Теодор Драйзер - Twelve Men

At de Shay's invitation I journeyed up to X―'s studio one Wednesday afternoon at four, my friend having telephoned me that if I could I must come at once, that there was an especially interesting crowd already assembled in the rooms, that I would meet a long list of celebrities. Two or three opera singers of repute were already there, among them an Italian singer and sorceress of great beauty, a veritable queen of the genus adventuress, who was setting the town by the ears not only by her loveliness but her voice. Her beauty was so remarkable that the Sunday papers were giving full pages to her face and torso alone. There were to be several light opera and stage beauties there also, a basso profundo to sing, writers, artists, poets.

I went. The place and the crowd literally enthralled me. It was so gay, colorful, thrillful. The host and the guests were really interesting—to me. Not that it was so marvelous as a studio or that it was so gorgeously decorated and furnished—it was impressive enough in that way—but that it was so gracefully and interestingly representative of a kind of comfort disguised as elegance. The man had everything, or nearly so—friends, advisors, servants, followers. A somewhat savage and sybaritic nature, as I saw at once, was here disporting itself in velvets and silks. The iron hand of power, if it was power, was being most gracefully and agreeably disguised as the more or less flaccid one of pleasure and friendship.

My host was not visible at first, but I met a score of people whom I knew by reputation, and listened to clatter and chatter of the most approved metropolitan bohemian character. The Italian sorceress was there, her gorgeous chain earrings tinkling mellifluously as she nodded and gesticulated. De Shay at once whispered in my ear that she was X―'s very latest flame and an expensive one too. "You should see what he buys her!" he exclaimed in a whisper. "God!" Actresses and society women floated here and there in dreams of afternoon dresses. The automobiles outside were making a perfect uproar. The poets and writers fascinated me with their praises of the host's munificence and taste. At a glance it was plain to me that he had managed to gather about him the very element it would be most interesting to gather, supposing one desired to be idle, carefree and socially and intellectually gay. If America ever presented a smarter drawing–room I never saw it.

My friend de Shay, being the fidus Achates of the host, had the power to reveal the inner mysteries of this place to me, and on one or two occasions when there were not so many present and while the others were chattering in the various rooms—music–, dining–, ball–, library and so forth—I was being shown the kitchen, pantry, wine cellar, and also various secret doors and passages whereby mine host by pressing a flower on a wall or a spring behind a picture could cause a door to fly open or close which gave entrance to or from a room or passage in no way connected with the others save by another secret door and leading always to a private exit. I wondered at once at the character of the person who could need, desire or value this. A secret bedroom, for instance; a lounging–room! In one of these was a rather severe if handsome desk and a steel safe and two chairs—no more; a very bare room. I wondered at this silent and rather commercial sanctum in the center of this frou–frou of gayety, no trace of the sound of which seemed to penetrate here. What I also gained was a sense of an exotic, sybaritic and purely pagan mind, one which knew little of the conventions of the world and cared less.

On my first visit, as I was leaving, I was introduced to the host just within his picture gallery, hung with many fine examples of the Dutch and Spanish schools. I found him to be as described: picturesque and handsome, even though somewhat plump, phlegmatic and lethargic—yet active enough. He was above the average in height, well built, florid, with a huge, round handsome head, curly black hair, keen black eyes, heavy overhanging eyebrows, full red lips, a marked chin ornamented by a goatee. In any costume ball he would have made an excellent Bacchus or Pan. He appeared to have the free, easy and gracious manner of those who have known much of life and have achieved, in part at least, their desires. He smiled, wished to know if I had met all the guests, hoped that the sideboard had not escaped me, that I had enjoyed the singing. Would I come some evening when there was no crowd—or, better yet, dine with him and my friend de Shay, whose personality appeared to be about as agreeable to him as his own. He was sorry he could not give me more attention now.

Interestingly enough, and from the first, I was impressed with this man; not because of his wealth (I knew richer men) but because of a something about him which suggested dreams, romance, a kind of sense or love of splendor and grandeur which one does not often encounter among the really wealthy. Those cracked shoes were in my mind, I suppose. He seemed to live among great things, but in no niggardly, parsimonious or care–taking way. Here was ease, largess, a kind of lavishness which was not ostentation but which seemed rather to say, "What are the minute expenses of living and pleasuring as contrasted with the profits of skill in the world outside?" He suggested the huge and Aladdin–like adventures with which so many of the great financiers of the day, the true tigers of Wall Street, were connected.

It was not long thereafter that I was once more invited, this time to a much more lavish affair and something much more sybaritic in its tone, although I was really not conscious of what it was to be like when I went there. It began at twelve midnight, and to this day it glitters in my mind as among the few really barbaric and exotic things that I have ever witnessed. Not that the trappings or hangings or setting were so outré or amazing as that the atmosphere of the thing itself was relaxed, bubbling, pagan. There were so many daring and seeking people there. The thing sang and was talked of for months after—in whispers! The gayety! The abandon! The sheer intoxication, mental and physical! I never saw more daring costumes, so many really beautiful women (glitteringly so) in one place at one time, wonderful specimens of exotic and in the main fleshy or sensuous femininity. There was, among other things, as I recall, a large nickeled ice–tray on wheels packed with unopened bottles of champagne, and you had but to lift a hand or wink an eye to have another opened for you alone, ever over and over. And the tray was always full. One wall of the dining–room farther on was laden with delicate novelties in the way of food. A string quartette played for the dancers in the music–room. There were a dozen corners in different rooms screened with banks of flowers and concealing divans. The dancing and singing were superb, individual, often abandoned in character, as was the conversation. As the morning wore on (for it did not begin until after midnight) the moods of all were either so mellowed or inflamed as to make intentions, hopes, dreams, the most secret and sybaritic, the order of expression. One was permitted to see human nature stripped of much of its repression and daylight reserve or cant. At about four in the morning came the engaged dancers, quite the pièce de résistance—with wreaths about heads, waists and arms for clothing and well, really nothing more beyond their beautiful figures—scattering rose leaves or favors. These dancers the company itself finally joined, single file at first, pellmell afterwards—artists, writers, poets—dancing from room to room in crude Bacchic imitation of their leaders—the women too—until all were singing, parading, swaying and dancing in and out of the dozen rooms. And finally, liquor and food affecting them, I suppose, many fell flat, unable to do anything thereafter but lie upon divans or in corners until friends assisted them elsewhere—to taxis finally. But mine host, as I recall him, was always present, serene, sober, smiling, unaffected, bland and gracious and untiring in his attention. He was there to keep order where otherwise there would have been none.