Stephen King - Faithful

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Faithful: краткое содержание, описание и аннотация

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Early in 2004, two writers and Red Sox fans, Stewart O’Nan and Stephen King, decided to chronicle the upcoming season, one of the most hotly anticipated in baseball history. They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan’s notes for the ages.
Amazon.com Review
Fans watching the 2004 baseball playoffs were often treated to shots of Stephen King sitting in the stands, notebook in hand. Given the bizarre events on the field, from the Red Sox’s unprecedented comeback against their most hated rivals to their ace pitcher’s bleeding, stitched-together ankle--not to mention the Sox’s first championship in 86 years--you could be forgiven for thinking King was writing the script as he went along, passing new plot twists down to the dugouts between innings.
What he was writing, though, along with his friend and fellow novelist Stewart O’Nan, was Faithful, a diary of the 2004 Red Sox season. Faithful is written not from inside the clubhouse or the press room, but from the outside, from the stands and the sofa in front of the TV, by two fans who, like the rest of New England, have lived and died (mostly died) with the Sox for decades. From opposite ends of Red Sox Nation, King in Maine and O’Nan at the border of Yankees country in Connecticut, they would meet in the middle at Fenway Park or trade emails from home about the games they’d both stayed up past midnight to watch. King (or, rather, “Steve”) is emotional, O’Nan (or “Stew”) is obsessively analytical. Steve, as the most famous Sox fan who didn’t star in Gigli, is a folk hero of sorts, trading high fives with doormen and enjoying box seats better than John Kerry’s, while Stew is an anonymous nomad, roving all over the park. (Although he’s such a shameless ballhound that he gains some minor celebrity as "Netman" when he brings a giant fishing net to hawk batting-practice flies from the top of the Green Monster.)
You won’t find any of the Roger Angell-style lyricism here that baseball, and the Sox in particular, seem to bring out in people. (King wouldn’t stand for it.) Instead, this is the voice of sports talk radio: two fans by turns hopeful, distraught, and elated, who assess every inside pitch and every waiver move as a personal affront or vindication. Full of daily play-by-play and a season’s rises and falls, Faithful isn’t self-reflective or flat-out funny enough to become a sports classic like Fever Pitch, Ball Four, or A Fan’s Notes, but like everything else associated with the Red Sox 2004 season, from the signing of Curt Schilling to Dave Roberts’s outstretched fingers, it carries the golden glow of destiny. And, of course, it’s got a heck of an ending. —Tom Nissley From Publishers Weekly
Of all the books that will examine the Boston Red Sox’s stunning come-from-behind 2004 ALCS win over the Yankees and subsequent World Series victory, none will have this book’s warmth, personality or depth. Beginning with an e-mail exchange in the summer of 2003, novelists King and O’Nan started keeping diaries chronicling the Red Sox’s season, from spring training to the Series’ final game. Although they attended some games together, the two did most of their conversing in electronic missives about the team’s players, the highs and lows of their performance on the field and the hated Yankees (“limousine longballers”). O’Nan acts as a play-by-play announcer, calling the details of every game (sometimes quite tediously), while King provides colorful commentary, making the games come alive by proffering his intense emotional reactions to them. When the Red Sox find themselves three games down during the ALCS, King reflects on the possibilities of a win in game four: “Yet still we are the faithful… we tell ourselves it’s just one game at a time. We tell ourselves the impossible can start tonight.” After the Sox win the Series, O’Nan delivers a fan’s thanks: “You believed in yourselves even more than we did. That’s why you’re World Champions, and why we’ll never forget you or this season. Wherever you go, any of you, you’ll always have a home here, in the heart of the Nation.” (At times, the authors’ language borders on the maudlin.) But King and O’Nan are, admittedly, more eloquent than average baseball fans (or average sportswriters, for that matter), and their book will provide Red Sox readers an opportunity to relive every nail-biting moment of a memorable season.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Timlin throws a perfect top of the ninth. Before Johnny can lead off the bottom, two fans run out on the field, delighting the crowd. When Johnny finally gets up, he’s laughing and loose, and walks on a pitch that’s really too close to take. MacDougal, the Royals’ young closer, stares in at veteran ump Joe West; West whips off his mask and stares back. A passed ball puts Johnny at second, so we don’t have to worry about the double play. With Bellhorn up, I expect we’re in for a long at-bat, but he gets a pitch belt-high and yanks it deep to right. Juan Gonzalez runs a few steps toward the corner, then pulls up as the ball lands a dozen rows in. The game’s tied at 6 and Fenway’s on its feet. Here in Avon, we’re hollering and trading high fives.

They don’t want to pitch to Manny with the game on the line, but they don’t intentionally walk him either, just nibble a little and then stay away on 3-2.

MacDougal’s gone and righty Scott Sullivan’s on. With two down, Francona pinch-hits the switch-hitting Tek for the righty Kapler. Tek rips Sullivan’s first pitch down the right-field line for a sure double. Manny’s running on contact. The ball skims along the wall instead of kicking out. “Don’t touch it!” I coach the fans past the Pesky Pole. I see other fans along the wall doing the same with their neighbors, holding their arms out wide as if to prove they’re not fouling anyone. Gonzalez scoops the ball and fires to Relaford, whose relay to Santiago is just enough off the plate to the first-base side to let Manny tiptoe in standing up. He leaps into the arms of Kevin Millar and the Sox win 7–6. Here at home, Steph and I are jumping and high-fiving, slapping at each other like first-graders.

