Sarah Bakewell - How to Live - A Life of Montaigne in One Question and Twenty Attempts at an Answer

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From Starred Review
Review In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen
“This charming biography shuffles incidents from Montaigne’s life and essays into twenty thematic chapters… Bakewell clearly relishes the anthropological anecdotes that enliven Montaigne’s work, but she handles equally well both his philosophical influences and the readers and interpreters who have guided the reception of the essays.”
— “Serious, engaging, and so infectiously in love with its subject that I found myself racing to finish so I could start rereading the Essays themselves… It is hard to imagine a better introduction — or reintroduction — to Montaigne than Bakewell’s book.”
—Lorin Stein, “Ms. Bakewell’s new book,
, is a biography, but in the form of a delightful conversation across the centuries.”
— “So artful is Bakewell’s account of [Montaigne] that even skeptical readers may well come to share her admiration.”
— “Extraordinary… a miracle of complex, revelatory organization, for as Bakewell moves along she provides a brilliant demonstration of the alchemy of historical viewpoint.”
— “Well,
is a superb book, original, engaging, thorough, ambitious, and wise.”
—Nick Hornby, in the November/December 2010 issue of “In
, an affectionate introduction to the author, Bakewell argues that, far from being a dusty old philosopher, Montaigne has never been more relevant — a 16th-century blogger, as she would have it — and so must be read, quite simply, ‘in order to live’… Bakewell is a wry and intelligent guide.”
— “Witty, unorthodox…
is a history of ideas told entirely on the ground, never divorced from the people thinking them. It hews close to Montaigne’s own preoccupations, especially his playful uncertainty — Bakewell is a stickler for what we can’t know…
is a delight…”
— “This book will have new readers excited to be acquainted to Montaigne’s life and ideas, and may even stir their curiosity to read more about the ancient Greek philosophers who influenced his writing.
is a great companion to Montaigne’s essays, and even a great stand-alone.”
— “A bright, genial, and generous introduction to the master’s methods.”
— “[Bakewell reveals] one of literature's enduring figures as an idiosyncratic, humane, and surprisingly modern force.”

(starred)
“As described by Sarah Bakewell in her suavely enlightening
Montaigne is, with Walt Whitman, among the most congenial of literary giants, inclined to shrug over the inevitability of human failings and the last man to accuse anyone of self-absorption. His great subject, after all, was himself.”
—Laura Miller, “Lively and fascinating…
takes its place as the most enjoyable introduction to Montaigne in the English language.”
— “Splendidly conceived and exquisitely written… enormously absorbing.”
— “
will delight and illuminate.”
— “It is ultimately [Montaigne’s] life-loving vivacity that Bakewell succeeds in communicating to her readers.”
—The Observer
“This subtle and surprising book manages the trick of conversing in a frank and friendly manner with its centuries-old literary giant, as with a contemporary, while helpfully placing Montaigne in a historical context. The affection of the author for her subject is palpable and infectious.”
—Phillip Lopate, author of “An intellectually lively treatment of a Renaissance giant and his world.”
— “Like recent books on Proust, Joyce, and Austen,
skillfully plucks a life-guide from the incessant flux of Montaigne’s prose… A superb, spirited introduction to the master.”
— In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen Named one of Library Journal’s Top Ten Best Books of 2010 In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers.
—Bryce Christensen

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illustration credit i142 illustration credit i143 Montaigne did not have - фото 42
(illustration credit i14.2)
illustration credit i143 Montaigne did not have the luxury of traveling - фото 43
(illustration credit i14.3)

Montaigne did not have the luxury of traveling solo, following personal whim alone. He was a nobleman of substance, and was expected to support an unwieldy entourage of servants, acquaintances, and hangers-on, from whom he tried to escape as often as possible. The group included four youngsters who came for the educational experience. One was his own youngest brother, Bertrand de Mattecoulon, still only twenty; the others were the young husband of one of his sisters and a neighbor’s teenage son with a friend. As the voyage went on, each of these would peel away to take up various pursuits. The most ill-fated was Mattecoulon, who stayed in Rome to study fencing and there killed a man in a duel; Montaigne had to get him rescued from prison.

Traveling was itself something of an extreme sport at the time, not much less dangerous than dueling. Roads on established pilgrim routes could be good, but others were rough. You always had to be ready to change your plans on hearing reports of plague ahead, or of gangs of highwaymen. Montaigne once altered his route to Rome because of a warning about armed robberies on the road he had intended to take. Some people hired escorts, or traveled in convoy. Montaigne was already in a large group, which helped, but that could attract unwelcome attention too.

There were other irritations. Officials had to be bribed, especially in Italy, which was known for corruption and bureaucratic excess. Throughout Europe, the gates to cities were heavily guarded; you had to arrive with the correct passports, travel and baggage permits, plus properly attested letters stating that you had not recently been through a plague area. City checkpoints often issued a pass to stay at a particular hotel, the proprietor of which had to countersign it. It must have been like traveling in the Communist world at the height of the Cold War, but with greater lawlessness and danger.

