Alice Sebold - Lucky

"Let's go see what it is, okay?" I said. I grabbed my heavy black flashlight and shut off my lamp.

Outside I could see into the distance. The cabin had a porch and one chair. Very far away and partially obscured by the side of a dark mountain, I could see fireworks going off. I reassured Shady then and sat down on the chair.

The fireworks lasted a long time. Shady kept her head on my lap. I would have raised a glass if I'd had one but I didn't.

"We made it, girl," I said to Shady, rubbing her side. "Happy Independence Day."

Eventually it was time to move on. The night before I left Dorland I slept with a male friend of mine. I hadn't had sex in over a year. A self-imposed celibacy.

The sex that night was short, fumbling. We had gone out to dinner and had one glass of wine. In the kerosene light I focused on his face, on how my friend differed from a violent man. We both agreed later, when we talked on the phone from opposite coasts, that it had had a special quality about it. "It was almost virginal," he said. "Like you were having sex for the first time."

In some sense I was, in another this was impossible. But it is later now, and I live in a world where the two truths coexist; where both hell and hope lie in the palm of my hand.

The word lucky is my shorthand for blessed. I have been blessed by the people in my life.

Glen David Gold, my one true love.

Aimee Bender and Kathryn Chetkovich, my luscious titans. Great writers, great readers, great friends.

The master, Geoffrey Wolff, who saw the first forty pages and said, "You must write this book," then kept on reading, pen poised.

Ambassador Wilton Earnhardt, who, in my darkest, whiniest hour, said, "Send me that book, goddammit! I'm taking it to my agent!"

Gail Uebelhoer. Fifteen years later she did not hesitate. Her help with research was essential to these pages.

Pat McDonald. It all began on the thirteenth floor.

Emile Jarreau. While I wrote he taught me the true meaning of pain. It goes something like this: "Give me three more reps!"

Natombe, my wrinkled muse. She kept vigil on the rug beside me every morning, forgoing the walks she loved.

Eithne Carr. Brave.

I also want to acknowledge the institutions that have put food on my table or given me the gift of time: Hunter and FIND/SVP in New York, The Millay Colony for the Arts, The Ragdale Foundation, and especially Dorland Mountain Arts Colony and the MFA program at the University of California, Irvine.

My agent, Henry Dunow, because even after forty minutes of praise I still thought he was going to reject me and because, when I told him this, he completely understood the mind-set.

Jane Rosenman, my editor. I hope to be leaving lipstick traces on her shoes for years.

Those friends who appear in these pages and a few who don't: Judith Grossman, J. D. King, Michelle Latiolais, Dennis Paoli, Orren Perlman, and Arielle Read. Your support floods me with gratitude.

My sister, Mary, and my father, for being part of the show and sustaining the blows inherent in this. Never true believers in letting it all hang out-they let me hang a good portion of it out nonetheless.

Finally, I owe an endless thank-you to my mother. She has been my hero, my sparring partner, my inspiration, my spur. From the beginning-and I'm talking birth here-she has believed. The hard way, Mom. Here it is.

Alice Sebold grew up in Pennsylvania. She graduated from Syracuse University in 1984. After a brief period at graduate school in Houston, Texas, Sebold moved to the Lower East Side of Manhattan. She completed her MFA degree in fiction at the University of California, Irvine, in 1998. Ms. Sebold lives in California and is at work on her first novel.