Truong Son Martyrs Cemetery. Photo by Sam Sweezy
Ho Chi Minh City Martyrs Cemetery. Photo by Sam Sweezy
Mourning soldier, statue, Ho Chi Minh City. Photo by Gregory Farris
Defaced tombstone, National Cemetery of the Army of the Republic of Vietnam. Photo by Sam Sweezy
Vietnam Veterans Memorial Wall, Maya Lin. Washington, DC. Photo by Viet Thanh Nguyen
The Three Soldiers, Frederick Hart. Washington, DC. Photo by Viet Thanh Nguyen
Vietnam Women’s Memorial, Glenna Goodacre. Washington, DC. Photo by Viet Thanh Nguyen
Photographs of faces, S-21, Phnom Penh. Photo by Viet Thanh Nguyen
“No laughing” sign. S-21, Phnom Penh. Photo by Viet Thanh Nguyen
Defaced photograph of Duch. S-21, Phnom Penh. Photo by Viet Thanh Nguyen
The Missing Picture, film still, dir. Rithy Panh. © CDP/Bophana Center
Pens and necklaces supposedly made from American bullets. Photo by Viet Thanh Nguyen
Rusted tank, Doc Mieu firebase, near the demilitarized zone. Photo by Sam Sweezy
Helicopter diorama, War Memorial of Korea, Seoul. Photo by Viet Thanh Nguyen
R-Point, film still, dir. Gong Su-chang. 2004 CJ Entertainment / Cinema Service
Sunny, film still, dir. Joon-ik Lee. 2008 Tiger Pictures / Achim Pictures
Ha My Memorial, near Hoi An. Photo by Sam Sweezy
Dien Bien Phu Martyrs Cemetery Memorial. Photo by Viet Thanh Nguyen
Mosaic, Cu Chi tunnels. Photo by Viet Thanh Nguyen
Russian jet, B-52 Victory Museum, Hanoi. Photo by Viet Thanh Nguyen
Thich Quang Duc’s car. Photo by Sam Sweezy
Dien Bien Phu of the Air, Military History Museum, Hanoi. Photo by Sam Sweezy
Nancy Rubins, Chas’ Stainless Steel, Mark Thomson’s Airplane Parts, about 1,000 lbs. of Stainless Steel Wire & Gagosian’s Beverly Hills Space at MOCA , 2002. Airplane parts, stainless steel armature, stainless steel wire cable, 25 x 54 x 33 feet. Collection of the Museum of Contemporary Art, Los Angeles, purchased in honor of Beatrice Gersh with funds provided by the Acquisition and Collection Committee; the Broad Art Foundation; Linda and Bob Gersh; David, Susan, Steven, and Laura Gersh; and Eugenio López. © Nancy Rubins. Photo by Brian Forrest
Frieze, Dien Bien Phu Martyrs Cemetery, 2009. Photo by Viet Thanh Nguyen
Diorama, Con Son Island Prison Complex, Con Dao Islands. Photo by Viet Thanh Nguyen
In Every Neighborhood, Dang Duc Sinh. Photo by Sam Sweezy
Commemoration, Nguyen Phu Cuong. Photo by Sam Sweezy
Zippo lighters, Ho Chi Minh City Museum. Photo by Viet Thanh Nguyen
Vinh Moc tunnels, 2009. Photo by Viet Thanh Nguyen
The Dinh’s only surviving photo. Courtesy Viet Nam News Agency (VNA) Photo Department. F.8420
Tham Phiu Cave, Plain of Jars, Laos. Photo by Viet Thanh Nguyen
Graphic novel excerpt from Vietnamerica: A Family’s Journey by G. B. Tran, copyright © 2011 by Gia-Bao Tran. Used by permission of Villard Books, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved.
Homeless man, Philadelphia. Photo by Linh Dinh
“Cleaning the Drapes,” from the series House Beautiful: Bringing the War Home , c. 1967–1972. Martha Rosler
Photo, in American Sports, 1970: Or How We Spent the War in Vietnam (Aperture Press, 2008), Tod Papageorge. Yale University Art Gallery.
“The White Man’s Burden (Apologies to Kipling),” Victor Gillam. The Ohio State University Billy Ireland Cartoon Library & Museum.
Choeung Ek stupa skulls. Photo by Viet Thanh Nguyen
29 Palms: Night Operations III , 2003–2004. © An-My Lê, courtesy Murray Guy, New York
Small Wars (sniper I), 1999–2002. © An-My Lê, courtesy Murray Guy, New York.
