Dave Cullen - Columbine

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Columbine: краткое содержание, описание и аннотация

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Ten years in the making and a masterpiece of reportage, “Columbine” is an award-winning journalist’s definitive account of one of the most shocking massacres in American history.
It is driven by two questions: what drove these killers, and what did they do to this town?
On April 20, 1999, two boys left an indelible stamp on the American psyche. Their goal was simple: to blow up their school, Oklahoma-City style, and to leave “a lasting impression on the world.” Their bombs failed, but the ensuing shooting defined a new era of school violence—irrevocably branding every subsequent shooting “another Columbine.”
When we think of Columbine, we think of the Trench Coat Mafia; we think of Cassie Bernall, the girl we thought professed her faith before she was shot; and we think of the boy pulling himself out of a school window—the whole world was watching him. Now, in a riveting piece of journalism nearly ten years in the making, comes the story none of us knew. In this revelatory book, Dave Cullen has delivered a profile of teenage killers that goes to the heart of psychopathology. He lays bare the callous brutality of mastermind Eric Harris, and the quavering, suicidal Dylan Klebold, who went to prom three days earlier and obsessed about love in his journal. The result is an astonishing account of two good students with lots of friends, who came to stockpile a basement cache of weapons, to record their raging hatred, and to manipulate every adult who got in their way. They left signs everywhere, described by Cullen with a keen investigative eye and psychological acumen.
Drawing on hundreds of interviews, thousands of pages of police files, FBI psychologists, and the boy’s tapes and diaries, he gives the first complete account of the Columbine tragedy. In the tradition of HELTER SKELTER and IN COLD BLOOD, COLUMBINE is destined to be a classic. A close-up portrait of hatred, a community rendered helpless, and the police blunders and cover-ups, it is a compelling and utterly human portrait of two killers-an unforgettable cautionary tale for our times.
https://www.youtube.com/watch?v=EA22SKaQ5hU
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Along the way, the boys passed the library windows, and ignored all the kids huddled there. Then they circled back. That room offered the highest concentration of fodder they had seen. They found fifty-six people inside. They killed ten, injured twelve. The remaining thirty-four were easy pickings. But Eric and Dylan got bored. They walked out seven and a half minutes later, at 11:36, seventeen minutes into the attack. Aside from themselves and the cops, they would not shoot another human again.

The boys wandered into the science wing. They walked past Science Room 3, where the Eagle Scouts were just getting started on Dave Sanders. They looked through the windowpanes in several classroom doors. Kids were inside most of them. At least two or three hundred kids remained in the school. The killers knew they were there. Many witnesses made eye contact. Eric and Dylan walked by. They chose empty classrooms to open fire.

They roamed aimlessly upstairs. To civilians, it seems odd that they stopped shooting and entered this “quiet period.” It’s actually pretty normal for a psychopath. They enjoy their exploits, but murder gets boring, too. Even serial killers lose interest for a few days. Eric was likely proud and inflated, but tired of it already. Dylan was less predictable, but probably resembled a bipolar experiencing a mixed episode: depressed and manic at once—indifferent to his actions; remorseless but not sadistic. He was ready to die, fused with Eric and following his lead.

Eric had a few thrills left to savor. Killing had turned tedious, but he was still up for an explosion. The biggest explosion of his life. He could still perform his primary feat: blow up the school and burn down the rubble.

He headed down the staircase into the commons at 11:44. Dylan followed closely behind. Eric stopped on the landing halfway down. He knelt and placed his rifle barrel on the railing to improve his accuracy. Backpacks were scattered everywhere, but Eric knew which duffel bag was his. He fired. The boys were easily within the blast area, and they were well aware of that fact. Twenty-five minutes into the massacre, Eric made his second attempt to initiate the main event, and his first attempt at suicide. He failed again.

Eric gave up. He walked directly to the bomb, with Dylan behind him. Dylan tried to fiddle with it. That failed, too. Kids were visible under some of the tables. The killers ignored them. Lots of drinks had been left on the tables, and the killers tipped back a few. “Today the world’s going to come to an end,” one of them said. “Today’s the day we die.”

The surveillance cameras picked up their movements in the commons. Their body language was vastly different than what witnesses in the library described. Their shoulders drooped, and they walked slowly. The excitement had drained out of them; the bravado was gone. Eric had also broken his nose. He was in severe pain.

