Claudia Christian: Babylon Confidential

This “high” lasted the entire day and night, and my boyfriend babysat me through the whole thing. The one time he left me by myself, to go to the bathroom, I stripped off my clothes and climbed up onto the roof. He didn’t leave my side after that. It was the pits, and after that hellish experience I decided to stick to champagne.

Sometimes Tre would pick me up at lunchtime, take me home for a quickie, then drop me back at school. He’d tell his secretary he was out playing golf. To say that the Tre situation didn’t go down well with my parents is an understatement of monumental proportion, though not in the way you might expect. True to form, they took opposing sides and dug in for protracted trench warfare. My dad was against the relationship. In his eyes, Tre was a deadbeat preying on an underage girl, and he’d be damned if I was going to see him while I lived under his roof. My mother supported my seeing Tre, because he was rich, handsome, and an attorney. She’d grown up without a lot of material comforts after the war, and she was old-world European in the way she thought about things. The age difference was less important than the opportunity to haul in a good-sized catch.

The fracture in my parents’ marriage that ran right back to Patrick’s death widened into a fissure, and I found myself with a foot on either side, struggling not to fall in. Things came to a head when my mom let me go away with Tre for a weekend in Palm Springs. My dad was pissed off and went for broke. He saw the whole thing in the light of my plan to pursue an acting career. He proclaimed that being an actress was little better than being a whore and that the Tre situation was already one step too many down the path of damnation. He told me to get out of his house if I wanted to play at working in Hollywood, and I didn’t argue.

It turned out he was right about Tre, though. Tre was a walking façade. His blond hair was parted a little bit too far to the right because he was balding, and he’d inherited those beautiful blue eyes from his mean, low-class father. If I sound bitter it’s because I was. Tre lived his life for his father, and when he died Tre took on his role and became desperate and chubby, an aging party boy. Before he crashed, though, he made sure, like any good kamikaze pilot, to take as many people with him as possible.

But in hindsight we all have 20/20 vision. I thought I knew what I wanted. I turned sixteen, kept on seeing Tre, and set myself seriously to the task of becoming an actress. I had a few months to get out, so I started working three jobs to save money and was lucky enough to have the world’s coolest guidance counselor, a woman named Jan Fritzen, who convinced my parents to let me work toward finishing high school a year early.

I’ve found in life that if you’re single-minded and tenacious enough, if you keep on putting one foot in front of the other, eventually the universe meets you halfway. In this case it happened at a coffee shop I was working at on the Pacific Coast Highway.

It was the first real cappuccino place in town, and the South African owner was a complete pervert. Every time he would pinch my butt, I would steal money out of the cash register. Eventually he wised up and installed a camera, but the pinching didn’t stop, so I quit—but not before I got my big break.

The actor Barry Newman was a regular at the shop. He’d starred in the legal drama Petrocelli in the ’70s. He hit on me a little, but when I told him I was sixteen, he backed right off, which I appreciated. We started chatting when he came in, and I shared my dream of becoming an actress. Barry introduced me to his friend Charlie Peck, a veteran Hollywood writer who’d been blacklisted during the McCarthy era. Charlie was a small, older guy who drove this huge Cadillac and had to sit on two telephone books to see over the top of the wheel. He took a liking to me because of my name; he’d been married to the Italian sex symbol Claudia Cardinale. We got on well, and he promised that he’d set up a meeting with Joan Green, an L.A. talent manager who represented Heather Locklear. I was blown away. At the time Locklear was the only actress to have appeared on two TV series simultaneously: Dynasty and T.J. Hooker . This was an amazing opportunity, and I remember trying to play it cool even though I had butterflies slam dancing in my stomach.

“Next Wednesday? Three o’clock? Sure I can get up to L.A.”

Of course, I couldn’t get up to L.A. on a bus or in a taxi, so I stole my mother’s car. Up until that point I’d been allowed to borrow it to drive down the hill to school and back, and occasionally to the beach. So on the appointed Wednesday I skipped school and drove to Los Angeles. Halfway there I hit something on the freeway and it ripped up the entire underside of the car and totally wrecked it. I had no money to get the car towed. The police ended up taking me to a pay phone so I could call my mom. She took the fall for me, telling my dad that she was behind the wheel. But my luck held out; I was able to set up another meeting with Joan Green.

The next time I played it smarter and convinced my brother Vincent, who already lived in L.A., to take me up there, and I crashed on his couch.

Joan was totally professional but high-strung and slightly neurotic. She weighed me on a scale in her office, decided she liked the way I looked, and asked if I would come back and do a scene for her. “No problem,” I replied and then walked out of her office wondering where on earth I was going to find a scene. I didn’t know there was an actor’s bookstore called Samuel French; I didn’t know anything. I’d done plays like Oliver and Annie, but I sure as hell wasn’t going to do a scene from either of those oldies, so I wrote a monologue about an eighteenth-century female musician who wasn’t allowed to play the violin because she was expected to get married and just shut up. I brought my violin along and played a few notes and then launched into this monologue about a girl whose father didn’t understand her passion for music and who was forcing her to marry against her will, and I cried and beat the violin and did the whole bit. Joan must have seen something in me because she signed me on for a three-year management contract right there. I went back to Laguna Beach and started packing.

With the extra credits I received from working at Cappuccino and two other jobs, which involved selling surf wear and shots of tequila on the beach, my guidance counselor managed to cobble together enough credits for me to graduate from high school at the age of sixteen and a half. I wasn’t cut out for school, and I knew it.

I’d arranged to split a little apartment in L.A. with my gay friend Michael, who was moving up there to be a makeup artist for Christian Dior. I’d saved enough to allow me to pay rent and bills for three months. It was time to stand on my own two feet.

By then Tre had already commenced his kamikaze dive and I knew it was time to move on. For a grown man, he didn’t take rejection well. “If you try to leave me I’ll take from you the person that you love the most.” I believed him. I didn’t count on him being quite so calculatingly vindictive, but I believed him. We both knew he was talking about my mom. She and I had the same sense of humor, the same practical way of looking at the world. My dad had been absent for a lot of my childhood. My mom was my rock; I relied on her for support and encouragement. Tre’s cheap threat didn’t stop me from leaving him. I was done with men trying to pin me down. I went to my mother and warned her that Tre would come knocking on her door. She laughed it off. I felt better about the whole thing. I knew Tre was a smooth talker and that he was determined, but I trusted my mom. Problem solved. But that wasn’t the end of Tre’s run.