Array Slash - Slash

Здесь есть возможность читать онлайн «Array Slash - Slash» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2007, ISBN: 2007, Издательство: HarperCollins, Жанр: Биографии и Мемуары, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Slash: краткое содержание, описание и аннотация

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“Wonderfully frank.”
(
) “Entertaining and educational… a crash course for aspiring rock gods.”
(
magazine)
From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock ’n’ roll He was born in England but reared in L.A., surrounded by the leading artists of the day amidst the vibrant hotbed of music and culture that was the early seventies. Slash spent his adolescence on the streets of Hollywood, discovering drugs, drinking, rock music, and girls, all while achieving notable status as a BMX rider. But everything changed in his world the day he first held the beat-up one-string guitar his grandmother had discarded in a closet.
The instrument became his voice and it triggered a lifelong passion that made everything else irrelevant. As soon as he could string chords and a solo together, Slash wanted to be in a band and sought out friends with similar interests. His closest friend, Steven Adler, proved to be a conspirator for the long haul. As hairmetal bands exploded onto the L.A. scene and topped the charts, Slash sought his niche and a band that suited his raw and gritty sensibility.
He found salvation in the form of four young men of equal mind: Axl Rose, Izzy Stradlin, Steven Adler, and Duff McKagan. Together they became Guns N’ Roses, one of the greatest rock ’n’ roll bands of all time. Dirty, volatile, and as authentic as the streets that weaned them, they fought their way to the top with groundbreaking albums such as the iconic
and
and
.
Here, for the first time ever, Slash tells the tale that has yet to be told from the inside: how the band came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. This is a window onto the world of the notoriously private guitarist and a seat on the roller-coaster ride that was one of history’s greatest rock ’n’ roll machines, always on the edge of self-destruction, even at the pinnacle of its success. This is a candid recollection and reflection of Slash’s friendships past and present, from easygoing Izzy to ever-steady Duff to wild-child Steven and complicated Axl.
It is also an intensely personal account of struggle and triumph: as Guns N’ Roses journeyed to the top, Slash battled his demons, escaping the overwhelming reality with women, heroin, coke, crack, vodka, and whatever else came along.
He survived it all: lawsuits, rehab, riots, notoriety, debauchery, and destruction, and ultimately found his creative evolution. From Slash’s Snakepit to his current band, the massively successful Velvet Revolver, Slash found an even keel by sticking to his guns.
Slash

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There were just a few Maiden dates for us to do in California to end the tour, and as much as none of us wanted to do them, we were all committed. There were two shows at Irvine Meadows, but Axl’s throat was such that he just couldn’t do those last two shows—there was just no way. I’m not sure how that went over, but it was registered early enough that Alan had time to scramble to fulfill the contract. In the end, L.A. Guns were hired to play the opening slot so long as enough of us showed up to jam with them. Duff, Izzy, Steven, and I showed up reluctantly—at best—to play at least a few songs. We got up there and our crew told me after that L.A. Guns had tried to sabotage our gear; they’d turned down all the amps to make us sound bad. I guess Tracii was worried that I was going to outplay him. Whatever it was, they tried to nip it in the bud, but our people caught it and fixed it. In any case, that show ended any sort of “civil” relationship between Tracii Guns and me.

THOSE SHOWS WERE THE LAST DATES ON our schedule. When we got back to L.A. I started hanging around with West Arkeen and there was a rumor and general worry in the band’s circle that I was back on smack. The truth is, I got high once and that was it. But their intentions were good: they were worried that I might do myself in if we had nothing to do. And they weren’t exactly wrong. I had a penchant for being unruly and they could never nail me down. With that in mind, Alan decided that Doug should take me to Hawaii to chill out for a bit.

Doug and I went to Maui and he’s a total golf head, so he was completely absorbed because we stayed at a premier resort that he picked for that very reason. I was supposed to soak up the sun and “relax”… it was a nightmare. The place was entirely bungalows; we had a rental car for the week and stocked our little huts with groceries. It was as expensive as a hotel but wasn’t like a hotel at all. We were scheduled for a two-week stay, but after five days I was ready to leave. I started calling Doug demanding plane tickets to somewhere more interesting. “I can fly anywhere, man!” I shouted. “Fuck this place, why am I here?”

“Slash, relax, it’s cool,” he said. “Okay, where do you want to go?”

“Anyplace! Fuck . I’m going to fucking New York City!”

