Nicholas Pileggi - Wiseguy - Life in a Mafia Family

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Nicholas Pileggi’s vivid, unvarnished, journalistic chronicle of the life of Henry Hill-the working-class Brooklyn kid who knew from age twelve that “to be a wiseguy was to own the world,” who grew up to live the highs and lows of the gangster’s life-has been hailed as “the best book ever written on organized crime” (Cosmopolitan).
This is the true-crime bestseller that was the basis for Martin Scorsese’s film masterpiece GoodFellas, which brought to life the violence, the excess, the families, the wives and girlfriends, the drugs, the payoffs, the paybacks, the jail time, and the Feds… with Henry Hill’s crackling narration drawn straight out of Wiseguy and overseeing all the unforgettable action.
Read it and experience the secret life inside the mob-from one who’s lived it.
Now with an introduction by Martin Scorcese.

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"Air France made me. No one had ever pulled that kind of cash out of the airport before, and I did it without a gun. It began around the end of January in 1967. I had been selling cigarettes out at the airport. I had a regular route, and one of my best stops was at the Air France cargo dock. Bobby McMahon, the cargo foreman, was one of my best customers. He also used to come across stuff once in a while, and we'd buy perfume, clothes, and jewelry from him. Bobby McMahon had been with Air France for so long his nickname was "Frenchy," and there wasn't too much about the whole cargo operation he didn't know. He could tell by looking at bills of lading and freight-forwarding orders what was coming in and what was going out. Since he ran the whole operation at night, he could go anywhere he wanted and pick up anything he needed. Nobody watched anybody out there anyway, but Frenchy had carte blanche. Once he came across a small 24-by-48-inch box of silk dresses, which Jimmy unloaded at the garment center for eighteen thousand dollars and which Frenchy got a piece of. Frenchy always got a piece of anything he brought us or pointed us toward.

"Then one day I'm there and Frenchy tells me about money coming in. He said they were building a new strong room with cement blocks where the old wire cage room had been, and in the meantime they were storing all the valuables in the cargo office right up front as you entered the cargo warehouse. Frenchy said the money was in sixty-thousand-dollar packages in large white canvas bags with big red seals over the side flaps. He said there were usually three or four of the canvas bags dropped off by planes coming in from overseas and that they were usually picked up in the morning by armored trucks. Three or four guys with pistols could easily take the load.

"I was really excited. I drove over to Robert's and told Jimmy. He knew Frenchy had great information, so that weekend Raymond Montemurro, his brother Monte, Tommy DeSimone, and me go over to stick the joint up. Johnny Savino and Jimmy were going to wait for us at Jimmy's house. We do the usual thing about getting rented cars and putting on bum plates. We go right up to the cargo office, and immediately we see there are too many people. There must have been about twenty-five, thirty people wandering around. We looked at each other and tried to figure out how we could round them all up, but it was no use. The office was in front, but, then, behind a loading platform there was a whole warehouse full of cargo resting on pallets and crates and boxes piled ceiling-high. There was just too much activity and too much going on we didn't know about. We decided to forget the stickup. We had all gotten a look at the canvas bags. They were just stacked up against the wall where they were building the safe room. All those pretty little bags full of money. Just the sight of it drove me nuts. It was so good we didn't want to blow anything. We did the smart thing and took off.

"When I met with Frenchy I told him we needed another way. He said it was tricky, because he never knew exactly when the money was coming in. Sometimes it wouldn't come in for a couple of weeks, and then there'd be two deliveries at once and they'd leave for the bank the same day. The money came from American tourists and soldiers who converted their American cash into French money. The French would then send all that cash back to the United States and get credited for it in American banks. It was usually in hundreds and fifties, and it was untraceable. It was a dream score.

