Bill Clegg - Portrait of an Addict as a Young Man

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Bill Clegg had a thriving business as a literary agent, representing a growing list of writers. He had a supportive partner, trusting colleagues, and loving friends when he walked away from his world and embarked on a two-month crack binge. He had been released from rehab nine months earlier, and his relapse would cost him his home, his money, his career, and very nearly his life.
What is it that leads an exceptional young mind to want to disappear? Clegg makes stunningly clear the attraction of the drug that had him in its thrall, capturing in scene after scene the drama, tension, and paranoiac nightmare of a secret life-and the exhilarating bliss that came again and again until it was eclipsed almost entirely by doom. PORTRAIT OF AN ADDICT AS A YOUNG MAN is an utterly compelling narrative-lyrical, irresistible, harsh, and honest-from which you simply cannot look away.

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“You don’t have to be in recovery to understand that the world often looks better from a considerable distance,” wrote the Chicago Tribune reviewer of Portrait . What do you think caused Bill Clegg to want to travel the ultimate distance from reality — to take his own life?

How does love — familial, romantic, collegial, and between friends — influence the course of events in this memoir?

We learn in Portrait that Bill Clegg has always been a voracious reader. Do you think this inclination informed his desire for alternate states of reality? Why or why not? How might strong feelings about books have contributed to his eventual desire to live and work again?

… and his most recent book

In April 2012, Little, Brown and Company will publish Bill Clegg’s Ninety Days . Following is an excerpt from that book.

When I look at people like Asa and Madge, it amazes me that these successful, happy, long-sober people still bother going to so many meetings. They seem as if they have it licked. I think back on my life when I was working and can’t fathom how I’d have been able to fit as much recovery into my schedule as they do. Were there any sober people in book publishing? I can’t remember any. That world seems forever closed to me now, but even if it wasn’t, I think perhaps it’s not a business one can stay sober in. I couldn’t. When I came back from rehab in Oregon the year before, I went to one meeting a week, somehow couldn’t even manage that, and eventually went to none. I had a sponsor, but that guy wanted to meet every week and for me to call every day — just as Jack does now. I got busy and believed that the people who needed all these meetings and phone calls were either lonely or underemployed. I never shared or raised my hand in meetings then, never met one other person besides that sponsor whom my rehab arranged for me to meet when I returned to the city. When I tell Jack about trying to get sober a year ago, he says, It sounds like ME vs. THEM and never WE, and the only way to get and stay sober is when it becomes WE . He also tells me that getting and staying sober — even after ninety days — needs to forever remain my first priority; that whatever I put in front of it, I will eventually lose. Career, family, boyfriend — all of it — you’ll lose it. Lose again, in your case. He tells me these things for the first time when he visits me in White Plains, and even though the words he is saying are as simple and basic as a box of crayons, I have no idea what he is talking about.

As I pace and fret in front of the Meeting House and watch crisp-suited, shiny-watched Chelsea residents scurry home from their day, it strikes me again, as it has more than once over the past few weeks, that I’m qualified to do absolutely nothing. I don’t even have restaurant experience, save for the four days I waited tables in Connecticut after I was thrown out of school for spraying fire extinguishers in a drunken rampage with my housemates. I was fired on the fourth day of the job for lack of focus and dropping too many dishes. I think of all the pot I smoked back then — from morning until night — and I wonder how I was ever able to crawl out of that haze into any job, to go or get anywhere.

I have no retail experience, no bankable talents. I remember how a colleague at my first job in New York took copywriting courses at the Learning Annex and left publishing to become an ad exec. But this guy was brilliant, exceptionally brilliant, and that world would require, I imagine, schmoozing with potential clients, wooing new business over dinners and drinks, and without booze to get me through, it does not seem possible. Graduate school of any kind would be a decent way to delay the oncoming future, but with what money? How could I incur student loans on top of the already formidable and growing debt I’ve amassed from rehab, legal bills, and credit cards? Never mind that my college transcript is a speckled mess of mediocre grades and summer courses at the University of Connecticut to make up for the semester I lost when I was expelled. What graduate school would have me?

The custodian of the Meeting House has still not showed up to unlock the doors. I’ve left messages everywhere, and no one is picking up. The meeting begins in half an hour, and as my future prospects seem less and less appealing, I start to think again of going to Mark’s. It’s the end of the day, Mark is no doubt ready to get high, and the dealers are all about to turn their cell phones on. Fuck it, I say and start walking down 16th Street, away from the Meeting House, toward Sixth Avenue, toward Mark’s. I can feel the adrenaline spark through my veins, and the doomy clouds of my futureless future begin to streak away. Just as I approach Sixth Avenue, I see someone on the north side of 16th Street, waving. It’s Asa. Neat as a pin, fit as a fiddle, and heading right toward me. You going to the meeting? he chirps, and I can’t muster an answer. He looks especially shiny today in his usual uniform. What’s going on? he asks, and as I struggle to come up with something to say to get away from him, he puts his hand on my upper arm and says, Okay, let’s go .

By the time we get to the Meeting House, the door has been unlocked and someone is inside making coffee. The dusty schoolhouse smell mingled with the aroma of cheap, freshly brewed coffee acts as an antidote to the giddy, pre-high adrenaline of just minutes before. The obsession to use fades as quickly as it came, and while I watch Asa help the old guy who’s setting up the meeting move a bench to the far wall, it hits me how close I just came to relapsing, and what a miracle it is that Asa materialized precisely when he did. Jesus, I’m sick, I think. Unlike people who can get sober on willpower, I need cheap coffee, church basements, and serendipitous sidewalk interventions. But what is discouraging is that all these things, and more — Jack, Madge, the Library, my family, my remaining friends, the staggering losses and humiliations of the past few months, the empire of people I’ve hurt — are still, it seems, not enough to keep me clean.

People come in from their day, mostly nine-to-five types who can’t make the afternoon meetings like the ones at the Library. They start filling the chairs and benches of the large room, which doubles, depending on the hour, as a Quaker meetinghouse, a dance studio, and a gathering space for other programs of recovery. Chic, chatty, confident — these people seem a world away from the struggles that must have brought them here. How the hell did they do it? I wonder as I remember how close I just came to picking up. If Asa hadn’t hauled me in from the street, I’d be right now pressing the buzzer at Mark’s apartment. Right now waiting for him to buzz me in and hand me a crack pipe. It is Asa and nothing else that kept me from using just minutes ago.

I look around from sober face to sober face and wonder again how these people found their way. I sense that just being here and in places like it will not be enough. I’m in the room but not of it. Present but not a part of. Saved for a little while, but not sober. Not really. I come like a beggar to these meetings, and I am fed, yes, pulled in off the street, even, as I was today. But it’s clear that something beyond my own need and ability to ask for help will keep me here, make me a part of what is going on, connect me to something greater than my addiction, and give me a fighting chance of staying clean and getting on with my life. But what?

About the Author

Bill Clegg is a literary agent in New York. Portrait of an Addict as a Young Man is his first book.

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