Sarah Bakewell - How to Live - A Life of Montaigne in One Question and Twenty Attempts at an Answer

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From Starred Review
Review In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen
“This charming biography shuffles incidents from Montaigne’s life and essays into twenty thematic chapters… Bakewell clearly relishes the anthropological anecdotes that enliven Montaigne’s work, but she handles equally well both his philosophical influences and the readers and interpreters who have guided the reception of the essays.”
— “Serious, engaging, and so infectiously in love with its subject that I found myself racing to finish so I could start rereading the Essays themselves… It is hard to imagine a better introduction — or reintroduction — to Montaigne than Bakewell’s book.”
—Lorin Stein, “Ms. Bakewell’s new book,
, is a biography, but in the form of a delightful conversation across the centuries.”
— “So artful is Bakewell’s account of [Montaigne] that even skeptical readers may well come to share her admiration.”
— “Extraordinary… a miracle of complex, revelatory organization, for as Bakewell moves along she provides a brilliant demonstration of the alchemy of historical viewpoint.”
— “Well,
is a superb book, original, engaging, thorough, ambitious, and wise.”
—Nick Hornby, in the November/December 2010 issue of “In
, an affectionate introduction to the author, Bakewell argues that, far from being a dusty old philosopher, Montaigne has never been more relevant — a 16th-century blogger, as she would have it — and so must be read, quite simply, ‘in order to live’… Bakewell is a wry and intelligent guide.”
— “Witty, unorthodox…
is a history of ideas told entirely on the ground, never divorced from the people thinking them. It hews close to Montaigne’s own preoccupations, especially his playful uncertainty — Bakewell is a stickler for what we can’t know…
is a delight…”
— “This book will have new readers excited to be acquainted to Montaigne’s life and ideas, and may even stir their curiosity to read more about the ancient Greek philosophers who influenced his writing.
is a great companion to Montaigne’s essays, and even a great stand-alone.”
— “A bright, genial, and generous introduction to the master’s methods.”
— “[Bakewell reveals] one of literature's enduring figures as an idiosyncratic, humane, and surprisingly modern force.”

(starred)
“As described by Sarah Bakewell in her suavely enlightening
Montaigne is, with Walt Whitman, among the most congenial of literary giants, inclined to shrug over the inevitability of human failings and the last man to accuse anyone of self-absorption. His great subject, after all, was himself.”
—Laura Miller, “Lively and fascinating…
takes its place as the most enjoyable introduction to Montaigne in the English language.”
— “Splendidly conceived and exquisitely written… enormously absorbing.”
— “
will delight and illuminate.”
— “It is ultimately [Montaigne’s] life-loving vivacity that Bakewell succeeds in communicating to her readers.”
—The Observer
“This subtle and surprising book manages the trick of conversing in a frank and friendly manner with its centuries-old literary giant, as with a contemporary, while helpfully placing Montaigne in a historical context. The affection of the author for her subject is palpable and infectious.”
—Phillip Lopate, author of “An intellectually lively treatment of a Renaissance giant and his world.”
— “Like recent books on Proust, Joyce, and Austen,
skillfully plucks a life-guide from the incessant flux of Montaigne’s prose… A superb, spirited introduction to the master.”
— In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen Named one of Library Journal’s Top Ten Best Books of 2010 In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers.
—Bryce Christensen

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“Forget much of what you learn” and “Be slow-witted” became two of Montaigne’s best answers to the question of how to live. They freed him to think wisely rather than glibly; they allowed him to avoid the fanatical notions and foolish deceptions that ensnared other people; and they let him follow his own thoughts wherever they led — which was all he really wanted to do.

Slow wits and forgetfulness could be cultivated, but Montaigne believed he was lucky in having his by birth. His tendency to do things his own way became evident from an early age, and was accompanied by a surprising degree of confidence. “I remember that from my tenderest childhood people noticed in me some indefinable carriage of the body and certain gestures testifying to some vain and stupid pride,” he wrote. The vanity was superficial: he was not deeply infused with the stuff, only lightly “sprinkled.” But his inner independence kept him cool. Always prepared to speak his mind, the young Montaigne was also prepared to make other people wait for what he had to say.

THE YOUNG MONTAIGNE IN TROUBLED TIMES

Montaigne’s air of nonchalant superiority was made more difficult to carry off by his having a smallish physical build: something he bemoaned constantly. It was different for women, he wrote. Other forms of good looks could compensate. In men, stature was “the only beauty,” and it was just the quality he lacked.

Where smallness dwells, neither breadth and roundness of forehead, nor clarity and softness of eyes, nor the moderate form of the nose, nor small size of ears and mouth, nor regularity and whiteness of teeth, nor the smooth thickness of a beard brown as the husk of a chestnut, nor curly hair, nor proper roundness of head, nor freshness of color, nor a pleasant facial expression, nor an odorless body, nor just proportion of limbs, can make a handsome man.

