Masha Gessen - The Man Without a Face

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The Man Without a Face Handpicked as a successor by the “family” surrounding an ailing and increasingly unpopular Boris Yeltsin, Vladimir Putin seemed like a perfect choice for the oligarchy to shape according to its own designs. Suddenly the boy who had stood in the shadows, dreaming of ruling the world, was a public figure, and his popularity soared. Russia and an infatuated West were determined to see the progressive leader of their dreams, even as he seized control of media, sent political rivals and critics into exile or to the grave, and smashed the country's fragile electoral system, concentrating power in the hands of his cronies.
As a journalist living in Moscow, Masha Gessen experienced this history firsthand, and for
she has drawn on information and sources no other writer has tapped. Her account of how a “faceless” man maneuvered his way into absolute-and absolutely corrupt-power has the makings of a classic of narrative nonfiction.

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The attack was a message. The pristine execution and the fact that Litvinovich’s valuables were not touched served to underscore this. Another young political consultant, a former colleague of Litvinovich who had made a brilliant career working for the Putin government, spelled out the message in his blog: “Women should not be in this line of work… Marina has joined the war, and no one ever said this war would be conducted according to rules.” In other words, this is what would happen to those who fought the Kremlin.

ON SATURDAY, OCTOBER 7, 2006, Anna Politkovskaya came home to her apartment building in central Moscow and was shot dead in the elevator.

Who could have done it? Anyone. Politkovskaya could be extremely unpleasant: alongside her extraordinarily empathic personality there seemed to exist another, given to lashing out at the slightest provocation. This was a dangerous trait for a journalist whose sources included any number of well-armed men who were used to violence and not at all used to having women talk back to them. She could be unkind to her sources, as she was to Khanpash Terkibaev, whom she made look vain and stupid after he sincerely tried to impress her. She took sides, a dangerous business in times of clan war. But most of all, she was known as a critic of the Putin regime. Alexander Litvinenko was certain that this was what killed her. “Anna Politkovskaya Was Killed by Putin” was how he titled the obituary he posted that day. “We disagreed occasionally, and we would argue,” he wrote of his relationship with Politkovskaya. “But we had complete understanding on one point: we both believed that Putin is a war criminal, that he is guilty of the genocide of the Chechen people, and that he should be tried by an open and independent court. Anya realized that Putin might kill her for her beliefs, and for this she despised him.”

The day Politkovskaya died, Putin turned fifty-four. Journalists immediately termed the murder his birthday present. Putin said nothing about Politkovskaya’s death. The following day he sent birthday wishes to a figure skater who was turning sixty and a popular actor who was turning seventy, but still uttered not a word about a murder that had shaken the capital and the country. Three days after the murder, he was in Dresden, the city he had once called home, meeting with German chancellor Angela Merkel. When he exited his car in Dresden, he encountered a picket line of about thirty people holding signs that said “Killer” and “Killers Not Welcome Here Anymore.” At the press conference following his meeting with Merkel, journalists—and, it seemed, Merkel herself—forced him finally to make a public statement on Politkovskaya’s death. Once again Putin showed that, pressed to speak publicly on a matter of emotional significance, he could not comport himself. He seemed to seethe as he spoke:

“That journalist was indeed a harsh critic of the current Russian government,” he said. “But I think that journalists know—certainly, experts are aware of this—that her political influence in the country was extremely insignificant. She was known in journalist circles and among human-rights activists and in the West, but her influence on politics in Russia was minimal. The murder of such a person—the cold-blooded murder of a woman, a mother—is in itself an attack on our country. This murder does much more harm to Russia and its current government, and to the current government in Chechnya, than any of her articles.”

He was right: Politkovskaya was better known in Western European countries like France and Germany, where her books were translated and promoted widely, than she was in Russia, where she had long since been blacklisted by television (she had once been an articulate talk-show regular), where the newspaper where she worked was perceived as marginal, and where, most important, investigative pieces that would have been bombshells had Russia remained a quasi-functioning democracy were simply ignored. The government never reacted to her interview with Khanpash Terkibaev or her report that the police had ignored Beslan warnings. Not even a low-level police functionary lost his job: nothing happened at all, as though nothing had been said or no one had heard it. And her murder, which put Putin in the position of having to prove his innocence, certainly did more damage to him and to his government than Politkovskaya had in life.

And it was such a terribly crafted statement, and it showed Putin’s view of journalists so clearly, that I am inclined to believe he was being sincere.

ON NOVEMBER 1, 2006, just three weeks after the murder of Politkovskaya, Alexander Litvinenko felt ill. Ever mindful that he might be poisoned, he immediately downed four quarts of water, to try to flush whatever it was out of his system. It did not help: within hours, Litvinenko was vomiting violently. He was also in excruciating pain: it felt as though his throat, his esophagus, and his stomach had been burned; eating or drinking was impossible, and when he threw up, he was in agony. After three days of unremitting symptoms, he was hospitalized.

Litvinenko immediately told doctors he might have been poisoned by agents of the Russian government. In response, he got a psychiatric consultation—and decided to keep his theory to himself. Doctors told his wife, Marina, that they were looking for unusual bacteria they believed had caused Litvinenko’s severe symptoms. For a while she believed them and patiently waited for her husband to get better. But about ten days into the ordeal, she noticed that Alexander had taken a marked turn for the worse. She also saw that his hospital gown was covered with hair. “I stroked his head,” she told me later. “I had a rubber glove on, and his hair stayed on my glove. I said, ‘Sasha, what is this?’ He said, ‘I don’t know, my hair seems to be falling out.’ And this was when I just stood up right there, where his bed was, and started screaming, ‘Have you no shame?’ Until then I’d tried to be patient, but this was when I realized I couldn’t take it anymore. His attending physician came right away, and I said, ‘Do you see what’s going on, can you explain to me what’s going on?’ So they called someone from Oncology and some other specialist and started to consult. And the oncologist said, ‘I’m going to take him up to my ward because he looks like someone who has had radiation therapy.’ And he took him up to his ward, and still they found nothing.”

It was another week before Litvinenko’s doctors, the British press corps, and the London police came to believe he had been poisoned. Trace amounts of thallium, a heavy metal historically used in rat poison but long since outlawed in Western countries, had been found in his urine. The discovery gave Litvinenko, his wife, and his friends hope: he would start receiving an antidote and recover. “I thought he might be disabled—I was prepared for that,” Marina told me, “but I did not think he would die. I was thinking about treatments we would have to be getting.” The discovery also gave the British media a reason to write the story of the “Russian spy,” as they insisted on calling him, dying in a London hospital, and Scotland Yard reason to begin interrogating Litvinenko. The former whistle-blower, weak, unable to swallow—during his entire hospital stay he received all his sustenance via an IV line—and overcoming extreme pain to speak, gave about twenty hours of testimony in his final days. But the diagnosis also gave pause to a star toxicologist whom Goldfarb had called in: Litvinenko’s symptoms did not really look to him like symptoms of thallium poisoning.

A day or two before he slipped into a coma, Litvinenko dictated a statement that he asked to be released in the event of his death. Alex Goldfarb took it down. It began with three paragraphs expressing gratitude to doctors, Great Britain, and Marina, and continued:

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