David Wallace - Consider the Lobster - And Other Essays

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Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

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33 [Laughter, cheers.] (back to text)

34 Let us note that the slick, full-color 15th AAVNA Official Program is itself an advertiser-sponsored document, its lists of categories and nominees scattered among full-page production-company ads hyping the nominated films themselves. This doesn’t seem beyond the pale — certainly Variety does the same sort of thing at Oscartime. Other ads in the AAVNA Program are for things like Wet Platinum — brand lubricant —

STAYS SLICK EVEN UNDER

WATER… NEVER DRIES… WILL NOT HARM LATEX!

— plus several from California Exotic Novelties Corp., maker of the RAMROD Penile Pump, of Doc Joc’s Incredible Jack-Off Device, and of the “Anne Malle Facsimile Fullsize KNEELING DOLL”:

• KNEELING POSITION — READY TO BE TAKEN

• EXCITING ANAL PENETRATION

• RIPE LUSCIOUS SQUEEZABLE BREASTS

• VIBRATING ACTION

• BEAUTIFUL BLACK HAIR

BEND OVER and TAKE ME NOW!!!

Whether these ads are niche-directed at industry Insiders (doubtful, although they’re pretty much the only ones who are going to see the Programs), at retailers, or at plain old mooks is unclear. (back to text)

35 There are 45 official voters listed in the Awards Program. Here are some of their names: Avie Chute, Rich C. Leather, Marlon Brandeis, Roland Tuggonit, Stroker Palmer, S. Andrew Roberts & Slave Girl (so actually there are either 45 or 44 official voters, depending on whether Slave Girl gets her own vote or is just along to rubber-stamp S. Andrew Roberts’s vote). Oddly, Ms. Ellen Thompson appears on the list both as Ida Slapter and as Ellen Thompson, so one sort of wonders just how many ontologically distinct voters there actually are. Nor does an independent Big 6 accounting firm tally the ballots in secret under armed guard or any of that Oscar-type security. According to Slapter/Thompson, the Awards voting is “secret,” but the completed ballots are all turned in to Paul Fishbein and Gene Ross, who are the Publisher and VP (and Fishbein a co-owner) of Adult Video News, and who thus have an obvious interest in happy sponsors and healthy ad revenues. The whole thing inspires something less than rock-solid confidence. (back to text)

36 What many of the top woodmen resemble most are gymnasts. They’re compact and muscular and move with the liquid economy of athletes, as if equipped with internal gyroscopes. Little of their physical grace is ever visible on tape. (back to text)

37 We are not kidding — the Oscars are brisk and minimalist compared to the AVNAs. (back to text)

38 (e.g. Debbie Does Dallas, Behind the Green Door, something ill-lit with John Holmes in it, The Devil in Miss Jones, etc. — nothing identifiable from Deep Throat, though, and definitely nothing involving the statutorily infamous Traci Lords…) (back to text)

39 There is something deeply surreal about standing behind a female performer in hot-pink peau de soie, a woman whose clitoris and perineum you have priorly seen, and watching her try to get a microwaved egg roll onto her plate with a cocktail fork. (back to text)

40 (platonically) (back to text)

41 Despite the fact that the movie presents everybody in porn as cretinous, pathetic, or both, the adult industry has evidently embraced Boogie Nights the same way the music industry embraced This Is Spinal Tap, and the Anderson rumor (which never comes to anything — if P. T. Anderson ever shows, it’s deeply incognito) generates the least cynical enthusiasm of the evening. (back to text)

42 (We’re on duty.) (back to text)

43 For instance, H. Hecuba has strictly enjoined us from buying any sort of distilled beverage for Dick Filth, for reasons that become clear as the evening wears on. (back to text)

44 (The waiters’ special 15th AAVNAs fringe benefit, which sharply reduced yr. corresps.’ empathy with them, wasn’t revealed until the gala concluded — see below.) (back to text)

45 Filth is shouting because between the screens’ clips’ audio and the stage band warming atonally up and the ambient conversational roar it’s close to deafening in here. When the Awards Show starts, the audio techs will have the amplifiers turned all the way up to Shattering, which, even though it will tend to cause mussed hair and spilled drinks in both directions’ front rows, those of us way back in mookland appreciate. (back to text)

46 As both the screens’ preliminary clips and the Musical Salute indicate, Adult Video News appears to believe that the History of Adult begins circa 1975, when in fact this is merely the year when the locus of US porn moved from New York to California. (back to text)

47 E. just one g.: AVN head Paul Fishbein takes a moment out from his welcoming remarks to announce that his proud parents are in the audience tonight… and they are. (back to text)

48 (Nobody mispronounces Sodomania, though, we notice.) (back to text)

49 There is no will left to inquire about this (much less about the gynecological logistics of a Triple Penetration); by this time yr. corresps. are slumped in opposite directions in their chairs, only slightly less fried than the lady from ABC Radio. (back to text)

50 Yes — it’s a real category. There’s also Best Anal Sex Scene/Video, Best Group Sex Scene/F & /V, Best All-Girl Sex Scene, Best Gay Sex Scene, Best Foreign Sex Scene, Best Tease Performance, and something called Best Solo Sex Scene. Etc. etc. Hence the Awards Show’s extreme and numbing length: There’s a total 104 categories overall, plus three Special Achievement Awards, an AVN Breakthrough Award, and sixteen new inductees to the already engorged AVN Hall of Fame. (back to text)

51 Though Ms. Swift won for Miscreants, she is here actually alluding to her and director R. Black’s real breakthrough video in 1997, Gangbang Angels, which is essentially a one-woman show and features the year’s most infamous scene: Twelve woodmen line up and do an about-face, and S. Swift performs analingus on each in turn; she then kneels and assumes a prayerful/compliant posture as the twelve men all do a right-face and form a moving line and take turns hawking and spitting in her face. (back to text)

52 (Meaning people in the live audience. Adult Video News is taping the whole Awards Show, and they’re going to distribute the tape for sale/rent; and in the taped version, clips from various winning scenes are going to get spliced in, which seems clearly designed to mitigate at-home boredom.) (back to text)

53 (who is no J. Whatley but at least doesn’t screech) (back to text)

54 No woodmen are invited to join in, or at any rate none try to. (back to text)

55 (whom D. Filth is still hectoring for $13.00 in alleged Grand Marnier change) (back to text)

* Hereafter, GMNs. (back to text)

* Unless, of course, you consider delivering long encomiums to a woman’s “sacred several-lipped gateway” or saying things like “It is true, the sight of her plump lips obediently distended around my swollen member, her eyelids lowered demurely, afflicts me with a religious peace” to be the same as loving her. (back to text)

1 Compare e.g. in this regard the whole “What was the old man in despair about?”— “Nothing” interchange in the opening pages of Hemingway’s “A Clean, Well-Lighted Place” with water-cooler zingers like “The big difference between a White House intern and a Cadillac is that not everybody’s been in a Cadillac.” Or consider the single word “Goodbye” at the end of Vonnegut’s “Report on the Barnhouse Effect” vs. the function of “The fish!” as a response to “How many surrealists does it take to screw in a lightbulb?” (back to text)

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