Jung Chang - Mao - The Unknown Story

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Based on a decade of research and on interviews with many of Mao’s close circle in China who have never talked before — and with virtually everyone outside China who had significant dealings with him — this is the most authoritative life of Mao ever written. It is full of startling revelations, exploding the myth of the Long March, and showing a completely unknown Mao: he was not driven by idealism or ideology; his intimate and intricate relationship with Stalin went back to the 1920s, ultimately bringing him to power; he welcomed Japanese occupation of much of China; and he schemed, poisoned and blackmailed to get his way. After Mao conquered China in 1949, his secret goal was to dominate the world. In chasing this dream he caused the deaths of 38 million people in the greatest famine in history. In all, well over 70 million Chinese perished under Mao’s rule — in peacetime.
Combining meticulous research with the story-telling style of
, this biography offers a harrowing portrait of Mao’s ruthless accumulation of power through the exercise of terror: his first victims were the peasants, then the intellectuals and, finally, the inner circle of his own advisors. The reader enters the shadowy chambers of Mao’s court and eavesdrops on the drama in its hidden recesses. Mao’s character and the enormity of his behavior toward his wives, mistresses and children are unveiled for the first time.
This is an entirely fresh look at Mao in both content and approach. It will astonish historians and the general reader alike.

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Worrying about her children, and clearly feeling she could not count on Mao, Kai-hui wrote to her First Cousin:

I decided to entrust them — my children — to you. Financially, as long as their uncle [probably Mao’s brother Tse-min] lives, he will not abandon them; and their uncle really loves them deeply. But if they lose their mother, and a father, then just the love of an uncle is not enough. They need you and many others’ love for them to grow naturally as if in a warm spring, and not be destroyed by violent storms. This letter is like a will now, and you must think I am mad. But I don’t know why, I just can’t shake off the feeling over my head of a rope like a poisonous snake, that seems to have flown in from Death, and that binds me tightly. So I cannot but prepare!..

Kai-hui had this premonition because on the 7th of that month the Hunan Republican Daily reported that Zhu De’s wife had been killed and her head exposed in a street in Changsha. The paper carried two articles in which the writers said how much they enjoyed seeing the severed head. In April, Kai-hui wrote down some thoughts which she wanted to send to a newspaper but did not, entitled: “Feeling of Sadness on Reading about the Enjoyment of a Human Head”:

Zhu De’s wife I think most likely was a Communist. [words missing from original] Or even an important figure. If so, her execution is perhaps not to be criticised. [words crossed out] And yet her killing was not due to her own crime. Those who enjoyed her head and thought it was a pleasurable sight also did so not because of her own crime. So I remember the stories of killing relatives to the ninth clan for one man’s crime in the early Manchu period. My idea that killers are forced into killing turns out not to make sense here. There are so many people so exultantly enjoying it that we can see glad articles representing them in newspapers and journals. So my idea that only a small number of cruel people kills turns out not to be true here. So I have found the spirit of our times …

Yet I am weak, I am afraid of being killed, and so afraid of killing. I am not in tune with the times. I can’t look at that head, and my breast is filled with misery … I had thought that today’s mankind, and part of mankind, the Chinese, were civilized enough to have almost abolished the death penalty! I did not expect to see with my own eyes the killing of relatives to the ninth clan for one man’s crime … (To kill the wife of Zhu De, although not quite the ninth clan, basically comes to this.) … and the human head is becoming a work of art needed by many!

The abolition of the death penalty, and of torture, had been a very popular aim earlier in the century, and the Chinese Communist Party’s charter of 1923 had included these among its goals.

Kai-hui had naturally been reading about Mao’s own killings in the newspapers. He and his troops were always called “bandits,” who “burned and killed and kidnapped and looted.” Newspapers had also reported that Mao had been driven out of the outlaw land and “surrounded on three sides, Zhu — Mao will have no chance whatever to survive.”

