Sarah Bakewell - How to Live - A Life of Montaigne in One Question and Twenty Attempts at an Answer

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From Starred Review
Review In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen
“This charming biography shuffles incidents from Montaigne’s life and essays into twenty thematic chapters… Bakewell clearly relishes the anthropological anecdotes that enliven Montaigne’s work, but she handles equally well both his philosophical influences and the readers and interpreters who have guided the reception of the essays.”
— “Serious, engaging, and so infectiously in love with its subject that I found myself racing to finish so I could start rereading the Essays themselves… It is hard to imagine a better introduction — or reintroduction — to Montaigne than Bakewell’s book.”
—Lorin Stein, “Ms. Bakewell’s new book,
, is a biography, but in the form of a delightful conversation across the centuries.”
— “So artful is Bakewell’s account of [Montaigne] that even skeptical readers may well come to share her admiration.”
— “Extraordinary… a miracle of complex, revelatory organization, for as Bakewell moves along she provides a brilliant demonstration of the alchemy of historical viewpoint.”
— “Well,
is a superb book, original, engaging, thorough, ambitious, and wise.”
—Nick Hornby, in the November/December 2010 issue of “In
, an affectionate introduction to the author, Bakewell argues that, far from being a dusty old philosopher, Montaigne has never been more relevant — a 16th-century blogger, as she would have it — and so must be read, quite simply, ‘in order to live’… Bakewell is a wry and intelligent guide.”
— “Witty, unorthodox…
is a history of ideas told entirely on the ground, never divorced from the people thinking them. It hews close to Montaigne’s own preoccupations, especially his playful uncertainty — Bakewell is a stickler for what we can’t know…
is a delight…”
— “This book will have new readers excited to be acquainted to Montaigne’s life and ideas, and may even stir their curiosity to read more about the ancient Greek philosophers who influenced his writing.
is a great companion to Montaigne’s essays, and even a great stand-alone.”
— “A bright, genial, and generous introduction to the master’s methods.”
— “[Bakewell reveals] one of literature's enduring figures as an idiosyncratic, humane, and surprisingly modern force.”

(starred)
“As described by Sarah Bakewell in her suavely enlightening
Montaigne is, with Walt Whitman, among the most congenial of literary giants, inclined to shrug over the inevitability of human failings and the last man to accuse anyone of self-absorption. His great subject, after all, was himself.”
—Laura Miller, “Lively and fascinating…
takes its place as the most enjoyable introduction to Montaigne in the English language.”
— “Splendidly conceived and exquisitely written… enormously absorbing.”
— “
will delight and illuminate.”
— “It is ultimately [Montaigne’s] life-loving vivacity that Bakewell succeeds in communicating to her readers.”
—The Observer
“This subtle and surprising book manages the trick of conversing in a frank and friendly manner with its centuries-old literary giant, as with a contemporary, while helpfully placing Montaigne in a historical context. The affection of the author for her subject is palpable and infectious.”
—Phillip Lopate, author of “An intellectually lively treatment of a Renaissance giant and his world.”
— “Like recent books on Proust, Joyce, and Austen,
skillfully plucks a life-guide from the incessant flux of Montaigne’s prose… A superb, spirited introduction to the master.”
— In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen Named one of Library Journal’s Top Ten Best Books of 2010 In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers.
—Bryce Christensen

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Each culture, in doing these things, takes itself as the standard. If you live in a country where teeth are blackened, it seems obvious that ebony ivories are the only beautiful ones. Reciting diversities helps us to break free of this, if only for brief moments of enlightenment. “This great world,” writes Montaigne, “is the mirror in which we must look at ourselves to recognize ourselves from the proper angle.” After running through such a list, we look back upon our own existence differently. Our eyes are opened to the truth that our customs are no less weird than anyone else’s.

Some of Montaigne’s initial interest in such leaps of perspective went back to his observation of the Tupinambá visitors’ amazement in Rouen. Watching them watching the French was an awakening, like Virginia Woolf’s on the hillside. The encounter stimulated in Montaigne what became a lifelong interest in the New World — an entire hemisphere unknown to Europeans until a few decades before his own birth, and still so surprising that it hardly seemed real.

By the time Montaigne was born, most Europeans had come around to the acceptance that America really did exist and was not a fantasy. Some people had taken up eating hot peppers and chocolate, and a few smoked tobacco. The cultivation of potatoes was under way, although their vaguely testicular shape still made people think they were good only as an aphrodisiac. Returning travelers passed on tales of cannibalism and human sacrifice, or of fabulous fortunes in gold and silver. As life in Europe became more difficult, many considered emigrating, and colonies sprouted like mold spores along the eastern coasts. Most were Spanish, but the French also tried their luck. In Montaigne’s youth, France looked well placed to prosper in the new colonial adventure. It had a strong fleet, and well-equipped international ports from which to sail — Bordeaux foremost among them.

