David Wallace - Consider the Lobster - And Other Essays

“To show we’re Americans and we’re not going to bow down to nobody”;

“It’s a classic pseudo-archetype, a reflexive semion designed to preempt and negate the critical function” (grad student);

“For pride.”

“What they do is symbolize unity and that we’re all together behind the victims in this war and they’ve fucked with the wrong people this time, amigo.” (back to text)

145 * Pace some people’s impression, the native accent around here isn’t southern so much as just rural. The town’s corporate transplants, on the other hand, have no accent at all — in Mrs. Bracero’s phrase, State Farm people “sound like the folks on TV.” (back to text)

146 † People here are deeply, deeply into lawn-care; my own neighbors mow about as often as they shave. (back to text)

147 * Mrs. Thompson’s living room is prototypical working-class Bloomington, too: double-pane windows, white Sears curtains w/ valence, catalogue clock with a background of mallards, woodgrain magazine rack with CSM and Reader’s Digest, inset bookshelves used to display little collectible figurines and framed photos of relatives and their families. There are two knit samplers w/ the Desiderata and Prayer of St. Francis, antimacassars on every good chair, and wall-to-wall carpet so thick that you can’t see your feet (people take their shoes off at the door — it’s basic common courtesy). (back to text)

148 * AP reporter Michael Mewshaw’s Short Circuit (Atheneum, 1983) is just one example of national-press stuff about drugs on the tour. (back to text)

149 * Or listen again to her report of how winning her first US Open felt: “I immediately knew what I had done, which was to win the US Open, and I was thrilled.” This line haunts me; it’s like the whole letdown of the book boiled down into one dead bite. (back to text)

150 * Here I should point out that this RS editor, whose name was Mr. Tonelli, delivered the length-and-space verdict with sympathy and good humor, and that he was pretty much a mensch through the whole radically ablative editorial process that followed, which process was itself unusually rushed and stressful because right in the middle of it (the process) came Super Tuesday’s bloodbath, and McCain really did drop out — Mr. Tonelli was actually watching McCain’s announcement on his office TV while we were doing the first round of cuts on the telephone — and apparently Rolling Stone’ s top brass’s fear of looking stupid came roaring back into their limbic system and they told poor Mr. Tonelli that the article had to be all of a sudden crammed into the very next issue of RS, even though that issue was scheduled to “close” and go to the printer in less than 48 hours, which, if you know anything about magazines’ normally interminable editing and fact-checking and copyediting and typesetting and proofreading and retype-setting and layout and printing processes, you’ll understand why Mr. Tonelli’s good humor through the whole thing was noteworthy. (back to text)

151 * In particular I never got to talk to Mr. Mike Murphy, who if you read the document you’ll understand why he’d be the one McCain staffer you’d just about give a nut to get three or four drinks into and then start probing. Despite sustained pestering and sleeve-tugging and pride-swallowing appeals to the Head Press Liaison for even just ten lousy minutes, though — and even after RS’ s Mr. Tonelli himself called McCain2000 HQ in Virginia to bitch and wheedle — Mike Murphy avoided this reporter to the point of actually starting to duck around corners whenever he saw me coming. The unending pursuit of this one interview (what eventually in my notebook got called “MurphyQuest 2000” ) actually turned into one of the great personal subdramas of the week, and there’s a whole very lengthy and sordid story to tell here, including some embarrassing but probably in retrospect kind of funny attempts to corner the poor man in all sorts of awkward personal venues where I figured he’d have a hard time escaping… nevertheless the crux here is that Murphy’s total inaccessibility to yrs. truly was not, I finally realized, anything personal, but rather a simple function of my being from Rolling Stone, a (let’s face it) politically featherweight organ whose readership was clearly not part of any GOP demographic that was going to help Mike Murphy’s candidate in SC or MI or any of the other upcoming sink-or-swim primaries. In fact, because the magazine was a biweekly with a long lead time — the Lebanese-Australian lady from the Boston Globe (see document) pointed all this out to yrs. truly after we’d just watched Murphy more or less fake an epileptic seizure to get out of riding in an elevator with me — even a droolingly pro-McCain Rolling Stone article wouldn’t actually appear until after 7 March’s Super Tuesday, by which time, she predicted (correctly), the nomination battle would effectively be over. (back to text)

1 There’s a comprehensive native apothegm: “Camden by the sea, Rockland by the smell.” (back to text)

2 N.B. All personally connected parties have made it clear from the start that they do not want to be talked about in this article. (back to text)

3 Midcoasters’ native term for a lobster is, in fact, “bug,” as in “Come around on Sunday and we’ll cook up some bugs.” (back to text)

4 Factoid: Lobster traps are usually baited with dead herring. (back to text)

5 Of course, the common practice of dipping the lobster meat in melted butter torpedoes all these happy fat-specs, which none of the council’s promotional stuff ever mentions, any more than potato industry PR talks about sour cream and bacon bits. (back to text)

6 In truth, there’s a great deal to be said about the differences between working-class Rockland and the heavily populist flavor of its festival versus comfortable and elitist Camden with its expensive view and shops given entirely over to $200 sweaters and great rows of Victorian homes converted to upscale B&Bs. And about these differences as two sides of the great coin that is US tourism. Very little of which will be said here, except to amplify the above-mentioned paradox and to reveal your assigned correspondent’s own preferences. I confess that I have never understood why so many people’s idea of a fun vacation is to don flip-flops and sunglasses and crawl through maddening traffic to loud, hot, crowded tourist venues in order to sample a “local flavor” that is by definition ruined by the presence of tourists. This may (as my festival companions keep pointing out) all be a matter of personality and hardwired taste: the fact that I do not like tourist venues means that I’ll never understand their appeal and so am probably not the one to talk about it (the supposed appeal). But, since this FN will almost surely not survive magazine-editing anyway, here goes:

As I see it, it probably really is good for the soul to be a tourist, even if it’s only once in a while. Not good for the soul in a refreshing or enlivening way, though, but rather in a grim, steely-eyed, let’s-look-honestly-at-the-facts-and-find-some-way-to-deal-with-them way. My personal experience has not been that traveling around the country is broadening or relaxing, or that radical changes in place and context have a salutary effect, but rather that intranational tourism is radically constricting, and humbling in the hardest way — hostile to my fantasy of being a true individual, of living somehow outside and above it all. (Coming up is the part that my companions find especially unhappy and repellent, a sure way to spoil the fun of vacation travel:) To be a mass tourist, for me, is to become a pure late-date American: alien, ignorant, greedy for something you cannot ever have, disappointed in a way you can never admit. It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience. It is to impose yourself on places that in all non-economic ways would be better, realer, without you. It is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing. (back to text)