Kai-hui still loved Mao, and above all wanted him to give up what he was doing and come back. On 16 May 1929, in a poem marked “To First Cousin — not sent,” she wrote eight agonized lines imploring Mao’s return:

You are now the beloved sweetheart!

Please tell him: Return, return .

I can see the heart of the old [ probably referring to her mother ] is being burnt by fire ,

Please return! Return!

Sad separation, its crystallisation, chilling misery and loneliness are looming ever larger ,

How I wish you would bring home some news!

This heart , [ unclear in original ] , how does it compare with burning by fire?

Please return! Return!

Soon after this, a letter came from her First Cousin, saying that Mao was going to Shanghai (the Party had ordered him there on 7 February 1929). This meant she might be able to see him, and Kai-hui was rapturous. She opened her next letter, “to First Cousin,” with: “Received your letter. How happy and relieved I am!” She dreamed:

If the financial situation allows, I must get out of here to do a few years’ study … I want to get out, and find a job … I’m really in a great hurry to do some studies … Otherwise I can only feel the pains of emptiness, and feel I have nothing to lean on.

That letter like a will, I didn’t send. If you can come home once, that would be all I dare to hope.

Her thoughts then reverted to Mao, the possibility that he might not go to Shanghai, and his safety if he did:

Probably he wouldn’t be able to go to Shanghai? I’d rather he didn’t go. I’m worried for him again now. Oh, heaven! I’ll stop here …

She started to write to Mao, but changed her mind. There was a heading “To my beloved — not sent,” and the rest was torn out. Instead, she wrote down the story of her life, which she finished on 20 June 1929. Clearly, this was her way of telling Mao about herself, her thoughts and feelings. The memoir told two things: how passionately she loved him, and how utterly unable she was to tolerate violence and cruelty. The latter theme seems to have assumed an even larger place in her mind, as she began and ended her narrative with it.

She recalled that at the age of six, she began to see the world as a sad place:

I was born extremely weak, and would faint when I started crying … At the time, I sympathised with animals … Every night going to bed, horrible shadows such as the killing of chickens, of pigs, people dying, churned up and down in my head. That was so painful! I can still remember that taste vividly. My brother, not only my brother but many other children, I just couldn’t understand them at all. How was it they could bring themselves to catch little mice, or dragonflies, and play with them, treating them entirely as creatures foreign to pain?

If it were not to spare my mother the pain — the pain of seeing me die — if it were not for this powerful hold, then I simply would not have lived on.

I really wanted to have a faith!..

I sympathized with people in the lower ranks of life. I hated those who wore luxurious clothes, who only thought of their own pleasure. In summer I looked just like people from lower ranks, wearing a baggy rough cotton top. This was me at about seventeen or eighteen …

She wrote about how she fell in love with Mao, how totally she loved him, how she learned about his infidelities, and how she forgave him (these pages are in chapter 3). But at the end she showed that she was thinking of breaking away from him and the ideology to which he had introduced her:

Now my inclination has shifted into a new phase. I want to get some nourishment by seeking knowledge, to water and give sustenance to my dried-up life … Perhaps one day I will cry out: my ideas in the past were wrong!

She ended her memoir with:

Ah! Kill, kill, kill! All I hear is this sound in my ears! Why are human beings so evil? Why so cruel? Why?! I cannot think on! [words brushed out by her] I must have a faith! I must have a faith! Let me have a faith!!

Kai-hui had been drawn to communism out of sympathy for the deprived. Her crying out for “a faith” says unmistakably that she was losing her existing faith, communism. She did not condemn Mao, whom she still deeply loved. But she was letting him know how strongly she felt about the killing, something she had hated since childhood.

She wrote this piece primarily for Mao, thinking she might be able to see him in Shanghai. But as time wore on, it became clear that she would not, and in fact he was studiously avoiding the city. Kai-hui hid what she had written so far, twelve pages, between bricks in a wall.

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