Дональд Томпсон - Оранжевая собака из воздушных шаров. Дутые сенсации и подлинные шедевры - что и как на рынке современного искусства

66

Доменико и Элеонора Де Соле, цит. по: Laura Gilbert, «Lawyers Battle to Tip Balance of Evidence Before Knoedler Trial», The Art Newspaper, December 21, 2015, http://theartnewspaper.com/news/lawyers-battle-to-tip-balance-of-evidence-before-knoedler-trial/.

67

Джек Флам, цит. по: M H Miller, «In Court, Experts Say Knoedler Ignored Warnings about Forgeries», Art News, February 5, 2016, http://www.artnews.com/2016/02/05/in-court-experts-say-knoedler-ignored-warnings-about-forgeries/.

68

Milton Esterow, «Fakers, Fakes, & Fake Fakers», Art News, November 20, 2013, http://www.artnews.com/2013/11/20/fakers-fakes-fake-fakers/.

69

Ричард Фейген, цит. по: Laura Gilbert, «Have Multi-Million-Dollar Forgery Scandals Changed the Art Market for Good?», Artsy, October 19, 2015, https://www.artsy.net/article/artsy-editorial-have-multi-million-dollar-forgery-scandals-changed-the.

70

Гари Файнерман, цит. по: Dan Duray, «Chicago Judge Rules Peter Doig ‘absolutely did not paint’ Disputed Work», The Art Newspaper, August 23, 2016, http://theartnewspaper.com/news/judge-rules-peter-doig-absolutely-did-not-paint-disputed-work/.

71

T. Jefferson, «Glenn Beck: Does Congress Matter?», Glenn Beck, September 18, 2009, http://www.glennbeck.com/content/articles/article/198/30765/?utmsource=glennbeck&utm medium= contentcopy link.

72

«Исламское государство» (ИГ, ИГИЛ) – организация признана террористической по решению Верховного суда РФ от 29.12.2014.

73

Энтони Константини, цит. по: Tom Mashberg, «A Son Seeks Art Looted by the East Germans», The New York Times, November 27, 2014, http://www.nytimes.com/2014/11/28/arts/international/stasi-art-seizure-leads-to-court-case-involving-new-yorkers.html.

74

Свободный порт (или порто-франко) – порт (или выделенная в нем зона), пользующийся правом беспошлинного ввоза и вывоза товаров. – Примеч. переводчика.

75

Николас Бретт, цит. по: David Segal, «Swiss Freeports Are Home for a Growing Treasury of Art», The New York Times, July 21, 2012, http://www.nytimes.com/2012/07/22/business/swiss-freeports-are-home-for-a-growing-treasury-of-art.html.

76

Nick Paumgarten, «Dealer’s Hand: Why Are so Many People Paying so Much Money for Art? Ask David Zwirner», The New Yorker, December 2, 2013, http://www.newyorker.com/magazine/2013/12/02/dealers-hand.

77

Семейный траст Рыболовлева, цит. по: Eileen Kinsella, «Rybolovlev Denies ‘Panama Papers’ Allegations», artnet News, April 6, 2016, https://news.artnet.com/exhibitions/billionaire-collector-dmitry-rybolovlev-denies-panama-papers-allegations-466880.

78

Nicolai Ouroussoff, «Art and Commerce Canoodling in Central Park», The New York Times, October 20, 2008, http://www.nytimes.com/2008/10/21/arts/design/21zaha.html.

79

Митчел Оукли Смит, цит. по: Alice Gregory, «Art and Fashion: The Mutual Appreciation Society», Wall Street Journal, March 28, 2014, http://www.wsj.com/articles/SB10001424052702303725404579459503054211692.

80

Ruth La Ferla, «The Artist’s Fall Collection», The New York Times, November 8, 2007, http://www.nytimes.com/2007/11/08/fashion/08ART.html.

81

Такаси Мураками, цит. по: Jeff Howe, «The Two Faces of Takashi Murakami», WIRED, November 1, 2003, https://www.wired.com/2003/11/artist/.

