Lisa Rogak - Haunted Heart

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Haunted Heart: краткое содержание, описание и аннотация

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A fascinating look at the life of the author who created such modern classics as
,
, and
. One of the most prolific and popular authors in the world today, Stephen King has become part of pop culture history. But who is the man behind those tales of horror, grief, and the supernatural? Where do these ideas come from? And what drives him to keep writing at a breakneck pace after a thirty year career? In this unauthorized biography, Lisa Rogak reveals the troubled background and lifelong fears that inspire one of the twentieth century’s most influential authors.
King’s origins were inauspicious at best. His impoverished childhood in rural Maine and early marriage hardly spelled out the likelihood of a blossoming literary career. But his unflagging work ethic and a ceaseless flow of ideas put him on the path to success. It came in a flash, and the side effects of sudden stardom and seemingly unlimited wealth soon threatened to destroy his work and, worse, his life. But he survived and has since continued to write at a level of originality few authors could ever hope to match.
Despite his dark and disturbing work, Stephen King has become revered by critics and his countless fans as an all-American voice more akin to Mark Twain than H. P. Lovecraft.
chronicles his story, revealing the character of a man who has created some of the most memorable—and frightening—stories found in literature today.
Stephen King on Stephen King: “I’m afraid of everything.”
“As a kid, I worried about my sanity a lot.”
“I am always interested in this idea that a lot of fiction writers write for their fathers because their fathers are gone.”
“Writing is an addiction for me.”
“I married her for her body, though she said I married her for her typewriter.”
“When you get into this business, they don’t tell you you’ll get cat bones in the mail.”
“You have to be a little nuts to be a writer.”
“There’s always the urge to see somebody dead that isn’t you.”

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196 “something you wrote twenty-eight years ago was your best book”: Paris Review, Fall 2006.

196 “different events, personalities, and things that you can flip together”: Writers Dreaming, p. 136.

197 “ ‘I’ve got the idea, now let me out of here’ ”: BBC, An Audience with Stephen King, November 12, 2006.

198 “Let sleeping dogs lie, I say”: Guardian, September 14, 2000.

CHAPTER TWELVE: MISERY

199 “I really enjoyed the process”: Talk of the Nation, February 9, 1999.

200 “generally that works pretty well”: Ibid.

200 “if you whine enough, you do”: Ibid.

200 “I’ve done most of the promotion that they’ve asked me to do”: Ibid.

200 “should have been changed to Story That Lasts a Century ”: San Francisco Chronicle, February 12, 1999.

200 “A lot of people will not let me rest until I finish with Roland”: Ibid.

201 “it would be The Girl Who Loved Tom Gordon ”: Weekly Reader Writing magazine, October 2006.

202 “If he hit those rocks, he would have died”: Bangor Daily News, June 21, 1999.

202 “I thought, ‘Oh, boy, I’m in trouble here’ ”: Nightline, November 15, 2007.

202 “I loved all your movies”: Fresh Air, October 10, 2000.

202 “he was still talking and coherent”: Dateline, November 1, 1999.

203 “then it started up again, all different”: Good Housekeeping, September 2001.

203 “after they had intubated me and pumped up my lung”: Fresh Air, October 10, 2000.

203 “Not today”: Dateline, November 1, 1999.

204 “with the exception of my head, which was only concussed”: Ibid.

204 “it was that I had to take them again”: Fresh Air, October 10, 2000.

204 “I’m going to take it”: Ibid.

204 “it put chills in my heart”: Ibid.

205 “It’s almost funny”: On Writing, p. 256.

205 “I’d tell her I couldn’t and to let me stop, and she wouldn’t”: Dateline, November 1, 1999.

206 “I didn’t know if I knew how to do this anymore”: Ibid.

207 “so you just kind of let go”: Ibid.

207 “my brain began inventing pain just to get these painkillers”: Age, November 25, 2006.

207 “that was a very frightening place to be”: Fresh Air, October 10, 2000.

208 “you’re awake nights, you twitch, and then it’s gone”: BBC, An Audience with Stephen King, November 12, 2006.

CHAPTER THIRTEEN: SOMETIMES THEY COME BACK

209 “They all wanted to see my leg”: New York Times, August 13, 2000.

210 “because we can reduce each other to helpless laughter”: Tenebres.com, 2000.