They left the cafeteria after two and a half minutes. On the way out, Dylan tossed a Molotov cocktail at the big bombs—one last attempt to set them off. Another failure. Several kids felt the blast and ran.

The boys drifted about the school: upstairs and down again. They surveyed the damage in the commons. It was pathetic. The Molotov started a small fire that burned the duffel bag off one of the bombs and ignited some of the fuel strapped to it, but the propane tank was impervious. The fire set off the sprinkler system across the room. The boys had been going for an inferno; they caused a flood.

The killers were apparently out of ideas. They’d expected to be dead by now, but never planned how. The cops were supposed to take care of that. Eric predicted he’d be shot in the head. No one had obliged.

They had two essential choices: suicide or surrender. Eric would sooner die. He idolized Medea for going down in flames, but couldn’t ignite his fire.

A cornered psychopath will often attempt “suicide by cop”: an aggressive provocation to force the police to shoot. Eric and Dylan could have ended it dramatically by charging the perimeter. It would have been glorious. But it would take tremendous courage.

Eric craved self-determination. Dylan just wanted a way out. Alone, he might well have been talked down. He had been promising suicide for two years and never brought himself near it. He never had a partner to guide him out.

At noon, they returned to the library. Why end it there? Act III was about to commence. The car bombs were set to blow. Ambulances had massed around Dylan’s BMW as planned. A triage unit was busy nearby. Limbs would fill the air, just like Eric’s drawings. The library windows were set up like skyboxes. Eric and Dylan most likely chose the library, not just because of the carnage there already, but for a better view.

They found the room quite different than they’d left it twenty-four minutes before. Human decay begins rapidly. The first thing to assault them was probably smell. Blood is rich in iron, so large volumes emit a strong metallic smell. The average body contains five quarts. Several gallons had pooled on the carpet, coagulating into a reddish brown gelatin, with irregular black speckles. Aerosolized droplets dry quickly, so the spatters were black and crusty. Stray globs of brain matter would soon be solid as concrete. They would be scraped off with putty knives and the stubborn chunks melted down with steam-injection machines.

The killers had left the library in turmoil: shots, screams, explosions, and forty-two teens moaning, gasping, and praying. The commotion had ceased, replaced by the piercing fire alarm. The smoke cleared; a warm breeze floated through the blown-out windows. Twelve bodies shared the room with them. Two were breathing: Patrick Ireland and Lisa Kreutz had been fading in and out of consciousness, unable to move. Four staff hid in rooms farther back. Ten corpses had passed through pallor mortis, and livor mortis was setting in. The skin had gone white and purplish splotches were now appearing as the remaining blood settled.

The boys may have been oblivious. Mass murderers often shift into an altered state, dissociated and indifferent to the horror. Some barely notice, others take a clinical curiosity in variations like eyes either bulging or retracting, the whites clouding up or mottling with red clumps. If Eric or Dylan touched their victims, they would have found the bodies cooling noticeably, but still warm and pliable.

They walked on. Eric advanced toward a center window, among the heaviest carnage. He walked past the worst of it to get there. Dylan broke away and chose a spot closer to the entrance, half a dozen window panels down. If he took a direct route, he followed one of the cleanest pathways left.

The boys inspected the army surrounding them outside. Paramedics were just then breaching the perimeter to rescue Sean, Lance, and Anne Marie. Eric opened fire. Dylan did the same. Two deputies shot back, mostly suppressive fire. The medics gave up, the boys quit. This was their only fire on humans during the thirty-two-minute quiet period. It was a classic attempt at suicide by cop: heroically dying in battle, but at a time, place, and manner of their own choosing. That failed, too.

A minute or two later, at 12:06, the first SWAT team finally entered Columbine High School, on the opposite end of the building. Eric and Dylan could not have known. They apparently waited for their cars to explode, weathered a final disappointment, and then called it a day.

Eric turned his back on the mess. He retreated to the southwest corner, one of the few unspoiled areas in the room. Dylan joined him there. It was a cozy spot near the windows, nestled between walls and bookshelves on three sides, with a mountain view. One body lay nearby. It was Patrick Ireland, gently breathing, unconscious. The boys sat down on the floor facing out at the windows. They seemed to be staying low to avoid police fire. That may seem odd given their intentions, but it’s all about control. Eric propped himself against a bookshelf, just a shoulder-width to the right of Dylan and a few feet behind, watching his back.

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