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Dave Cullen: Columbine

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Dave Cullen Columbine

Columbine: краткое содержание, описание и аннотация

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Ten years in the making and a masterpiece of reportage, “Columbine” is an award-winning journalist’s definitive account of one of the most shocking massacres in American history. It is driven by two questions: what drove these killers, and what did they do to this town? On April 20, 1999, two boys left an indelible stamp on the American psyche. Their goal was simple: to blow up their school, Oklahoma-City style, and to leave “a lasting impression on the world.” Their bombs failed, but the ensuing shooting defined a new era of school violence—irrevocably branding every subsequent shooting “another Columbine.” When we think of Columbine, we think of the Trench Coat Mafia; we think of Cassie Bernall, the girl we thought professed her faith before she was shot; and we think of the boy pulling himself out of a school window—the whole world was watching him. Now, in a riveting piece of journalism nearly ten years in the making, comes the story none of us knew. In this revelatory book, Dave Cullen has delivered a profile of teenage killers that goes to the heart of psychopathology. He lays bare the callous brutality of mastermind Eric Harris, and the quavering, suicidal Dylan Klebold, who went to prom three days earlier and obsessed about love in his journal. The result is an astonishing account of two good students with lots of friends, who came to stockpile a basement cache of weapons, to record their raging hatred, and to manipulate every adult who got in their way. They left signs everywhere, described by Cullen with a keen investigative eye and psychological acumen. Drawing on hundreds of interviews, thousands of pages of police files, FBI psychologists, and the boy’s tapes and diaries, he gives the first complete account of the Columbine tragedy. In the tradition of HELTER SKELTER and IN COLD BLOOD, COLUMBINE is destined to be a classic. A close-up portrait of hatred, a community rendered helpless, and the police blunders and cover-ups, it is a compelling and utterly human portrait of two killers-an unforgettable cautionary tale for our times. https://www.youtube.com/watch?v=EA22SKaQ5hU * * *

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Eric fancied himself a nonconformist, but he craved approval and fumed over the slightest disrespect. His hand was always shooting up in class, and he always had the right answer. Eric wrote a poem for creative writing class that week about ending hate and loving the world. He enjoyed quoting Nietzsche and Shakespeare, but missed the irony of his own nickname, Reb: so rebellious he’d named himself after the school mascot.

Dylan went by VoDKa, sometimes capitalizing his initials in the name of his favorite liquor. He was a heavy drinker and damn proud of it; supposedly he’d earned the name after downing an entire bottle. Eric preferred Jack Daniel’s but scrupulously hid it from his parents. To adult eyes, Eric was the obedient one. Misbehavior had consequences, usually involving his father, usually curtailing his freedom. Eric was a little control freak. He gauged his moves and determined just how much he could get away with. He could suck up like crazy to make things go his way.

The Blackjack Pizza store owner during most of their tenure was acquainted with Eric’s wild side. After he closed the shop, Robert Kirgis would climb up to the roof sometimes, taking Eric and Dylan with him, and chugging brewskis while the boys shot bottle rockets over the strip mall. Kirgis was twenty-nine but enjoyed hanging with this pair. They were bright kids; they talked just like adults sometimes. Eric knew when to play, when to get serious. If a cop had ever showed up on that rooftop, everyone would have turned to Eric to do the talking. When customers stacked up at the counter and drivers rushed in for pickups, somebody needed to take control and Eric was your man. He was like a robot under pressure. Nothing could faze him, not when he cared about the outcome. Plus, he needed that job; he had an expensive hobby and he wasn’t about to jeopardize it for short-term gratification. Kirgis put Eric in charge when he left.

Nobody put Dylan in charge of anything. He was unreliable. He had been on and off the payroll in the past year. He’d applied for a better job at a computer store and presented a professional resume. The owner had been impressed, and Dylan had gotten the job. He’d never bothered to show.

But nothing separated the boys’ personalities like a run-in with authority. Dylan would be hyperventilating, Eric calmly calculating. Eric’s cool head steered them clear of most trouble, but they had their share of schoolyard fights. They liked to pick on younger kids. Dylan had been caught scratching obscenities into a freshman’s locker. When Dean Peter Horvath called him down, Dylan went ballistic. He cussed the dean out, bounced off the walls, acted like a nutcase. Eric could have talked his way out with apologies, evasions, or claims of innocence—whatever that subject was susceptible to. He read people quickly and tailored his responses. Eric was unflappable; Dylan erupted. He had no clue what Dean Horvath would respond to, nor did he care. He was pure emotion. When he learned his father was driving in to discuss the locker, Dylan dug himself in deeper. Logic was irrelevant.

