Shortly after that, my parents moved into separate places and started divorce proceedings. I was sad about the split and put it down to Patrick’s death finally taking its toll. One day I drove out to Santa Monica, to my mom’s new house. It was early in the morning; I was planning to surprise her. Parked out in front of her house was Tre’s Porsche. There was no mistaking it for anyone else’s car; the corny vanity plate read AAWILDERIII.
Was my mom having an affair with Tre? Was Tre the reason for the divorce? She knew I was trying to get him out of my life, and she’d still chosen him. I imagined him wining and dining her, helping her through the split from my dad. I was livid. My mom was the most important thing in the world to me. I’d assumed that the feeling was reciprocal, and yet there was the Porsche, proof that I didn’t matter as much as I thought I did.
It was the latest model, a 911 Carrera that he’d bought just before I left him. It was his baby. I walked over to it and without a second thought keyed the shit out of it. I scarred it right across one side, both panels, in long, unbroken lines, like a bad Matisse painting. If art is an expression of emotion then this was the ugliest fucking piece of art you’ve ever seen—but, by that definition, art it was. Then I took out the notebook from my purse, wrote a note to my mom, and stuck it to her door.
How could you? Don’t call me. I don’t want to ever speak to you again.
* * *
I ran into Tre about ten years after we’d broken up. He came up to me at the pool of a swanky hotel.
“Claudia. I’m so sorry about what happened. Can you ever forgive me?”
“Are you out of your fucking mind?” I replied. “I will never forgive you.”
The way I saw it, he stole my mother away from me and engineered my parents’ divorce, and he did it deliberately and with malicious intent, just because seventeen-year-old Claudia didn’t want to see him anymore. My family fell apart, and I wouldn’t talk to my parents for another seven years; they didn’t even attend my wedding. It was the event that would close the door on my old life, on my childhood world, and there was no going back.
If I had stayed at home and dumped Tre when my dad told me to, who knows what would have happened? I ran into my friend Kara years later. We were so alike at school; we’d both dreamed of becoming actresses, encouraged each other to go for it, but there she was, wearing a hippie dress, gorgeous as ever, and pushing a baby stroller, a swarm of kids buzzing around her. She’d married a mountain man and moved to a small town in Colorado, so I guess it’s true, we are shaped by our choices.
Looking back on those traumas, they stand out as fairly grim landmarks in that formative part of my life, but there was something positive that grew out of them. Patrick’s death, my rape, and my troubled relationships taught me that no matter how tough the world gets, you can’t give up on yourself; you just have to keep taking that next step. That lesson manifested itself as a voice in my head, driving me forward, and it was stronger than self-doubt or fear or the pain of betrayal. At the worst times in my life I would cling to it like a piece of driftwood after a shipwreck. But back then, at the start of my new life in L.A., I felt as if I’d left all the difficulties of the past behind me. I was buoyed with enthusiasm. I’d trusted that inner voice, had faith that I could be an actress, and it had paid off. Now, as it carried me up to L.A., I felt unstoppable, unsinkable. But then, they said the same thing about the Titanic.
My school photo, 1970
With my mom in Glendale, California, 1967
With Jimmy and Vincent at Monarch Bay, California, 1967
With my playhouse in Westport, Connecticut, 1968
My family minus one. Westport, Connecticut, 1973, after Patrick’s death.
Fifteen years old, before prom, in Laguna Beach
One of the photos displayed at the Festival of the Arts, 1980
Clutching my modeling portfolio on the streets of NYC, 1981
PART TWO
Wheel of Fortune


4. BASTARDS AND BILLIONAIRES
I arrived in L.A. in 1982 ready to share my talent with the world. Start the drum roll, get that red carpet rolling, polish those award statues until they gleam; Claudia’s in town.
But then Joan told me that she couldn’t get me paid work with the Screen Actors Guild until I turned eighteen. (I looked too old for the kids’ roles that suited my age.) In the short term, that meant no income for almost three months. In the longer term, I’d be out of contention for the coming year’s Oscars and Emmys. You think that way when you’re seventeen. Still, I was upbeat. This was a small hitch. I could wait it out.
* * *
The new apartment was another unwelcome surprise. My bedroom window was right next to the building’s cluster of garbage cans. In summer it stank like hell. To add to the ambiance, Michael was a chain-smoker extraordinaire, using the last ember on one cigarette to start up the next. He’d have a cigarette going in the shower, on the toilet, in bed, and sometimes there was so much smoke in the apartment that I considered camping out by the 405 freeway because there would have been less pollution.
I knew Michael was gay before I moved in with him, but I didn’t know he had a bondage fetish. Our couches were wrapped in thick black leather belts, and a creepy studded leather mask was the central feature of the coffee table. It was like the S&M Mona Lisa; its hollow eyes followed you wherever you sat.
My room was like a different dimension. You opened the door from the smoke-filled bondage universe and stepped through the portal into Teen Girl World. I couldn’t afford new things, so I’d decorated with various odds and ends brought from home: a frilly pink duvet with ’70s rainbow sheets, a boom box, an oversize Led Zeppelin poster with the hermit from the tarot deck on it, and a small shelf with my favorite books. The only things I had that were definitively adult were the clothes that my mom had bought me—classy, expensive items—and the beginnings of an edged-weapon collection that my dad had encouraged.
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