David Wallace - Consider the Lobster - And Other Essays

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Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

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Like most Midwest towns, B-N is crammed with churches: four full pages in the phone book. Everything from Unitarian to bug-eyed Pentecostal. There’s even a church for agnostics. But except for church — plus I guess your basic parades, fireworks, and a couple corn festivals — there isn’t much public community. Everybody has his family and neighbors and tight little circle of friends. Folks keep to themselves (the native term for light conversation is visit ). They basically all play softball or golf and grill out, and watch their kids play soccer, and sometimes go to mainstream movies …

… And they watch massive, staggering amounts of TV. I don’t just mean the kids, either. Something that’s obvious but important to keep in mind re Bloomington and the Horror is that reality — any felt sense of a larger world — is mainly televisual. New York’s skyline, for instance, is as recognizable here as anyplace else, but what it’s recognizable from is TV. TV’s also a more social phenomenon than on the East Coast, where in my experience people are almost constantly leaving home to go meet other people face-to-face in public places. There don’t really tend to be parties or mixers per se so much here — what you do in Bloomington is all get together at somebody’s house and watch something.

In Bloomington, therefore, to have a home without a TV is to become a kind of constant and Kramer-like presence in others’ homes, a perpetual guest of folks who can’t quite understand why somebody wouldn’t own a TV but are totally respectful of your need to watch TV, and who will offer you access to their TV in the same instinctive way they’d bend to offer a hand if you fell down in the street. This is especially true for some kind of must-see, crisis-type situation like the 2000 election or this week’s Horror. All you have to do is call someone you know and say you don’t have a TV: “Well shoot, boy, get over here.”

TUESDAYThere are maybe ten days a year when it’s gorgeous in Bloomington, and 11 September is one of them. The air is clear and temperate and wonderfully dry after several weeks of what’s felt very much like living in someone’s armpit. It’s just before serious harvesting starts, when the region’s pollen is at its worst, and a good percentage of the city is stoned on Benadryl, which as you probably know tends to give the early morning a kind of dreamy, underwater quality. Time-wise, we’re an hour behind the East Coast. By 8:00, everybody with a job is at it, and just about everybody else is home drinking coffee and blowing their nose and watching Today or one of the other network AM shows that all broadcast (it goes without saying) from New York. At 8:00 on Tuesday I personally was in the shower, trying to listen to a Bears postmortem on WSCR Sports Radio in Chicago.

The church I belong to is on the south side of Bloomington, near where my house is. Most of the people I know well enough to ask if I can come over and watch their TV are members of my church. It’s not one of those churches where people throw Jesus’ name around a lot or talk about the End Times, but it’s fairly serious, and people in the congregation get to know each other well and to be pretty tight. As far as I know, all the congregants are natives of the area. Most are working-class or retired from same. There are some small-business owners. A fair number are veterans and/or have kids in the military or — especially — in the Reserves, because for many of these families that’s what you do to pay for college.

The house I end up sitting with shampoo in my hair watching most of the actual unfolding Horror at belongs to Mrs. Thompson, who is one of the world’s cooler seventy-four-year-olds and exactly the kind of person who in an emergency even if her phone is busy you know you can just come on over. She lives about a mile away from me on the other side of a mobile-home park. The streets are not crowded, but they’re also not as empty as they’re going to get. Mrs. Thompson’s is a tiny immaculate one-story home that on the West Coast would be called a bungalow and on the south side of Bloomington is called a house. Mrs. Thompson is a long-time member and a leader in the congregation, and her living room tends to be kind of a gathering place. She’s also the mom of one of my very best friends here, F—, who was in the Rangers in Vietnam and got shot in the knee and now works for a contractor installing various kinds of franchise stores in malls. He’s in the middle of a divorce (long story) and living with Mrs. T. while the court decides on the disposition of his house. F— is one of those veterans who doesn’t talk about the war or belong to the VFW but is sometimes preoccupied in a dark way, and goes quietly off to camp by himself over Memorial Day weekend, and you can tell that he carries some serious shit in his head. Like most people who work construction, he wakes up very early and was long gone by the time I got to his mom’s, which happened to be just after the second plane hit the South Tower, meaning probably around 8:10.

In retrospect, the first sign of possible shock was the fact that I didn’t ring the bell but just came on in, which normally here one would never do. Thanks in part to her son’s trade connections, Mrs. T. has a forty-inch flat-panel Philips TV on which Dan Rather appears for a second in shirtsleeves with his hair slightly mussed. (People in Bloomington seem overwhelmingly to prefer CBS News; it’s unclear why.) Several other ladies from church are already over here, but I don’t know if I exchanged greetings with anyone because I remember when I came in everybody was staring transfixed at one of the very few pieces of video CBS never reran, which was a distant wide-angle shot of the North Tower and its top floors’ exposed steel lattice in flames, and of dots detaching from the building and moving through smoke down the screen, which then a sudden jerky tightening of the shot revealed to be actual people in coats and ties and skirts with their shoes falling off as they fell, some hanging onto ledges or girders and then letting go, upside-down or wriggling as they fell and one couple almost seeming (unverifiable) to be hugging each other as they fell those several stories and shrank back to dots as the camera then all of a sudden pulled back to the long view — I have no idea how long the clip took — after which Dan Rather’s mouth seemed to move for a second before any sound emerged, and everyone in the room sat back and looked at one another with expressions that seemed somehow both childlike and terribly old. I think one or two people made some sort of sound. I’m not sure what else to say. It seems grotesque to talk about being traumatized by a piece of video when the people in the video were dying. Something about the shoes also falling made it worse. I think the older ladies took it better than I did. Then the hideous beauty of the rerun clip of the second plane hitting the tower, the blue and silver and black and spectacular orange of it, as more little moving dots fell. Mrs. Thompson was in her chair, which is a rocker with floral cushions. The living room has two other chairs, and a huge corduroy sofa that F— and I had had to take the front door off its hinges to get in the house. All the seats were occupied, meaning I think five or six other people, most women, all these over fifty, and there were more voices in the kitchen, one of which was very upset-sounding and belonged to the psychologically delicate Mrs. R—, who I don’t know very well but is said to have once been a beauty of great local repute. Many of the people are Mrs. T.’s neighbors, and some are still in robes, and at various times people leave to go home and use the phone and come back, or leave altogether (one younger lady went to go take her children out of school), and other people came. At one point, around the time the South Tower was falling so perfectly-seeming down into itself (I remember thinking that it was falling the way an elegant lady faints, but it was Mrs. Bracero’s normally pretty much useless and irritating son, Duane, who pointed out that what it really looked like is if you took some film of a NASA liftoff and ran it backward, which now after several re-viewings does seem dead on), there were at least a dozen people in the house. The living room was dim because in summer here everyone always keeps their drapes pulled. *

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