The boys were both gifted analytically, math whizzes and technology hounds. Gadgets, computers, video games—any new technology and they were mesmerized. They created Web sites, adapted games with their own characters and adventures, and shot loads of videos—brief little short subjects they wrote, directed, and starred in. Surprisingly, gangly shyboy Dylan made for the more engaging actor. Eric was so calm and even-tempered, he couldn’t even fake intensity. In person, he came off charming, confident, and engaging; impersonating an emotional young man, he was dull and unconvincing, incapable of emoting. Dylan was a live wire. In life, he was timid and shy, but not always quiet: trip his anger and he erupted. On film, he unleashed the anger and he was that crazy man, disintegrating in front of the camera. His eyes bugged out and his cheeks pulled away from them, all the flesh bunched up at the extremities, deep crevices around the looming nose.

Outwardly, Eric and Dylan looked like normal young boys about to graduate. They were testing authority, testing their sexual prowess—a little frustrated with the dumbasses they had to deal with, a little full of themselves. Nothing unusual for high school.

____

Rebel Hill slopes gradually, rising just forty feet above Columbine, which sits at its base. That’s enough to dominate the immediate surroundings, but halfway up the hillside, the Rockies are suddenly spectacular. Each step forward lowers the mesa toward eye level, and the mountains leap up behind, a jagged brown wall rearing straight off the Great Plains. They stand two to three thousand feet above it—endless and apparently impenetrable, fading all the way over the northern horizon and just as far to the south. Locals call them the foothills. This Front Range towering over Columbine is taller than the highest peaks in all of Appalachia. Roads and regular habitation stop suddenly at the base of the foothills; even vegetation struggles to survive. Just three miles away, and it feels like the end of the world.

Nothing much grows on Rebel Hill’s mesa. It’s covered in cracked reddish clay, broken by the occasional scraggly weed failing to make much of a foothold. Up ahead, in the middle distance, humanity finally returns in the form of subdivisions. On fat winding lanes and cul-de-sacs, comfortably spaced two-story houses pop up among the pines. Strip malls and soccer fields and churches, churches, churches.

Columbine High School sits on a softly rolling meadow at the edge of a sprawling park, in the shadow of the Rocky Mountains. It’s a large, modern facility—250,000 square feet of solid no-frills construction. With a beige concrete exterior and few windows, the school looks like a factory from most angles. It’s practical, like the people of south Jefferson County. Jeffco, as it’s known locally, scrimped on architectural affectations but invested generously in chem labs, computers, video production facilities, and a first-rate teaching force.

Friday morning, after the assembly, the corridors bustled with giddy teenage exuberance. Students poured out of the gym giggling, flirting, chasing, and jostling. Yet just outside the north entranceway, where the tips of the Rockies peeked around the edges of Rebel Hill, the clamor of two thousand boisterous teenagers faded to nothing. The two-story structure and the sports complex wrapped around it on two sides were the only indication of America’s twentieth-largest metropolis. Downtown Denver lay just ten miles to the northeast, but a dense thicket of trees obscured the skyline. On warmer days, the sliding doors of the woodshop would gape open. Boys set their cutting tools into the spinning blocks of wood, and the sudden buzz of the lathe machines competed with the exhaust system. But a cold front had swept onto the high plains Wednesday, and the air was hovering around freezing as Mr. D told the students that he loved them.

Cold didn’t deter the smokers. Any day of the year, you could find them wandering near, but rarely in, the official smoking pit, a ten-by-eight grass rectangle cordoned off by telephone-pole logs just past the parking lot, just beyond school grounds. It was peaceful there. No teachers, no rules, no commotion, no stress.

Eric and Dylan were fixtures in the smokers’ gulley. They both smoked the same brand, Camel filtered. Eric picked it; Dylan followed.

Lately, friends had noticed more cutting and missed assignments. Dylan kept getting in trouble for sleeping in class. Eric was frustrated and pissed, but also curiously unemotional. One day that year, a friend videotaped him hanging out at the lunch table with his buddies. They bantered about cams and valves, and a good price for a used Mazda. Eric appeared entranced with his cell phone, aimlessly spinning it in circles. He didn’t seem to be listening, but he was taking it all in.

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