re just pulling into the driveway, Bellhorn snares a knee-high bullet to save the game. Yi yi yi.

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