210 “It’s just a question of trying to find the time”: Lilja’s Library, January 16, 2007.

210 “an idea of what this market is like now”: Publishers Weekly, March 14, 2000.

210 “but also in terms of length”: Ibid.

210 “it was a way of keeping things fresh”: Paris Review, Fall 2006.

213 “It’s more like ‘I’m taking my leg to New York”: Guardian, September 14, 2000.

213 “The death of a forty-three-year-old man can only be termed untimely”: CNN.com, September 25, 2000.

213 “Facts don’t bother a novelist”: Boston Globe, November 22, 1991.

213 “You’d rather do it than write about it”: Guardian, September 14, 2000.

213 “Is this all you really have to say about the art and craft of writing?”: A Good Read, Maine Public Television, August 2004.

213 “trying to teach women how to behave”: Entertainment Weekly, September 27, 2002.

214 “they take it more seriously”: A Good Read, Maine Public Television, August 2004.

214 “because if I stop, I’ll never start again”: Guardian, September 18, 2004.

214 “Tabby keeps the monsters away”: 60 Minutes, February 16, 1997.

214 “Tabby’s not afraid of him, or anything”: Good Housekeeping, September 2001.

215 “and keeps us from knowing things”: Boston Globe, June 4, 2006.

215 “contemplate some god-awful things in my fiction”: Talk of the Nation, February 9, 1999.

215 “I can always rip it out later”: Feast of Fear, p. 99.

215 “what the consequences were when the man leaves”: Age, November 25, 2006.

215 “and then I would shoot him”: Publishers Weekly, February 10, 1997.

215 “the thought has crossed my mind”: Augusta Chronicle, October 20, 1998.

215 “he just bullies his way into what he wants like a freight train”: Writer’s Digest, June 2007.

216 “I ended my involvement immediately”: Onyx Reviews, May 2006.

216 “and that’s the end of it”: Ibid.

216 “what it means to be a man among other men”: CBS Morning Show, March 20, 2001.

216 “they would rather kill all of us than tell us the truth”: Hollywood’s Stephen King, p. 7.

217 “I found myself pulling back a bit”: Guardian, September 14, 2000.

218 “Nothing did really”: Lilja’s Library, January 16, 2007.

218 “You see little flashes of their style”: Paris Review, Fall 2006.

219 “there might have been an element of that involved”: All Things Considered, March 16, 2005.

219 “So to hell with it”: Portland Press Herald, June 4, 2006.

219 “who’s been following the Red Sox forever”: Ibid.

220 “I’ve become sort of a Red Sox mascot”: All Things Considered, March 16, 2005.

220 “there was no reason not to publish them as soon as possible”: Amazon.com, March 2003.

220 “these books are going to come in fairly rapid succession”: Ibid.

221 “has to come out some other way”: Talk of the Nation, NPR, February 9, 1999.

221 “I’d kick his body into the street and dance on it!”: Castle Rock, December 1987.

221 “I don’t need the money”: Entertainment Weekly, September 27, 2002.

222 “might be his last novel for the year”: Ibid.

222 “I would publish it”: Time, March 24, 2002.

222 “the idea that this guy was going to retire is a laugh”: Time, March 24, 2002.

222 “like my mind and body is trying to scare me back to work”: Age, November 25, 2006.

222 “so I tried to simplify it a little bit”: Amazon.com, March 2003.

222 “all they’re doing is remaking them at this point”: Boston Globe, June 4, 2006.

223 “And he’s a kindred spirit”: A Good Read, Maine Public Television, August 2004.

224 “the shocking process of dumbing down our cultural life”: Boston Globe, September 24, 2003.

224 “to a girl who’s not going to be Miss America”: Nightline, November 15, 2007.

224 “there’s still a fair amount of resentment toward that”: Ibid.

224 “I was going to accept it and make my speech”: Age, November 25, 2006.

224 “and got rotten and infected the rest”: Ibid.

225 “The writing was the best part of the day”: Ibid.

225 “She knew I couldn’t argue”: BBC, An Audience with Stephen King, November 12, 2006.

225 “when my mother died of cancer”: Age, November 25, 2006.

CHAPTER FOURTEEN: THE END OF THE WHOLE MESS

226 “the pressure of being a famous guy’s kid”: New York Times, March 18, 2007.

226 “horror stories with few adverbs”: Ibid.

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