Sarah Bakewell - How to Live - A Life of Montaigne in One Question and Twenty Attempts at an Answer

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From Starred Review
Review In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen
“This charming biography shuffles incidents from Montaigne’s life and essays into twenty thematic chapters… Bakewell clearly relishes the anthropological anecdotes that enliven Montaigne’s work, but she handles equally well both his philosophical influences and the readers and interpreters who have guided the reception of the essays.”
— “Serious, engaging, and so infectiously in love with its subject that I found myself racing to finish so I could start rereading the Essays themselves… It is hard to imagine a better introduction — or reintroduction — to Montaigne than Bakewell’s book.”
—Lorin Stein, “Ms. Bakewell’s new book,
, is a biography, but in the form of a delightful conversation across the centuries.”
— “So artful is Bakewell’s account of [Montaigne] that even skeptical readers may well come to share her admiration.”
— “Extraordinary… a miracle of complex, revelatory organization, for as Bakewell moves along she provides a brilliant demonstration of the alchemy of historical viewpoint.”
— “Well,
is a superb book, original, engaging, thorough, ambitious, and wise.”
—Nick Hornby, in the November/December 2010 issue of “In
, an affectionate introduction to the author, Bakewell argues that, far from being a dusty old philosopher, Montaigne has never been more relevant — a 16th-century blogger, as she would have it — and so must be read, quite simply, ‘in order to live’… Bakewell is a wry and intelligent guide.”
— “Witty, unorthodox…
is a history of ideas told entirely on the ground, never divorced from the people thinking them. It hews close to Montaigne’s own preoccupations, especially his playful uncertainty — Bakewell is a stickler for what we can’t know…
is a delight…”
— “This book will have new readers excited to be acquainted to Montaigne’s life and ideas, and may even stir their curiosity to read more about the ancient Greek philosophers who influenced his writing.
is a great companion to Montaigne’s essays, and even a great stand-alone.”
— “A bright, genial, and generous introduction to the master’s methods.”
— “[Bakewell reveals] one of literature's enduring figures as an idiosyncratic, humane, and surprisingly modern force.”

(starred)
“As described by Sarah Bakewell in her suavely enlightening
Montaigne is, with Walt Whitman, among the most congenial of literary giants, inclined to shrug over the inevitability of human failings and the last man to accuse anyone of self-absorption. His great subject, after all, was himself.”
—Laura Miller, “Lively and fascinating…
takes its place as the most enjoyable introduction to Montaigne in the English language.”
— “Splendidly conceived and exquisitely written… enormously absorbing.”
— “
will delight and illuminate.”
— “It is ultimately [Montaigne’s] life-loving vivacity that Bakewell succeeds in communicating to her readers.”
—The Observer
“This subtle and surprising book manages the trick of conversing in a frank and friendly manner with its centuries-old literary giant, as with a contemporary, while helpfully placing Montaigne in a historical context. The affection of the author for her subject is palpable and infectious.”
—Phillip Lopate, author of “An intellectually lively treatment of a Renaissance giant and his world.”
— “Like recent books on Proust, Joyce, and Austen,
skillfully plucks a life-guide from the incessant flux of Montaigne’s prose… A superb, spirited introduction to the master.”
— In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen Named one of Library Journal’s Top Ten Best Books of 2010 In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers.
—Bryce Christensen

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All the accused had a right to defend themselves before parlement —a chance for Montaigne to use his rhetorical skills again. Of them all, he was the speaker who made the biggest impression. “He expressed himself with all the vivacity of his character,” reads the note in the records. He finished his speech by stating “that he named the whole Court,” then he flounced off.

The court called him back and ordered him to explain what he meant by this. He replied that he was no enemy of Lagebâton, who was a friend of his and of everyone in his family. But — and there was clearly a “but” coming — he knew that accused persons were traditionally allowed to make counter-claims against their accuser, so he wished to take advantage of this right. Again, he left everyone puzzled, but the implication was that it was Lagebâton who was guilty of some impropriety. Montaigne made no further explanation. Pressed to withdraw the remark, he did, and there the matter ended. The accusations apparently came to nothing serious, and were quietly forgotten.

It remains an enigmatic incident, but it certainly shows us a different Montaigne from the cool, measured writer of the Essays , or his own portrait of his youthful self a-slumber over his books. This is a man known for “vivacity” and given to rushing in and out of rooms, making accusations which he cannot substantiate, and jabbering so wildly that no one is sure what he means to say. Montaigne does admit, in the Essays , that “by my nature I am subject to sudden outbursts which, though slight and brief, often harm my affairs.” The last part of this makes one wonder if he damaged his career in parlement with his intemperate words, on other occasions if not on this one.

