Stephen King - Faithful

Cabrera might have been even more tempted to test his swollen lip if informed of this statistic: in World Series history, the team drawing first blood has gone on to win the Fall Classic 60 percent of the time. Still, there’s that other 40 percent…and the fact that the Cards have yet to lose during this postseason on their home field. But—fingers crossed, now—you’ve got to like the Red Sox going into Game 2. They’re nice and loose (what could be looser than four errors and four walks issued by Red Sox pitching?), their demonic archrivals are behind them and they’re riding a nifty five-game winning streak.

Last night’s game began with a moment of silence for Victoria Snelgrove, the young woman killed by a pepper-gas ball during riot-control operations outside Fenway following Boston’s final victory over New York,and while it was both decent and brave of the current ownership to remember her (one is tempted to believe that the previous bunch of caretakers would have swept Ms. Snelgrove under the rug as fast and as far as possible), it was also a reminder of what is truly ogly in our brave new world, where all game bags are searched and the clocks tick on Osama Mean Time.

There were lines of Boston police, looking like puffy Michelin Men in their riot gear, watching impassively as the happy and largely well-behaved crowd left the old green First New England Church of Baseball with the strains of “Dirty Water” still ringing in their ears and the memory of Mark Bellhorn’s game-winning, foul-pole-banging home run still vivid in their minds. To me those dark lines of armed men outside such a place of ancient and innocent pleasure are a lot harder to look at than the mark on Orlando Cabrera’s face, or his swelled lower lip.

11–9 is a crazy score for a World Series game; so is a total of 24 hits and 5 errors. But the bottom line is that we won, Father Curt takes the mound tomorrow night on home turf with his freshly restitched ankle, and that’s a beautiful thing. (A remarkable one, anyway.)

I only wish Torie Snelgrove was around to see it.

The most surprising thing to me about Game 1 was how the Faithful booed Dale Sveum during the pregame introductions. I suppose it’s a delayed (or should I say sustained?) reaction to Johnny being thrown out at home in the first inning of Game 7 of the ALCS. Whatever it is, I don’t like it.

And despite the win, I don’t like the way Kevin Millar played, leaving ten men on, making essentially two errors on the same play (double-clutching that cutoff, then throwing the ball into the dugout), and later not getting anywhere near a ball hit down the line that both Mientkiewicz and McCarty handle easily.

By contrast, the Cards’ Larry Walker took to the big stage in a big way, making two great catches in right (a Manny liner down into the corner with men on, and a windblown pop he had to run a long way and then lunge for at the last second), and hitting a double, a homer, a single and another double. This is Walker’s first World Series, after a long and brilliant career in the hinterlands of Montreal and Colorado, and it was heartening to see him show the world his A game. If Pujols, Rolen and Edmonds had done anything to help him out, we’d be down 0-1.

Mark Bellhorn, meanwhile, seems determined to enforce the curse of the ex-Cubs (that is, the team with more ex-Cubs is bound to lose the Series—the Cards have five while we only have two, Marky Mark and Billy Mueller). Before his home run off Julian Tavarez, he was 2 for 3 against him lifetime, so his success didn’t surprise me, only the magnitude of it. It was no fluke. Tavarez didn’t fool him at all. Marky Mark ripped the pitch before his Pesky Pole shot high and deep down the line in right, but foul. All he had to do was reload and straighten it out, making him one of a very rarefied club—players who’ve homered in three straight postseason games.

On the street outside the players’ lot I run into Andrew on his way out to buy some salads for the guys. We’re surrounded by a crowd of tourists hoping to catch a glimpse of the stars. Camera crews, cops. Andrew still can’t believe this is all happening—a common reaction among the Nation, even those deep inside it. I ask him about Schill’s ankle, and tell him about seeing Dr. Morgan yesterday. Yeah, he says, they had him on the table, but he tried to stay away from there.

“How’s he look?” I ask.

Andrew just shrugs. “We’ll have to see.”

Inside, I catch Tony Womack along the left-field wall, joking with an old friend in the stands about beating him at golf next week. When he gets a break, I ask him how his collarbone feels after taking that David Ortiz smash off it last night.

“I’m fine,” he says, and I tell him how much I’d been rooting for him in spring training.

“You ran great, bunted great, stole bases. I wish you could have played the field.”

“Man,” he says, shaking his head, “they didn’t want me.”

We shake hands, and a minute later he calls Larry Walker over.

Walker looks puzzled until he sees Tony’s friend.

“You know this guy?” Tony asks.

“Know this guy?” Walker says. “This guy owes me eight grand!”

It’s Sunday, and in the concourse crowds are gathered around the wall-mounted TVs watching the Patriots beat the Jets for their twenty-first consecutive win. If the Pats can win twenty-one straight, the logic goes, why can’t we win eight?

Our seats are down in the corner where I normally post up for BP—better seats than I’m used to. How good? Above us in the Monster seats is Jimmy Fallon, and two rows in front of us, so close I could lean forward and tap his shoulder, is Eagles QB Donovan McNabb. He played an outstanding game today in Cleveland, his long scramble setting up an overtime win. He must have showered and gotten right on the plane. He’s so tired that the only time he stands up during the game is to go to the restroom, but, like us, he stays for every drizzly, windswept pitch.

One summer night in the mid-1960s, right around the time the Beatles were ruling the American music charts, a young music producer named Ed Cobb happened to be walking with his girlfriend beside the Charles River in the quaint old city of Boston, Massachusetts…or so the story goes. Out of the shadows came a thief who tried to mug him out of his wallet (or maybe it was out of her purse; on that the story is not entirely clear). In any case, the musically inclined Mr. Cobb foiled the thief and got an idea for a song as a bonus. The song, “Dirty Water,” was eventually recorded by a group of Boston proto-punks called the Standells and released by Capitol, who wanted a record Cobb had produced for Ketty (“Anyone Who Had a Heart”) Lester. No one expected much from the raw and raunchy [84] In my high school, the phrase “lovers, muggers and thieves” was routinely construed to be either “lovers, junkies and thieves” or “lovers, fuckers and thieves.” “Dirty Water,” but it went to #11 on the Billboard pop charts and has remained a standard on the Boston club scene ever since.

It was revived by the new Red Sox management and has become the good-time signature of Boston wins. For the Fenway Faithful, there’s nothing better than seeing the final out go up on the scoreboard and hearing that six-note intro with the familiar first-note slide leading into the verse: Down by the riiiiver… And so it seemed a particularly good omen to see the resurrected Standells in deep center field before the game last night, a lot grayer and a little thinner on top but still loud and proud, singing about that dirty water down by the banks of the River Charles.