"Meanwhile, every time I went to the airport to sell cigarettes, I'd stop by and talk with Frenchy. As we talked I'd watch the workmen get closer and closer to finishing the new storeroom, and then one day the storeroom was finished. There were two keys. Frenchy? No such luck. They gave one of the keys to a guard from a private agency; he had a crewcut and took his job very seriously. He loved being a cop. He loved guarding doors. The guy never let the key out of his sight. If Frenchy had to put something in the room, the guard would never give Frenchy the key- he'd open the door and wait until Frenchy was done and then he'd personally lock the door himself. He wore the key on a key ring attached to his belt. The only other key we knew about belonged to the supervisor of the entire operation, and he worked days.

"The problem with just sticking the guy up and taking his key was that we never knew when the money would be there. We had to have a key of our own so that we could get in there at a moment's notice from Frenchy. If we stuck the guy up and got the key, they'd just change the locks, and we'd also alert them that we knew about the money. I figured we had to get the key, so I asked Frenchy to start making up to the guy. Buy him some drinks. Bullshit a little Meanwhile Frenchy gave me the guy's address. He lived in a furnished room on Rockaway Boulevard, near Liberty Avenue, across from the White Castle hamburger joint. One day when the guard was off, Raymond Montemurro and I waited all day for him to leave, and when he did we burglarized his apartment, looking for the key. The plan was to get the key, make a copy, and put it back so no one knew. Then, when the money arrived, we'd have the key to a fortune.

"We went in and out of every drawer in the place and we couldn't find the key. The sonofabitch must have carried it around with him even on his day off. I couldn't believe it. I had a fortune waiting for me and I'm stuck with a hundred-dollar-a-week nut job for a guard. The other problem was that Jimmy was getting impatient. He was beginning to say the next tune Frenchy tells us there's something in the room, we snatch the guy and take the key. I was pretty sure that meant Jimmy would have whacked the guy too. It all made me try harder.

"The guy lived in a typical bachelor's apartment. It was depressing. It was crummy. He had all these detective magazines around, but he also had a lot of girlie magazines. He was a nebbishy-looking guy around forty. He had glasses and was thin. Frenchy was the opposite. Frenchy was a big, gruff, funny guy. He was married and had a nice family somewhere in Hempstead. He was great company. He told funny stories. On the night shift he was the boss. I just knew that would be important to the guard. Company men always like hanging around with the boss. I told Frenchy about the girlie magazines. I said maybe we could butter him up with a girl.

"So now Frenchy took the guy to the Jade East Motel, right across the parkway, for a few drinks. Frenchy started talking about girls, and the guy was definitely interested. Then Frenchy-began to talk about this girl friend he had who was a real swinger. She loved to screw. The guard practically went nuts listening to Frenchy's dirty stories.

"The next day we got a really great-looking hooker from the Bronx. She used to do numbers for Ralph Atlas' clients. Atlas was a top-of-the-line bookmaker, and all his clients were big-money bettors from the garment center and Wall Street. She was about a hundred and a half a night, which was very steep back then. She looked like Natalie Wood. She had black hair, a great figure, and beautiful big eyes. She didn't look like a hook. She looked more like a student or a stewardess.

"That night Frenchy brought the guard to meet his 'girl' at the Jade East. She immediately began to make a play for the guy. Frenchy, playing dumb, made up an excuse that he had to go back to work, and the girl took the guard upstairs to bed. We did not make a move on the key that night. We just wanted to see if it could work. I wanted to know if the guy was vulnerable. He was.

"The next weekend Tommy and I picked her up again, and we took her to the Jade East. This time the plan was to see if Frenchy and the girl could get the guy away from his key. The Jade East had private steam rooms and whirlpools in the basement, and if we could get them all down there long enough to get the key, make a copy, and put it back, we were home. But first we wanted to do a dry run. Frenchy was supposed to leave the key to the room under the hall ashtray, and we'd know they were going downstairs when he parted the blinds in the room. It worked beautifully. They were down in the steam room for an hour and a half-more than enough time to get a copy of the key made.

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