Even more surprising than meeting the hot-headed side of young Montaigne is seeing him bracketed with the bigots and extremists. His political allegiances were complicated; it is not always easy to guess where he will come out on any particular topic. But this case may have had more to do with personal loyalties than conviction. His own family had connections on both sides of the political divide, and he had to stay on good terms with them all. Perhaps the strain of this conflict made him volatile. The accusation was also an insult — to himself and, more seriously, to La Boétie, who was no longer around to offer any defense. Lagebâton was querying the honor of the most honorable man Montaigne had ever known: the person he probably loved most in his entire life, and whom he had just lost. A response of helpless rage is understandable.

Slowness and forgetfulness were good responses to the question of how to live, so far as they went. They made for good camouflage, and they allowed room for thoughtful judgments to emerge. But some experiences in life brought forth a greater passion, and called for a different sort of answer.

5. Q. How to live? A. Survive love and loss

LA BOÉTIE: LOVE AND TYRANNY

MONTAIGNE WAS IN his mid-twenties when he met Étienne de La Boétie. Both were working at the Bordeaux parlement , and each had heard a lot about the other in advance. La Boétie would have known of Montaigne as an outspoken, precocious youngster. Montaigne had heard of La Boétie as the promising author of a controversial manuscript in local circulation, called De la Servitude volontaire (“On Voluntary Servitude”). He read this first in the late 1550s, and later wrote of his gratitude to it, because it brought him to its author. It started a great friendship: one “so entire and so perfect that certainly you will hardly read of the like … So many coincidences are needed to build up such a friendship that it is a lot if fortune can do it once in three centuries.”

Although the two young men were curious about each other, they somehow did not meet for a long time. In the end the encounter happened by chance. Both were at the same feast in the city; they got talking, and found themselves “so taken with each other, so well acquainted, so bound together” that, from that moment on, they became best friends. They had only six years, about a third of which was spent apart, since both were sometimes sent to work in other cities. Yet that short period bound them to each other as tightly as a lifetime of shared experience.

Reading about Montaigne and La Boétie, you often get the impression that the latter was much older and wiser than the former. In reality La Boétie was only a couple of years Montaigne’s senior. He was neither dashing nor handsome, but one has the impression that he was intelligent and warmhearted, with an air of substance. Unlike Montaigne, he was already married when they met, and he held a higher position in the parlement . Colleagues knew him both as a writer and as a public official, whereas Montaigne had yet to write anything except legal reports. La Boétie attracted attention and respect. If you were to tell their Bordeaux acquaintances of the early 1560s that he is now remembered mainly for being Montaigne’s friend rather than the other way around, they would probably refuse to believe you.

Some of La Boétie’s air of maturity may have come from his having been orphaned at an early age. He was born on November 1, 1530, in the market town of Sarlat, about seventy-five miles from the Montaigne estate, in a fine, steep, richly ornamented building which survives today. This house had been built just five years earlier by La Boétie’s father, another hyperactive parent, who then died when his son was ten years old. His mother died, too, so La Boétie was left alone. An uncle who shared the name of Étienne de La Boétie took him in and apparently gave the boy a fashionable humanist education, though a less radical one than Montaigne’s.

Like Montaigne, La Boétie went on to study law. Some time around 1554, he married Marguerite de Carle, a widow who already had two children (one of whom would marry Montaigne’s younger brother Thomas de Beauregard). In May of the same year — two years before Montaigne started in Périgueux — La Boétie took up office at the Bordeaux parlement . He was probably one of those Bordeaux officials who looked askance at the better paid Périgueux men when they arrived.

La Boétie’s career in the Bordeaux parlement was a very good one. The strange accusations of 1563 aside, he was generally the kind of man who inspires confidence. He was given sensitive missions, and often entrusted with work as a negotiator — as Montaigne would later be. For the moment, La Boétie was probably thought the more reliable figure. He had the required air of gravity, and a better attitude to hard work and duty. The differences were significant, but the two men locked into each other like pieces in a puzzle. They shared important things: subtle thinking, a passion for literature and philosophy, and a determination to live a good life like the classical writers and military heroes they had grown up admiring. All this brought them together, and set them apart from their less adventurously educated colleagues.

La Boétie is now known mainly through Montaigne’s eyes — the Montaigne of the 1570s and 1580s, who looked back with sorrow and longing for his lost friend. This created a nostalgic fog through which one can only squint to try to make out the real La Boétie. Of Montaigne as seen by La Boétie, a clearer picture is available, for La Boétie wrote a sonnet making it clear what he thought Montaigne needed by way of self-improvement. Instead of a perfect Montaigne frozen in memory, the sonnet captures a living Montaigne in the process of transition. It is by no means certain that this flawed character will ever make anything of himself, especially if he continues to waste his energies partying and flirting with pretty women.

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