82

Дэмиен Хёрст, цит. по: Andrew Rice, «Damien Hirst: Jumping the Shark», Bloomberg, November 21, 2012, http://www.bloomberg.com/news/articles/2012-11-21/damien-hirst-jumping-the-shark.

83

«Oscar de la Renta: The Retrospective», de Young Fine Arts Museum of San Francisco, April 14, 2016, https://deyoung.famsf.org/exhibitions/oscar-de-la-renta-retrospective.

84

Jason Farago, «Thom Browne’s Shoes: High Fashion and High Art», The New York Times, March 17, 2016, http://www.nytimes.com/2016/03/18/arts/design/thom-brownes-shoes-high-fashion-and-high-art.html.

85

Мартин Рот, цит. по: John Gapper, «Art World’s Shady Dealings Under Scrutiny at Davos», Financial Times, January 22, 2015, https://www.ft.com/content/620cbf76-5125-300e-93e7-3448c1197ead.

86

John Gapper and Peter Aspden, «Davos 2015: Nouriel Roubini Says Art Market Needs Regulation», Financial Times, January 22, 2015, https://www.ft.com/content/992dcf86-a250-11e4-aba2-00144feab7de.

87

Тим Гудман, цит. по: Jenny White, «Canny Savings: How Fine Art Bourse Does It», Private Art Investor, July 7, 2015, http://www.privateartinvestor.com/art-business/canny-savings-how-fine-art-bourse-does-it/.

88

Карлос Ривера, цит. по: Edward Helmore, «Buy! Sell! Liquidate! How ArtRank Is Shaking Up the Art Market», The Guardian, June 23, 2014, https://www.theguardian.com/artanddesign/2014/jun/23/artrank-buy-sell-liquidate-art-market-website-artists-commodities.

89

Томас Кэмпбелл, цит. по: «The Met Vs. MoMA: Bob Colacello Uncovers The Battle For Art, Prestige, And Young Trustee Blood», Vanity Fair, January 2015, http://www.vanityfair.com/culture/2015/01/met-moma-art-museum-war.

90

Томас Кэмпбелл, цит. по: Carol Vogel, «Met’s First Plans for the Whitney’s Old Home», The New York Times, November 13, 2014, http://www.nytimes.com/2014/11/14/arts/design/mets-first-plans-for-the-whitneys-old-home.html.

91

Томас Кэмпбелл, цит. по: Calvin Tomkins, «The Met and the Now: America’s Pre.minent Museum Finally Embraces Contemporary Art», The New Yorker, January 25, 2016, http://www.newyorker.com/magazine/2016/01/25/the-met-and-the-now

92

Andrew M. Goldstein, «How Arnold Lehman Transformed the Brooklyn Museum from a ‘Startup’ to a Cultural Juggernaut», Artspace, April 4, 2015, http://www.artspace.com/magazine/interviews features/expert eye/arnold-lehman-interview-part-1-52730.

93

Арнольд Леман, цит. по: Andrew M. Goldstein, «Arnold Lehman on the Future of the Brooklyn Museum», Artspace, April 6, 2015, http://www.artspace.com/magazine/interviews features/expert eye/arnold-lehman-interview-part-2-52716.

94

Джеффри Дейч, цит. по: Jerry Saltz, «The New New Museum: How the Whitney Might Just Solve the Impossible Problem of Contemporary Art», Vulture, April 19, 2015, http://www.vulture.com/2015/04/jerry-saltz-on-new-whitney-museum.html.

95

Арнольд Леман, цит. по: Jillian Steinhauer, «On Leaving the Brooklyn Museum After 17 Years: An Interview with Arnold Lehman», Hyperallergic, April 13, 2015, http://hyperallergic.com/198257/on-leaving-the-brooklyn-museum-after-17-years-an-interview-with-arnold-lehman/.

96

Хелен Молсуорт, цит. по: Julia Halperin, «Almost One Third of Solo Shows in US Museums Go to Artists Represented by Just Five Galleries», The Art Newspaper, April 2, 2015, http://old.theartnewspaper.com/articles/Almost-one-third-of-solo-shows-in-US-museums-go-to-artists-represented-by-just-five-galleries/37402.