It’s a huge win—a steal, really. Two in the eighth, then three in the ninth off a cold closer. Manny ran hard all the way and Sveum sent him in—classic strategy at home: play for the win and make them throw you out. I watch Extra Innings, wallowing in the highlights and locker-room interviews. Sox win, Sox win!

SO:Man, what a wild one. I’m still short of breath from screaming. It’s amazing how loud you have to yell at the TV so the players can hear you.

SK:…so it was spoken, and so it was. My God, Bellhorn’s starting to look like the deal of the century, isn’t he? (BELLHORN, BOOK, AND CANDLE, starring Spencer Tracy). He cranks one to get us even, and then Manny (MANNY THE TORPEDOES, starring Randolph Scott) struts across home plate three minutes later, arms raised like a ref signaling the extra point’s good. And all at once we’ve got a little breathing room between us and the Yankees. Have you noticed, by the way, that on Extra Innings they now play Darth Vader music before giving the Yankees score? And call them the Evil Empire? Hee! Hating the Yankees is very much in vogue, but since we were doing it long before Yankee-hating was cool (outside of New England, that is), I’m sending you your own YANKEES HATER hat, with the spiffy yhintertwined logo on the front.

Also, the Coen Brothers remake: MUELLER’S CROSSING.

And the Hammer Horror remake: CURSE OF THE DAMON, titled JOHNNY EVIL for DVD release.

The art-film classic LEAVING NOMAR.

That gritty piece of ’50s realism: I TROTTED ALL THE WAY HOME.

The soft-core classic PLEASE ME ORTIZ ME.

Nor can we forget the hardcore STROKE ME POKEY.

Bottom line? Baseball’s a wonderful game. There’s no greater thrill than when your team pulls one out. And you can’t get that from a newspaper story. TV’s better, but there’s really nothing on God’s earth like being at the ballpark and getting on your feet in the bottom of the ninth, hot dog still in hand, when the Sox pull one out. If Heaven’s that good, I guess I wanna go.

Born Again in New England.

SO:Was at a game last year against Clemboy and the Yanks where John Williams threw out the first ball (I think he bounced it), and when Clem jogged out to the pen, the PA played Lord Vader’s March—perfect for a guy who started out as a headstrong young Jedi apprentice from a dusty, forlorn planet, then felt betrayed and hurt, grew power-mad and crossed over to the dark side.

May 8th

What’s better than the Sox winning? The Sox winning and the Yanks losing. Last night the Mariners rocked Jon Lieber, so we’re two games up. And we can’t forget the O’s, just a half game behind them. Toronto’s under .500, and Tampa Bay’s already in a death spiral. That’s the kind of year a fan fears—out of the chase by May (like the Pirates, who got one-hit last night). As Sox fans, we need to remember how lucky we are.

And we’re damn lucky today, with front-row seats on the Monster. All along Lansdowne, people stare at the net; Trudy pretends she’s not with me. The guy at the turnstile asks me what I think I’m going to do with it, but just laughs and lets me through. Trudy and the kids can’t believe I’m getting away with this.

The Royals are hitting, clumps of players spread around the outfield. It’s a bright cool day up on the Monster, and the wind’s in our faces, perfect for home runs. We’re in M9, next to the second light standard, but that’s too far toward center. I stake my claim to an empty spot in M5 above the power alley.

I’ve just started to extend the handle when a ball comes right at me. It’s going to be short. I reach out and down. I’d have it if the handle were fully extended.

“Hey, no fair!” Trudy calls from M9. “That’s cheating.”

With the handle fully extended, the net’s about ten feet long, giving me incredible range. It really is unfair.

Mike Sweeney’s taking his cuts. He sends one directly over my head. I raise the net straight up and even jump, but the ball carries over it, banging off the third-row facade and then back past us and down to the field again.

A few swings later, Sweeney hits one just to my right. It’s going to be close. I scoot a few steps and swing the net over. The ball clanks off the handle and drops at my feet. Inelegant, but hell, it’s a ball, and Sweeney’s as good a player as they’ve got.

I’m not sure who hits me the next one. It’s right at me, and a few feet out from the lip, so I’m not taking it away from anyone, but I misjudge it and it bangs off the handle a good foot from the head of the net, and falls back to the field. The boos and laughs shower down, and I slump back in a stool and hang my head. “Nice going, Netman.” “Netguy, you suck!”

The guy beside me points out a dent in the handle. It’s a good-sized ding, the metal buckled inward. I can’t close the handle all the way anymore.

Juan Gonzalez puts a bunch out by the Coke bottles, and then some guy in a blue fleece sweatshirt hits another right at me. It rises past the solid background of the roof and up into the blue sky, then falls fast. It’s going to be short, and I dip the net out and down. I don’t think I’ve got enough reach, but I must, because it’s a swish, just a gentle tug on my arms and then the ball swinging in the mesh, caught. The crowd goes wild. “Yeah, go ahead, Netman!” “Hey, gimme one—isn’t it catch and release?”

The ball has a pink stamp on the sweet spot: KCR enclosed by a thin circle, like something on special at CVS. The hitter was Benito Santiago—the BEN from his bathead’s imprinted backwards across the cowhide.

Like Mark Bellhorn, I had a chance to redeem myself. And just in time too, because that’s it for BP. Packing up, I’m visited by two people. A burly security dude who tells me I’ll have to surrender the net to him before game time (so I don’t interfere with play), and a reporter for the Greenfield, Mass, paper who saw the catch and wants to interview me. I get to use my Bellhorn analogy. “You’re down one minute and the next you’re up again. That’s baseball.” And, canned and corny as that sounds, it is: as long as you keep at it—stubbornly, dumbly—something good might happen.

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