Sarah Bakewell - How to Live - A Life of Montaigne in One Question and Twenty Attempts at an Answer

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From Starred Review
Review In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen
“This charming biography shuffles incidents from Montaigne’s life and essays into twenty thematic chapters… Bakewell clearly relishes the anthropological anecdotes that enliven Montaigne’s work, but she handles equally well both his philosophical influences and the readers and interpreters who have guided the reception of the essays.”
— “Serious, engaging, and so infectiously in love with its subject that I found myself racing to finish so I could start rereading the Essays themselves… It is hard to imagine a better introduction — or reintroduction — to Montaigne than Bakewell’s book.”
—Lorin Stein, “Ms. Bakewell’s new book,
, is a biography, but in the form of a delightful conversation across the centuries.”
— “So artful is Bakewell’s account of [Montaigne] that even skeptical readers may well come to share her admiration.”
— “Extraordinary… a miracle of complex, revelatory organization, for as Bakewell moves along she provides a brilliant demonstration of the alchemy of historical viewpoint.”
— “Well,
is a superb book, original, engaging, thorough, ambitious, and wise.”
—Nick Hornby, in the November/December 2010 issue of “In
, an affectionate introduction to the author, Bakewell argues that, far from being a dusty old philosopher, Montaigne has never been more relevant — a 16th-century blogger, as she would have it — and so must be read, quite simply, ‘in order to live’… Bakewell is a wry and intelligent guide.”
— “Witty, unorthodox…
is a history of ideas told entirely on the ground, never divorced from the people thinking them. It hews close to Montaigne’s own preoccupations, especially his playful uncertainty — Bakewell is a stickler for what we can’t know…
is a delight…”
— “This book will have new readers excited to be acquainted to Montaigne’s life and ideas, and may even stir their curiosity to read more about the ancient Greek philosophers who influenced his writing.
is a great companion to Montaigne’s essays, and even a great stand-alone.”
— “A bright, genial, and generous introduction to the master’s methods.”
— “[Bakewell reveals] one of literature's enduring figures as an idiosyncratic, humane, and surprisingly modern force.”

(starred)
“As described by Sarah Bakewell in her suavely enlightening
Montaigne is, with Walt Whitman, among the most congenial of literary giants, inclined to shrug over the inevitability of human failings and the last man to accuse anyone of self-absorption. His great subject, after all, was himself.”
—Laura Miller, “Lively and fascinating…
takes its place as the most enjoyable introduction to Montaigne in the English language.”
— “Splendidly conceived and exquisitely written… enormously absorbing.”
— “
will delight and illuminate.”
— “It is ultimately [Montaigne’s] life-loving vivacity that Bakewell succeeds in communicating to her readers.”
—The Observer
“This subtle and surprising book manages the trick of conversing in a frank and friendly manner with its centuries-old literary giant, as with a contemporary, while helpfully placing Montaigne in a historical context. The affection of the author for her subject is palpable and infectious.”
—Phillip Lopate, author of “An intellectually lively treatment of a Renaissance giant and his world.”
— “Like recent books on Proust, Joyce, and Austen,
skillfully plucks a life-guide from the incessant flux of Montaigne’s prose… A superb, spirited introduction to the master.”
— In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen Named one of Library Journal’s Top Ten Best Books of 2010 In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers.
—Bryce Christensen

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Montaigne left, but the next morning La Boétie’s wife sent for him, saying that her husband was getting worse. Montaigne returned and, at La Boétie’s request, spent the night there: “He asked me, with more affection and insistence than ever about anything else, to be with him as much as I could. This touched me considerably.” He stayed the following night too. La Boétie’s condition continued to worsen. On Saturday, he admitted that his illness was contagious and unpleasant — a hint that he now realized it was the plague. He again asked Montaigne to stay, but not for more than brief periods, so that he would be at less risk. Montaigne did not obey this second part. “I did not leave him again,” he wrote.

On Sunday La Boétie was overcome with weakness and suffered hallucinations. When the crisis passed, he said “that he had seemed to be in some great confusion of all things and had seen nothing but a thick cloud and a dense fog in which everything was pell-mell and without order.” Montaigne reassured him: “Death has nothing worse about it than that, my brother,” to which La Boétie replied that, indeed, nothing could be worse than that. From this point on, he admitted to Montaigne, he lost hope of a cure.

He decided to set his affairs in order, asking Montaigne to watch his wife and uncle in case grief got the better of them. When La Boétie was ready, Montaigne summoned the family into the room. They “composed their faces as well as they could” and sat around the bed. La Boétie told them what he intended to leave in his will, specifying that most of his book collection should go to Montaigne. Afterwards he called for a priest. La Boétie had collected himself so carefully for his deathbed speeches that Montaigne felt a moment of hope, but, once the effort was over, his friend deteriorated again.

A few hours later, still at La Boétie’s bedside, Montaigne told him that he “blushed for shame” to see him showing more courage in the face of his own death than he, Montaigne, was able to find in witnessing it. He promised to remember his example when his own time came. Yes, said La Boétie, that was a good thing to do. He reminded Montaigne of the many enlightening talks they had already had on such subjects. This experience was, he said, “the true object of our studies, and of philosophy.”

