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Alice Sebold: Lucky

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Alice Sebold Lucky

Lucky: краткое содержание, описание и аннотация

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A non fiction book Enormously visceral, emotionally gripping, and imbued with the belief that justice is possible even after the most horrific of crimes, Alice Sebold's compelling memoir of her rape at the age of eighteen is a story that takes hold of you and won't let go. Sebold fulfills a promise that she made to herself in the very tunnel where she was raped: someday she would write a book about her experience. With Lucky she delivers on that promise with mordant wit and an eye for life's absurdities, as she describes what she was like both as a young girl before the rape and how that rape changed but did not sink the woman she later became. It is Alice's indomitable spirit that we come to know in these pages. The same young woman who sets her sights on becoming an Ethel Merman-style diva one day (despite her braces, bad complexion, and extra weight) encounters what is still thought of today as the crime from which no woman can ever really recover. In an account that is at once heartrending and hilarious, we see Alice's spirit prevail as she struggles to have a normal college experience in the aftermath of this harrowing, life-changing event. No less gripping is the almost unbelievable role that coincidence plays in the unfolding of Sebold's narrative. Her case, placed in the inactive file, is miraculously opened again six months later when she sees her rapist on the street. This begins the long road to what dominates these pages: the struggle for triumph and understanding – in the courtroom and outside in the world. Lucky is, quite simply, a real-life thriller. In its literary style and narrative tension we never lose sight of why this life story is worth reading. At the end we are left standing in the wake of devastating violence, and, like the writer, we have come to know what it means to survive.

Alice Sebold: другие книги автора


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Back out in the hallway, we ran into Diane and her boyfriend, Victor. They had been up all night, waiting for me to come home.

My relationship to Victor, before that morning, consisted primarily of not understanding what he had in common with Diane, whom I found loud. He was handsome and athletic and very, very quiet around all of us. He had entered school already having chosen his major. It was something like electrical engineering. Very different from poetry. Victor was black.

"Alice," Diane said.

Other people came out of Cindy's open doorway. Girls I knew vaguely or those I didn't know.

"Victor wants to hug you," Diane said.

I looked at Victor. This was too much. He was not my rapist, I knew that. That was not the issue. But he was blocking my way to the last thing on earth I wanted to do and the thing I knew I had to do. Make that call to my mother.

"I don't think I can," I said to Victor.

"He was black, wasn't he?" Victor asked. He was trying to get me to look at him, look right at him.

"Yes."

"I'm sorry," he said. He was crying. The tears ran slowly down the outside of his cheeks. "I'm so sorry."

I don't know whether I hugged him because I could not stand to see him crying (so odd in the Victor I knew, the quiet Victor who studied diligently or smiled shyly at Diane), or because I was prompted further by those around us. He held me until I had to pull away and then he let me go. He was miserable, and I cannot even now imagine what was going on inside his head. Perhaps he already knew that both relatives and strangers would say things to me like "I bet he was black," and so he wanted to give me something to counter this, some experience in the same twenty-four hours that would make me resist placing people in categories and aiming at them my full-on hate. It was my first hug from a man after the rape-black or white-and all I knew was that I couldn't give anything back. The arms around me, the vague threat of physical power, were all too much.

By the end, Victor and I had an audience. It was something I would have to get used to. Standing close to him, but separated from the embrace, I was aware of Mary Alice and of Diane. They belonged. The others were foggy and off to the side. They were watching my life as if it were a movie. In their version of the story, where did they fit? I would find out over the years that in a few versions, I was their best friend. Knowing a victim is like knowing a celebrity. Particularly when the crime is clouded in taboo. When I was doing research for this book, back in Syracuse, I met a woman like this. Without recognizing me at first, only knowing I was writing a book on Alice Sebold's rape case, she hurried in from another room and told me and those assisting me that "the victim in that case was my best friend." I had no idea who she was. When someone referred to me by name, she blinked and then came forward, embracing me to save face.

In Cindy's room, I sat down on the bed closest to the door. Cindy, Mary Alice, and Tree were there, perhaps Diane. Cindy had shooed the others out and shut her door.