Then there were the discomforts of the journey itself. Most traveling was done on horseback. You could go by carriage, but the seats were usually harder on the buttocks than saddles. Montaigne certainly preferred to ride. He would buy and sell horses on the way, or hire them for short stretches. River transport was another option, but Montaigne suffered from seasickness and avoided it. In general, riding gave him the freedom he craved; surprisingly, he also found a saddle the most comfortable place to be during a kidney-stone attack.

What he loved above all about his travels was the feeling of going with the flow. He avoided all fixed plans. “If it looks ugly on the right, I take the left; if I find myself unfit to ride my horse, I stop.” He traveled as he read and wrote: by following the promptings of pleasure. Leonard Woolf, roaming Europe with his wife over three centuries later, would describe how she too cruised along like a whale sieving the ocean for plankton, cultivating a “passive alertness” which brought her a strange mingling of “exhilaration and relaxation.” Montaigne was the same. It was an extension of his everyday pleasure in letting himself “roll relaxedly with the rolling of the heavens,” as he luxuriously put it, but with the added delight that came from seeing everything afresh and with full attention, like a child.

He did not like to plan, but he did not like to miss things either. His secretary, accompanying him and (for a while) keeping his journal for him, remarked that people in the party complained about Montaigne’s habit of straying from the path whenever he heard of extra things he wanted to see. But Montaigne would say it was impossible to stray from the path: there was no path. The only plan he had ever committed himself to was that of traveling in unknown places. So long as he did not repeat a route, he was following this plan to the letter.

illustration credit i144 The one limit to his energy was that he never liked - фото 44 illustration credit i144 The one limit to his energy was that he never liked - фото 45
(illustration credit i14.4)

The one limit to his energy was that he never liked to start out too early. “My laziness in getting up gives my attendants time to dine at their ease before starting.” This accorded with his usual habit, for he always had trouble getting under way in the mornings. On the whole, however, he made a point of shaking up his habits while traveling. Unlike other travelers, he ate only local food and had himself served in the local style. At one point in the trip he regretted that he had not brought his cook with him — not because he missed home cooking, but because he wanted the cook to learn new foreign recipes.

He blushed to see other Frenchmen overcome with joy whenever they met a compatriot abroad. They would fall on each other, cluster in a raucous group, and pass whole evenings complaining about the barbarity of the locals. These were the few who actually noticed that locals did things differently. Others managed to travel so “covered and wrapped in a taciturn and incommunicative prudence, defending themselves from the contagion of an unknown atmosphere” that they noticed nothing at all. In the journal, the secretary observed how far Montaigne himself would err in the other direction, showering exaggerated praise on whichever country they were in while having nary a good word to say for his own. “In truth there entered into his judgment a bit of passion, a certain scorn for his country,” wrote the secretary, and added his own speculation that Montaigne’s aversion from all things French came from “other considerations”—perhaps a reference to the wars.

His adaptability extended to language. In Italy, he spoke in Italian and even kept his journal in that language, taking over from the secretary. He imitated the chameleon, or octopus, and tried to pass incognito wherever possible — or what he thought was incognito. In Augsburg, wrote the secretary, “Monsieur de Montaigne, for some reason, wanted our party to dissemble and not tell their ranks; and he walked unattended all day long through the town.” It did not work. Sitting on a pew in freezing air in Augsburg’s church, Montaigne found his nose running and unthinkingly took out a handkerchief. But handkerchiefs were not used in this area, so he blew his cover along with his nose. Was there a bad smell around? the local people wondered. Or was he afraid of catching something? In any case, they had already guessed he was a stranger: his style of dressing gave him away. Montaigne found this irksome. For once, “he had fallen into the fault that he most avoided, that of making himself noticeable by some mannerism at variance with the taste of those who saw him.”

Churches played an important part in Montaigne’s tour, not because he was addicted to prayer, but because he was so curious about their practices. He observed the Protestant churches of Germany with as much interest as the Catholic ones of Italy. In Augsburg, he witnessed the christening of a child. On the way out (having already been unmasked as a stranger) he asked many questions about the process. In Italy, he visited synagogues, and “had quite a talk with them about their ceremonies.” He also observed a Jewish circumcision, in a private house.

Odd events and human narratives of all kinds appealed to him. In the early stages of the trip, in Plombières-les-Bains in Lorraine, he met a soldier who had a half-white beard and one white eyebrow. The man told Montaigne that both had changed color in a single day when his brother died, because he wept for hours with a hand covering one side of his face. Nearby, in Vitry-le-François, he was regaled with stories about seven or eight girls in the area who had “plotted together” to dress and live as men. One married a woman and lived with her for several months—“to her satisfaction, so they say”—until someone reported the case to the authorities and she was hanged. Another story in the same region concerned a man named Germain who had been a girl until the age of twenty-two, when a set of “virile instruments” popped out one day as he leaped over an obstacle. A folk song arose in the town, warning girls not to open their legs too wide when they jumped in case the same thing happened to them.

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