Taking Montaigne by the hand, he assured him that he had done many things in life that had been more painful and difficult. “And when all is said,” he went on, “I had been prepared for it for a very long time and had known my lesson all by heart.” Like Montaigne at this stage, he had followed the ancients’ advice and rehearsed his death well. After all, he went on, still echoing the wisdom of the sages, he had lived healthily and happily for long enough. There was no need for regrets. Had he not already made it to a good age? “I was soon to be thirty-three,” he said. “God granted me this grace, that all my life up to now has been full of health and happiness. In view of the inconstancy of things human, that could hardly last any longer.” Old age would only have brought him pain, and might have made him miserly; it was better to have avoided this. Montaigne looked distressed; La Boétie reminded him that he must be strong. “What, my brother, do you want to put fear into me? If I felt fear, who but you should take it away from me?”

La Boétie was dying the perfect Stoic death, full of courage and rational wisdom. Montaigne was expected to do his part: to help his friend to maintain this courage, and then to act as witness, recording the details so others could learn from the story. Perhaps, in doing so, he improved on reality slightly, to make La Boétie sound nobler and braver than he was. Perhaps not; La Boétie’s sense of the classical virtues went so deep that he may genuinely have been capable of emulating his philosophical heroes almost to the end. As Montaigne wrote of him, “His mind was modeled in the pattern of other ages than this.”

But Montaigne himself was a different creature, and, as his account goes on, more and more of his real self comes through: his skepticism, his eye for the awkward detail, and his determination to tell things as they were. There are even moments of irreverence. Writing about La Boétie’s farewell speeches later that day, he comments, “The whole room was full of wails and tears, which nevertheless did not interrupt the train of his speeches, which were a little long.”

The next morning, Monday, La Boétie slipped in and out of consciousness, being revived with vinegar and wine each time. He reproached Montaigne: “Don’t you see that from now on all the help you give me serves only to prolong my pain?” After one such spell, he temporarily lost his vision. The lamentations of the people around him, whom he could not see, horrified him. “My Lord, who is tormenting me so? Why do they take me out of that great pleasant rest that I am in? Leave me alone, I beg you.”

A sip of wine restored his faculties, but he was now slipping away. “All his extremities, even his face, were already icy with cold, with a death sweat that ran down all along his body; and hardly any sign of a pulse could be detected any longer.”

On Tuesday he received the last rites, and asked the priest, his uncle, and Montaigne to pray for him. Two or three times he called out, once saying, “All right! All right! Let it come when it will, I’m waiting for it, strong and firm of foot.”

In the evening, “having nothing left but the likeness and shadow of a man,” he hallucinated again, this time with visions which he described to Montaigne as “marvelous, infinite, and ineffable.” He tried to comfort his wife, saying that he had a story to tell her. “But I am going off,” he said. Then, seeing her alarm, he corrected himself: “I am going off to sleep.”

She left the room. La Boétie said to Montaigne, “My brother, stay close to me, please.” There were still many other people around; Montaigne writes of them as “all the company.” Nothing was ever done alone in the Renaissance, least of all dying. La Boétie’s wife was, it seems, the only person actually sent away.

Now, the dying man became agitated. He tossed violently in the bed. He began to make strange requests. As Montaigne wrote:

He began to entreat me again and again with extreme affection to give him a place; so that I was afraid his judgment was shaken. Even when I had remonstrated with him very gently that he was letting the illness carry him away and that these were not the words of a man in his sound mind, he did not give in at first and repeated even more strongly: “My brother, my brother, do you refuse me a place?” This until he forced me to convince him by reason and tell him that since he was breathing and speaking and had a body, consequently he had his place. “True, true,” he answered me then, “I have one, but it is not the one I need; and then when all is said, I have no being left.”

It was hard to know how to respond to these words. Montaigne tried to comfort him: “God will give you a better one very soon,” he said.

“Would that I were there already,” said La Boétie. “For three days now I have been straining to leave.”

Over the next hours he often called out, wrote Montaigne, “simply to know whether I was near him.” He always was.

From its conventional beginnings, Montaigne’s account has by now become both moving and eerie. He seems to be recording what was really said and done, regardless of the philosophical meaning. La Boétie himself had moved beyond imitating models. With his talk of needing a place, he seemed to be speaking almost without awareness, as Montaigne would be when he raved and tore at his doublet a few years later.

By two in the morning he was able to rest, which seemed a good sign. Montaigne left the room to tell La Boétie’s wife. Both were pleased at the improvement. But an hour or so later, when Montaigne was back in the room, La Boétie became restless again. He spoke Montaigne’s name once or twice. Then he exhaled a single sigh, and stopped breathing. La Boétie was dead—“at about three o’clock on the Wednesday morning, August 18th, 1563, after living 32 years, 9 months, and 17 days,” as Montaigne recorded.

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