Even Montaigne’s employees did not look up to him, and, when he traveled or visited the royal court with a retinue of servants, he found it most annoying to be the one asked, “Where is the master?” Yet there was little he could do, other than go on horseback wherever possible — his favorite ploy.

A visit to Montaigne’s tower suggests that he was telling the truth: the doorways stand only around five foot high. People in general were shorter then, and the doors were built before Montaigne lived there, but clearly he did not bang his head often enough to go to the trouble of having them raised. Of course it is hard to know whether it was his self-proclaimed smallness or his self-proclaimed laziness that was the deciding factor.

He may have been diminutive, but he tells us that he had a strong, solid build, and that he conducted himself with flair, often strolling with a stick on which he would lean “in an affected manner.” In later life, he took up his father’s practice of dressing in austere black and white, but as a young man he dressed with stylish ease according to the fashion of the day, with “a cloak worn like a scarf, the hood over one shoulder, a neglected stocking.”

The most vivid picture of the young Montaigne comes from a poem addressed to him by his slightly older friend Étienne de La Boétie. It shows both what was troubling about Montaigne and what made him attractive. La Boétie thought him brilliant and full of promise, but in danger of wasting his talents. He needed guidance from some calmer, wiser mentor — a role in which La Boétie cast himself — but he had a stubborn tendency to reject this guidance when it was offered. He was too susceptible to pretty young women, and too pleased with himself. “My house supplies ample riches, my age ample powers,” La Boétie has Montaigne say complacently in the poem. “And indeed a sweet girl is smiling at me.” La Boétie compares him to a beautiful Alcibiades, blessed by fortune, or a Hercules, capable of heroic things but hesitating too long at the moral crossroads. His greatest charms were also his greatest faults.

By the time this poem was written, Montaigne had already traveled a long way from his schoolboy days; he had entered upon his career in the Bordeaux parlement . Having disappeared from biographical view for some years after finishing his studies at the Collège, he reappeared in the city as a young magistrate.

To embark on such a course, he must have studied law somewhere. He is unlikely to have done this in Bordeaux; more likely cities are Paris and Toulouse. Perhaps he spent time in both. Remarks in the Essays show that he knew Toulouse well, and he also had a lot to say about Paris. He tells us that the city had his heart since childhood — which could mean any stage of his youth, up to around twenty-five. “I love her tenderly,” he says, “even to her warts and her spots.” Paris was the only place where he didn’t mind feeling like a Frenchman rather than a proudly local Gascon. It was a great city in every way: “great in population, great in the felicity of her situation, but above all great and incomparable in variety and diversity of the good things of life.”

Wherever Montaigne acquired his training, it fulfilled its function: it propelled him into the legal and political career that may have been envisaged for him from the start. It then kept him there for thirteen years. This period usually shrinks small in biographies, since it is patchily documented, but they were important years indeed, running from just before Montaigne’s twenty-fourth birthday to just after his thirty-seventh. When he retired to his country life, growing wine and writing in his tower, he had already accumulated a wealth of experience in public service, and this was still fresh in his mind in the early essays. By the time he came to the later ones, even tougher responsibilities had taken over.

Montaigne’s first post was not in Bordeaux, but in another nearby town, Périgueux, northeast of the family estate. Its court had only recently been founded, in 1554, and would almost immediately be abolished, in 1557. The main purpose of it had been to raise money, since public offices were always sold for cash. The abolition ensued because the more powerful Bordeaux parlement objected to Périgueux’s existence, and even more strenuously to the fact that, for some reason, officials there received a higher salary than they did.

Montaigne went to Périgueux in late 1556, and the court survived just long enough to start his career. As things turned out, it even put him on a fast track into Bordeaux politics, for when Périgueux closed many officials were transferred there. Montaigne was among them: his name appears on the list. They were not exactly welcomed, but Bordeaux’s magistrates had no choice in the matter. They made up for it by making life as uncomfortable for the Périgueux men as possible, allotting them a cramped working space and depriving them of the service of court ushers. The resentment is understandable: the Périgueux men were still receiving their higher salaries. These were helpfully cut in August 1561, which in turn made the Périgueux contingent unhappy. Although he was still junior, at twenty-eight, Montaigne was chosen to present their appeal to the court. His speech, reported in the Bordeaux records, marks his first appearance there. No doubt he used his newly honed public speaking tricks — all spontaneity and unrehearsed charm — but it did not work. The parlement ruled against the protesters, and their salaries went down after all.

Despite the unharmonious office politics, life in the Bordeaux parlement must have been more interesting than in Périgueux. It was one of eight key city parlements in France, and, even with its privileges still only partially restored, Bordeaux was among the most powerful. It had responsibility for most local laws and civic administration, and could reject royal edicts or present formal remonstrances to the king whenever he issued a law they did not like — as happened often in these troubled times.

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