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Smithey, Cole. «Woody Allen Discusses Melinda and Melinda.» filmcritic1963.typepad.com, May 7, 2005.
Szklarski, Stephen J. «Carlo Di Palma: An Interview.» Independent Film Quarterly, Fall 2001.
Taylor, Juliet. Interview. Observer, May 21, 2000.
Verdiani, Gilles. «Woody Allen, C’est Moi.» http://dailytelegiraffe.tripod.com/celebrityinterviewfrenchpremiere.htmlWolfe, Tom. «The ‘Me’ Decade and the Third Great Awakening.» New York Magazine, August 23, 1976.
Zuber, Helene. «Spiegel Interview with Woody Allen: ‘Nothing Pleases Me More than Being Thought of as a European Filmmaker.’» Der Spiegel, June 20, 2005.
«Capone Interviews Woody Allen about Cassandra’s Dream.» aintitcool.com, January 20, 2008.
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ДОКУМЕНТАЛЬНЫЕ ФИЛЬМЫ
Барбара Копл «Блюз дикого человека», 1997
Роберт Б. Уайде «Вуди Аллен», 2012
АВТОРЫ ФОТОГРАФИЙ
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Использованные изображения: 2–3 (Nicholas Moore/Contour by Getty); 7, 288 (Arthur Schatz/The LIFE Premium Collection); 19 (Grey Villet/The LIFE Picture Collection); 26 (John Minihan/Evening Standard); 28 (Philippe Le Tellier); 30 (United Artists/AFP); 31 (American International Pictures); 33 (Columbia Pictures/Terry O’Neill); 69, 71, 73–74 (United Artists/Ernst Haas); 77, 78, 80–81, 94–95, 97–103, 108 B, 109 (United Artists/Brian Hamill); 87, 92–93, 230–231 (Brian Hamill); 117 (Hulton Archive); 123, 141, 158–159, 170 (Orion/Brian Hamill); 178, 182 (TriStar/Brian Hamill); 179 (Rose Hartman); 188, 191, 194–195 (Miramax/Brian Hamill); 211 (Hubert Fanthomme/Paris Match); 228–229 (Fox Searchlight/Brian Hamill); 257 (Miguel Medina/AFP); 258 (Bertrand Langlois/AFP); 285 (Jennifer S. Altman/Contour by Getty); The Kobal Collection: 12 TL, 12 TC, 46, 49, 57, 58 B, 59–61, 63, 65–67, 83, 91, 106–107(Rollins-Joffe/United Artists); 12 BL, 13 TR, 124–125, 127, 130–131, 144 T, 149 B, 150–151, 160, 162, 168 (Orion/Rollins-Joffe/Brian Hamill); 12–13 B, 180–181 (TriStar/Rollins-Joffe); 13 BR (Gravier Prods./Perdido Prods.); 39–40 (ABC/Rollins-Joffe/Cinerama); 118–119 (Orion/Warner Bros./Kerry Hayes); 152 (Orion); 164 (Orion/Brian Hamill); 176 (TriStar/Brian Hamill); 183 B (TriStar/Rollins-Joffe/Brian Hamill); 197 (Magnolia/Sweetland/Doumanian Prods./Brian Hamill); 198, 212 (Magnolia/Sweetland/Doumanian Prods.); 206 (Sweetland/Doumanian Prods./John Clifford); 226 (DreamWorks/Gravier Prods./Brian Hamill); 233–234, 236–237 (Jada Prods./BBC Films/DreamWorks/Clive Coote); 238 (BBC Films/Focus Features); 241 (Perdido Prods./Wild Bunch); 242–244, 246 (Weinstein Co./Mediapro/Gravier Prods.); 250, 254–255, 256 T, 258–259 (Gravier Prods.); 264–269 (Gravier Prods./Perdido Prods.); 271 (Dippermouth/Gravier Prods./Perdido Prods.); 275 B (Zuzu/Antidote Films); The Ronald Grant