Several French expeditions were launched in the middle of the century, but they ran into difficulties one by one. French colonists had a particular tendency to undo their enterprises through religious conflict, which they imported with them. The first French settlement in Brazil, founded by Nicolas Durand de Villegaignon near the present site of Rio de Janeiro in the 1550s, was so weakened by its Catholic — Protestant divisions that it succumbed to invasion by the Portuguese. In the 1560s, a mainly Protestant French colony in Florida fell victim to the Spanish. By this time, full civil war had broken out in the French homeland, and the money and organization for major voyages were hard to find. France missed its place in the first great bonanza overseas, the one that made the fortunes of England and Spain. By the time it recovered and tried again later, it was too late to recover the advantage in full.

Like many of his generation, Montaigne had a fascination with all things American combined with cynicism about colonial conquest. He treasured what he remembered of his conversation with the Tupinambá—who had traveled to France in one of Villegaignon’s returning ships — and collected South American memorabilia for his cabinet of curiosities in the tower: “specimens of their beds, of their ropes, of their wooden swords, and the bracelets with which they cover their wrists in combats, and of the big canes, open at one end, by whose sound they keep time in their dances.” Much of this probably came from a household servant who had lived for a time in the Villegaignon colony. The same man introduced Montaigne to sailors and merchants who could further feed his curiosity. He was himself “a simple, crude fellow,” but Montaigne believed this made him an excellent witness, for he was not tempted to embroider or overinterpret what he reported.

Besides conversation, Montaigne also read everything he could get hold of on the subject. His library included French translations of López de Gómara’s Historia de las Indias and Bartolomé de Las Casas’s Brevísima relación de la destrucción de las Indias , as well as more recent French originals, notably two great rival accounts of the Villegaignon colony by the Protestant Jean de Léry and the Catholic André Thevet. Of the two, he much preferred Léry’s Histoire d’un voyage fait en la terre du Brésil (1578), which observed Tupinambá society with sympathy and precision. As befitted a Protestant puritan, Léry admired the Tupinambá preference for going naked rather than adorning themselves with ruffs and furbelows as the French did. He observed that very few of their elderly people had white hair, and suspected it was because they did not wear themselves out with “mistrust, avarice, litigation, and squabbles.” And he thought highly of their courage in war. The Tupinambá fought bloody battles with magnificent swords, but only for honor, never for conquest or greed. Such encounters usually ended with a feast at which the main course was prisoners of war. Léry himself attended one such event; that night he woke in his hammock to see a man looming over him brandishing a roasted human foot in what seemed to be a threatening manner. He leaped up in fright, to the merriment of the crowd. Later, it was explained to him that the man was only being a generous host and offering him a taste. Léry’s faith in his friends was restored. He felt safer among them, he said, than he did at home “among disloyal and degenerate Frenchmen.” Indeed, he was destined to witness equally gruesome scenes in the French civil wars, when he became stranded in the hilltop town of Sancerre during a winter siege at the end of 1572 and saw townspeople eating human flesh to survive.

Montaigne read Léry avidly, and, in writing up his own Tupinambá encounter in “Of Cannibals,” followed Léry’s practice of drawing out the contrast with France and the implications for European assumptions of superiority. A later chapter, “Of Coaches,” also noted how the gilded gardens and palaces of the Incas and Aztecs put European equivalents to shame. But the simple Tupinambá appealed to Montaigne far more. He described them with a list of desirable negatives:

illustration credit i101 This is a nation in which there is no sort of - фото 30
(illustration credit i10.1)

This is a nation … in which there is no sort of traffic, no knowledge of letters, no science of numbers, no name for a magistrate or for political superiority, no custom of servitude, no riches or poverty, no contracts, no successions, no partitions, no occupations but leisure ones, no care for any but common kinship, no clothes, no agriculture, no metal, no use of wine or wheat. The very words that signify lying, treachery, dissimulation, avarice, envy, belittling, pardon — unheard of.

Such “negative enumeration” was a well-established rhetorical device in classical literature, long predating the New World encounter. It even turns up in four-thousand-year-old Sumerian cuneiform texts:

Once upon a time, there was no snake, there was no scorpion,
There was no hyena, there was no lion,
There was no wild dog, no wolf,
There was no fear, no terror,
Man had no rival.

It was only natural that it should recur in Renaissance writing about the New World. The tradition would continue: in the nineteenth century Herman Melville described the happy valley of Typee in the Marquesas as a place where there were “no foreclosures of mortgages, no protested notes, no bills payable, no debts of honor … no poor relations … no destitute widows … no beggars; no debtors’ prisons; no proud and hard-hearted nabobs in Typee; or to sum up all in one word — no money!” The idea was that people were happier when they lived uncluttered lives close to nature, like Adam and Eve in the Garden of Eden. Stoics had made much of this “Golden Age” fantasy: Seneca fantasized about a world in which property was not hoarded, weapons were not used for violence, and no sewage pipes polluted the streams. Without houses, people even slept better, for there were no creaking timbers to wake them with a start in the middle of the night.

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