In the end, instead of flying me out, he agreed to fly in this hot stripper I’d met in Toronto. Doug arranged it all and then I was happy. I was supposed to be chilling out, but I still got really drunk on that trip. One night in particular I tied one on with her and for some stupid reason I found it necessary to smash all of the glass louvers in the front door of our bungalow. I didn’t think about it at all; it seemed perfectly natural at the time. Suddenly there was a knock at the door that night as we sat on the couch and this enormous Samoan guy who was a guard at the resort was out there and he was not happy at all.

“Did you break all of this glass?” he asked.

“Yeah,” I said. “So what?”

“You’ve got to clean it up,” he said ominously. “You’re going to clean up this mess.” He was right; morally, yes, I should have cleaned up the glass I’d broken. But I was paying nearly a grand a night just to be there, and at those rates, I wasn’t about to clean up anything.

“Why don’t you fucking clean it up, man?” I told him.

The guy stared me down for a second, then he grabbed me by the neck and slammed me up against the wall. I didn’t know what he had planned; all I knew is that I could hardly breathe and that my naked back was seriously feeling the stucco wall.

My girl went crazy and jumped on the guy’s back, totally raising Cain. It didn’t matter much; he was locked onto my neck like a pit bull: he swung at her with one arm, but the other one never loosened its grip on my throat. This whole scene was pretty loud; after a few minutes we attracted a crowd. This couple from next door came over, and when the Samoan guy saw them, it was like kryptonite: all of a sudden he straightened up and just ran away. The next day I tried to find him, but it was no use: he disappeared and never came back; he left his job and all of it behind, apparently.

WE DID A MINI-TOUR SHORTLY AFTER that: it was something that Alan booked to keep up our momentum. We played a theater in Phoenix with TSOL, and I remember that when I arrived there, everyone in our camp was happy and relieved to see me. I was suntanned, and Doug was very proud; according to him, he’d taken me down to Hawaii and straightened me out. I found that pretty funny.

We did the first gig and it was fine, but the second night Axl didn’t show up: he refused to leave his room. I don’t know how intensely Doug and Alan tried to get him out of there, and I still don’t understand why he wouldn’t come out, but it was a serious blow to morale in my mind. We in the band were beside ourselves; we were headlining and we couldn’t just forgive this. There aren’t too many reasons to miss going onstage—if there’s a death in the family, or you’re dead yourself, or sick or at best deathly ill, it’s excusable. Aside from that you crawl onstage if you have to. It set off a chain reaction—the floodgates of dysfunction were open from that point.

Steven found someone who was holding in Phoenix and I got loaded, he got loaded; I’m not sure what Izzy and Duff were doing, but Steve and I were three sheets to the wind. All that I remember of that night was that our hotel seemed cavernous; the distance from my room to Steven’s seemed like six miles. That hotel was dark and moody: there were a significant number of people who had gotten rooms there strictly to party after going to the show and they were in full swing, so there was a sinister, druggy vibe hanging about the place.

As the sun came up, Doug and Alan called a band meeting over breakfast. Duff, Izzy, Steven, and I filed into whatever restaurant and sat down with Alan and he delivered us the business. He told us that we were on the verge of ruining everything we’d worked so hard to achieve. It took all of my strength just to keep my head up for two seconds while Alan went on about how we couldn’t go on like this. We made a point of expressing our disappointment with Axl’s disregard and the fact that he didn’t even show up for the meeting. But we also knew that we couldn’t go out and just get a new singer. It seemed like Alan was with us and was going to talk to him. It didn’t make a difference, of course.

We returned to L.A. and canceled the rest of our tour. Next up: opening for Aerosmith. The controlled environment of being an opening band seemed like it would be good for us at the time. Their manager, Tim Collins, had spearheaded their sobriety and the band had spent millions getting themselves cleaned up and into a sober universe. And they’d hired an opening band that was falling apart at the seams. I can only imagine the lies that Alan came up with about how great we were doing to close that deal.

Steven Tyler Slash and Joe Perry Tom Zutaut Alan Niven and Doug Goldstein - фото 75
Steven Tyler, Slash, and Joe Perry.

Tom Zutaut, Alan Niven, and Doug Goldstein were read the riot act about endangering Aerosmith’s sobriety by Tim Collins and we then met with him as well. We showed up to his hotel room in L.A., where we ordered about $1,000 worth of booze from room service when he went to the bathroom. As they wheeled in this huge cart of drinks and food, Tim didn’t say anything, he just smirked.

“Sorry, man,” I said. “We were hungry… and thirsty.”

It was our way of showing him that we weren’t willing to relinquish our lifestyle, but we were open to following a few essential guidelines. All alcoholic drinks would be consumed in unmarked cups and all bottles of booze would be kept out of sight, and of course no mention would be made of heroin or cocaine. That wasn’t a problem: it was never hard to lie when we were holding drugs because none of us were ever the sharing kind.

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