Archive: 12 BR (TriStar); 166–167 (Orion); 217 (Sony Pictures); Rex: 12–13 T, 138–139, 147 (Orion/Everett Collection); 13 BL (Miramax/Everett Collection); 34–35 (ABC/Cinerama/Everett Collection); 53 B (Paramount/Everett Collection); 58 T, 70 (United Artists/Everett Collection); 75 (United Artists/Sipa Press); 136, 154, 165 (Orion/Moviestore Collection); 161 (Orion/Snap Stills); 176–177 (TriStar/Snap Stills); 196 (Magnolia/Sweetland/Sipa Press); 208 (Alex Oliveira); 214, 215 T, 253 T, 270 (Sony Pictures/Everett Collection); 218, 220 B, 221 (DreamWorks/Everett Collection); 238–239 (Focus Features/Everett Collection); 240, 245 B (Weinstein/Everett Collection); 253 B (Sony Pictures/Snap Stills); Photofest: 13 TL, 114–115, 118, 121, 126, 128–129, 132–135, 139–140, 142–143, 144 B, 145, 149 T, 150, 153, 155–156, 163, 169, 171–173 (Orion); 18 L, 20, 25 (© NBC); 38 (Cinerama Releasing Corporation); 48, 68, 72, 79, 82, 84, 88–90, 96 (United Artists); 52 (Paramount); 174–175, 190, 192–193, 199, 202, 203 B (Miramax); 207 (Fine Line Features); 213, 216 T, 256 B (Sony Pictures Classics); 220 T, 223 B, 235 (DreamWorks); 245 T (The Weinstein Company); 275 T (Buena Vista); GlobePhotos: 14; 64 (United Artists); akg-images: 17; 105 (Manuel Bidermanas); 108 T (United Artists/Album); Corbis: 11, 187 (Michael O’Neill/Corbis Outline); 18 R (Bettmann); 32 (Columbia/Sunset Boulevard); 36 (Morton Beebe); 37 (ABC/Cinerama/Sunset Boulevard); 56 (United Artists/Steve Schapiro); 110–111 (United Artists/Sunset Boulevard); 120 T (Orion/Warner Bros./Sunset Boulevard); 120 B (Orion/Warner Bros./Bettmann); 208–209 (Miramax/Sunset Boulevard); 224–225 (Arnault Joubin/Corbis Outline); 272 (AKM-GSI/Splash News); 274 (Columbia/Steve Schapiro); 279 (Andrew Schwartz/Corbis Outline); WA archive: 17, 21; © Rowland Scherman: 22–23; Image Courtesy of the Advertising Archives: 24; mptvimages.com: 29, 62 (United Artists); 51 (Paramount); 183 T (TriStar); Photoshot: 41 (Cinerama); 47 (United Artists); 113 (Orion); 185 (TriStar); 55 (Paramount); 205 T (DreamWorks); 210 (Miramax); 215 B, 273 (Sony Pictures); 223 T (DreamWorks); Magnum Photos: 43 (Philippe Halsman); TopFoto: 44; © Dennis Brack: 50; Alamy: 53 T (Paramount/AF archive); 148 (Orion/AF Archive); 184 (TriStar/Pictorial Press Ltd); 216 B (Sony Pictures/Pictorial Press Ltd.); 219 (DreamWorks); 260 (Gravier Prods./Medusa Film/AF Archive); © AP/PA Images: 85; 261 B (Pier Paolo Cito); 276–277 (Carlo Allegri); Camera Press London: 146 (Orion/DDP); 204 (Miramax/DDP); 205 B (DreamWorks/DDP); 232 (Jane Hodson); 248–249 (Starlitepics); Mary Evans Picture Library: 157 (Orion/Rue des Archives); eyevine: 200–201, 203 T (Graziano Arici); ACE Pictures: 227, 251; © Walter McBride Photography: 247; Photo by Philippe Antonello: 261 T, 262–263 (Medusa Film).
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