David Wallace - Consider the Lobster - And Other Essays

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Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

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There’s a nice opportunity here for cynicism about the media’s idea of “fighting words” as the CNN crew FFs through the speech, Jim McManus eating his fifth Krispy Kreme of the day and awaiting Mark A.’s signal, Jonathan Karl polishing his glasses on his tie, Mark A. leaning forward with his eyes closed in aural concentration; and just behind Mark’s massive shoulder, at the rear edge of the front starboard couch, is NBC camera tech Jim C., who has a bad case of the Campaign Flu, pouring more blood-red tincture of elderberry into a bottle of water, his expression carefully stoic because the elderberry remedy’s been provided by his wife, who happens to be the NBC crew’s field producer and is right across the aisle on the port couch watching him closely to see that he drinks it, and it’ll be fun to hear Jim C. crack wise about the elderberry later when she’s not around. Cynical observation: The fact that John McCain in this morning’s speech several times invoked a “moral poverty” in America, a “loss of shame” that he blamed on “the ceaseless assault of violence-driven entertainment that has lost its moral compass to greed” (McCain’s metaphors tend to mix a bit when he gets excited), and made noises that sounded rather a lot like proposing possible federal regulation of all US entertainment, which would have dicey constitutional implications to say the least — this holds no immediate interest for CNN. Nor are they hunting for the hair-raising place in the speech where McCain declared that our next president should be considered “Commander in Chief of the war on drugs” and granted the authority to send both money and (it sounded like) troops, if necessary, into “nations that seem to need assistance controlling their exports of poisons that threaten our children.” When you consider that state control of the media is one of the big evils we point to to distinguish liberal democracies from repressive regimes, and that sending troops to “assist” in the internal affairs of sovereign nations has gotten the US into some of its worst messes of the last half century, these parts of McCain’s speech seem like the real “fighting words” that a mature democratic electorate might care to hear the news talk about. But we don’t care, evidently, and so neither do the networks. In fact, it’s possible to argue that a big reason why so many young Independents and Democrats are excited about McCain is that the campaign media focus so much attention on McCain’s piss-and-vinegar candor and so little attention on the sometimes extremely scary right-wing stuff this candor drives him to say … but no matter, because what’s really riveting here at BS1’s starboard table right now is what happens to McCain’s face on the Sony SX’s screen as they fast-forward through the speech’s dull specifics. McCain has white hair (premature, from Hoa Lo), and dark eyebrows, and a pink scalp under something that isn’t quite a comb-over, and kind of chubby cheeks, and in a regular analog fast-forward you’d expect his face to look silly, the way everybody on film looks spastic and silly when they’re FF’d. But CNN’s tape and editing equipment are digital, so what happens on FF is that the shoulders-up view of McCain against eight of the big flag’s stripes doesn’t speed up and get silly but rather just kind of explodes into myriad little digital boxes and squares, and these pieces jumble wildly around and bulge and recede and collapse and whirl and rearrange themselves at a furious FF pace, and the resultant image is like something out of the very worst drug experience of all time, a physiognomic Rubik’s Cube’s constituent squares and boxes flying around and changing shape and sometimes seeming right on the verge of becoming a human face but never quite resolving into a face, on the high-speed screen.

WHO EVEN CARES WHO CARES

It’s hard to get good answers to why Young Voters are so uninterested in politics. This is probably because it’s next to impossible to get someone to think hard about why he’s not interested in something. The boredom itself preempts inquiry; the fact of the feeling’s enough. Surely one reason, though, is that politics is not cool. Or say rather that cool, interesting, alive people do not seem to be the ones who are drawn to the political process. Think back to the sort of kids in high school who were into running for student office: dweeby, overgroomed, obsequious to authority, ambitious in a sad way. Eager to play the Game. The kind of kids other kids would want to beat up if it didn’t seem so pointless and dull. And now consider some of 2000’s adult versions of these very same kids: Al Gore, best described by CNN sound tech Mark A. as “amazingly lifelike”; Steve Forbes, with his wet forehead and loony giggle; G. W. Bush’s patrician smirk and mangled cant; even Clinton himself, with his big red fake-friendly face and “I feel your pain.” Men who aren’t enough like human beings even to hate — what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It’s way easier to roll your eyes and not give a shit. You probably don’t want to hear about all this, even.

One reason a lot of the media on the Trail like John McCain is simply that he’s a cool guy. Nondweeby. In school, Clinton was in student government and band, whereas McCain was a varsity jock and a hell-raiser whose talents for partying and getting laid are still spoken of with awe by former classmates, a guy who graduated near the bottom of his class at Annapolis and got in trouble for flying jets too low and cutting power lines and crashing all the time and generally being cool. At 63, he’s witty, and smart, and he’ll make fun of himself and his wife and staff and other pols and the Trail, and he’ll tease the press and give them shit in a way they don’t ever mind because it’s the sort of shit that makes you feel that here’s this very cool, important guy who’s noticing you and liking you enough to give you shit. Sometimes he’ll wink at you for no reason. If all that doesn’t sound like a big deal, you have to remember that these pro reporters have to spend a lot of time around politicians, and most politicians are painful to be around. As one national pencil told Rolling Stone and another nonpro, “If you saw more of how the other candidates conduct themselves, you’d be way more impressed with [McCain]. It’s that he acts somewhat in the ballpark of the way a real human being would act.” And the grateful press on the Trail transmit — maybe even exaggerate — McCain’s humanity to their huge audience, the electorate, which electorate in turn seems so paroxysmically thankful for a presidential candidate somewhat in the ballpark of a real human being that it has to make you stop and think about how starved voters are for just some minimal level of genuineness in the men who want to “lead” and “inspire” them.

There are, of course, some groups of Young Voters who are way, way into modern politics. There’s Rowdy Ralph Reed’s far-Right Christians for one, and then out at the other end of the spectrum there’s ACT UP and the sensitive men and angry womyn of the PC Left. It is interesting, though, that what gives these small fringe blocs such disproportionate power is the simple failure of most mainstream Young Voters to get off their ass and vote. It’s like we all learned in social studies back in junior high: If I vote and you don’t, my vote counts double. And it’s not just the fringes who benefit — the fact is that it is to some very powerful Establishments’ advantage that most younger people hate politics and don’t vote. This, too, deserves to be thought about, if you can stand it.

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