It was time. I sat with the phone in my lap. My mother was only a few miles away, having driven up the day before to take me home from Syracuse. She would be up and puttering around her hotel room at the Holiday Inn. At that time she traveled with her own coffeemaker because she made decaf in her room. She was coming down from as much as ten cups of coffee a day, and restaurants weren't yet in the custom of serving decaf.

Before she had dropped me off at Ken Childs's house the evening before, we had agreed she would come to the dorm around 8:30 A.M.-a late start for her but a concession to the fact that I would have been up late saying good-bye to friends. I looked around at my girlfriends, hoping they would say, "You don't look so bad," or provide me with the single and perfect story to explain the cuts and bruises on my face-the story that I hadn't been able to come up with during the night.

Tree dialed the phone.

When my mother picked up. Tree said, "Mrs. Sebold, this is a friend of Alice's, Tree Roebeck."

Maybe my mother said hello.

"I'm going to put Alice on the phone now. She needs to speak with you."

Tree handed me the phone.

"Mom," I started.

She must not have heard what I thought was the obvious quaver in my voice. She was irritated.

"What is it, Alice? You know I'm due over soon; can't it wait?"

"Mom, I need to tell you something."

She heard it now. "What, what is it?"

I said it as if I were reading a line from a script.

"Last night I was beaten and raped in the park."

My mother said, "Oh, my God," and then, after a quick inhalation of breath, a startled gasp, she reeled herself in. "Are you all right?"

"Can you come get me, Mommy?" I asked.

She said it would be twenty minutes or so, she had to pack up and check out, but she would be there.

I hung up the phone.

Mary Alice suggested that we wait in her room until my mother arrived. Someone had bought bagels or doughnuts.

In the time since our arrival back at the dorm, students had woken up. There was hurry all around me. Many students, including my friends, were meeting parents for breakfast or rushing to bus stations and airports. People would attend to me and then switch off to finish packing. I sat with my back against the cinder-block dorm wall. As people came in and out and the door opened, I could hear bits of conversation.

"Where is she?" "Raped… "… see her face?" "… she know him?" "… always weird… "

I had not eaten anything since the night before-since the raisins at Ken Childs's house-and I could not look at the bagels or doughnuts without feeling what-the rapist's penis-had last been in my mouth. I tried to stay awake. I had been up for more than twenty-four hours-far longer, what with the all-nighters that I'd pulled during finals week-but I was afraid to fall asleep before my mother got there. My girlfriends and the resident advisor, who, after all, was only nineteen, tried to take care of me, but I had begun to notice that I was now on the other side of something they could not understand. I didn't understand it myself.

TWO

While I waited for my mother, people began to leave. I ate a cracker, offered by Tree or Mary Alice. Friends were saying good-bye. Mary Alice wasn't leaving until later in the day. She had done instinctively what few people do in the face of a crisis: She had signed on for the whole ride.

I felt I needed to dress up for my mother and for the ride home. Mary Alice had already been shocked when, at Christmas and spring break, I had insisted on putting on a skirt and suit jacket to take the bus home to Pennsylvania. Both times, Mary Alice waited on the curb outside the dorm in sweatpants and a lumpy down jacket, trash bags of laundry lined up and ready to be loaded by her parents into their car. But my parents liked to see me look nice, debated my choice of clothing many mornings during high school. I had begun dieting at eleven and my weight, and how it marred my beauty, was a major topic of conversation. My father was the king of the backhanded compliment. "You look just like a Russian ballerina," he said once, "only too fat." My mother repeatedly said, "If you weren't so beautiful in the first place, it wouldn't matter." The implication being, I guess, that I was supposed to know they thought I was beautiful. The result, of course, was that I only thought I was ugly.

There was probably no better way to confirm this for me than to be raped. In high school, two boys had, in the Senior Class Will, left me toothpicks and pigment. The toothpicks were for my Asian-looking eyes, the pigment for my white skin. I was pale, always pale, and unmuscled. My lips were big and my eyes small. The morning of the rape my lips were cut, my eyes were swollen.

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