“Untitled Cambodia #4,” Cambodia: Splendor and Darkness , Dinh Q. Lê
Story cloth, Chue and Nhia Thao Cha. All rights reserved. Bailey Archive, Denver Museum of Nature & Science
Pol Pot tomb, near Anlong Veng, Cambodia. Photo by Viet Thanh Nguyen
The Abandoned Field: Free Fire Zone (film), 119, 120, 168
Acosta, Oscar Zeta, 219
Adams, Eddie, 105
Affirmation, 204
Afghanistan, 2, 6–7, 14
African Americans, 53, 153, 200, 218
Agamben, Giorgio, 244
Agent Orange, 230
Aguilar-San Juan, Karin, 40
Ahn Junghyo, 141–42
Air America (film), 123, 124
Air Defense Museum, 165
Aki Ra, 172
American PX, 140
American Sniper (film), 14
American Sports, 1970: Or How We Spent the War in Vietnam (Papageorge), 231–32
American War, 4, 6–7
American Way: exclusivity of, 10
Angkar (Organization), 84, 89
Angkor Wat, 269
Anlong Veng, 297–99
Antiwar movements, 265
Apocalypse Now (film), 13–14, 64–65; power of, 127; as secondhand memory, 103; in U.S. war machine, 116–21; worldview of, 120
Apostol, Gina, 111
Appiah, Kwame Anthony, 271–72, 274
Appy, Christian G., 50–51
Arendt, Hannah, 96
Arlington National Cemetery, 44
Army of the Republic of Vietnam: memorials to, 335
Art: acknowledgment of dead through, 175; commodification of, 13; as gifts, 296–97; of Hmong trauma, 281–83; of Ho Chi Minh, 160–62; importance of, in ethics of memory, 12–13, 87; inequities of memory industry in, 184; in just forgetting, 286–87; of Khmer Rouge era, 87; to memorialize Korean forces, 137–38; recognition of human and inhuman in, 99; in shock of recognition, 113; and the war machine, 269–78
Asian Americans: as model minority, 131, 153
Assman, Jan, 50
Augé, Marc, 25–26
Balaban, John, 295
Baldwin, James, 218, 219
Ban Me Thuot, 163
Ban Vinai refugee camp, 242–43
Bao Ninh, 30, 37–38, 55
Bars, 179
Barthes, Roland, 183
Bataille, Christophe, 84
Battambang, 188
Battle Hymn (film), 130
Baudrillard, Jean, 64–65, 116–17, 127
Bercovitch, Sacvan, 10
Bergson, Henri, 109
The Betrayal ( Nerakhoon; film), 292–93
B-52 Victory Museum, 165
Bhabha, Homi, 248
The Birth of a Nation (film), 117
Black April, 42
Blackness, 141
Black Ops (video game), 109, 110
Black Panthers, 218, 219
Black Virgin Mountain (Heinemann), 295
Bombings, 276–77
The Book of Laughter and Forgetting (Kundera), 94
The Book of Salt (Truong), 206, 208, 209–10
Borges, Jorge Luis, 19
Boym, Svetlana, 43
The Bridges at Toko-Ri (film), 130
The Brief Wondrous Life of Oscar Wao (Díaz), 220
Buddhism, 295
Bui Thac Chuyen, 171
Bush, George H.W., 49
Butler, Judith, 75–76
Butler, Robert Olen, 209
Call of Duty (video game), 109
Cambodia: acknowledgment of conflict in, 7, 288; commodification of war in, 15; extension of war into, 6; under Khmer Rouge regime, 7, 83–100, 129; memorials to, 260; prosecution for war crimes in, 289–90; recognition of veterans in, 66–67; war casualties in, 7, 8, 156; war photographers from, 184
Cambodian refugees, 234
Cambodia: Splendor and Darkness (Lê), 268–69
Cao, Lan, 203, 212
Capitalism: industrialization of memory in, 13–16; just memory and, 18; in Korea, 130–31, 149–50, 151–52; Korean immigrants’ effect on, 131–32; in museum gift shops, 175, 177–79; national power and, 15–16; perpetual war and, 285; reconciliation and, 295–96; success of South Korea in, 129; of tourist industry, 178; of Vietnam refugee communities, 40–41
Carter, Jimmy, 114
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