Хью Лофтинг - Doctor Dolittle in the Moon

In writing the story of our adventures in the Moon I, Thomas Stubbins, secretary to John Dolittle, M.D. (and son of Jacob Stubbins, the cobbler of Puddleby–on–the–Marsh), find myself greatly puzzled. It is not an easy task, remembering day by day and hour by hour those crowded and exciting weeks. It is true I made many notes for the Doctor, books full of them. But that information was nearly all of a highly scientific kind. And I feel that I should tell the story here not for the scientist so much as for the general reader. And it is in that I am perplexed.

For the story could be told in many ways. People are so different in what they want to know about a voyage. I had thought at one time that Jip could help me; and after reading him some chapters as I had first set them down I asked for his opinion. I discovered he was mostly interested in whether we had seen any rats in the Moon. I found I could not tell him. I didn't remember seeing any; and yet I am sure there must have been some—or some sort of creature like a rat.

Then I asked Gub–Gub. And what he was chiefly concerned to hear was the kind of vegetables we had fed on. (Dab–Dab snorted at me for my pains and said I should have known better than to ask him.) I tried my mother. She wanted to know how we had managed when our underwear wore out—and a whole lot of other matters about our living conditions, hardly any of which I could answer. Next I went to Matthew Mugg. And the things he wanted to learn were worse than either my mother's or Jip's: Were there any shops in the Moon? What were the dogs and cats like? The good Cats'–meat–Man seemed to have imagined it a place not very different from Puddleby or the East End of London.

No, trying to get at what most people wanted to read concerning the Moon did not bring me much profit. I couldn't seem to tell them any of the things they were most anxious to know. It reminded me of the first time I had come to the Doctor's house, hoping to be hired as his assistant, and dear old Polynesia the parrot had questioned me. "Are you a good noticer?" she had asked. I had always thought I was—pretty good, anyhow. But now I felt I had been a very poor noticer. For it seemed I hadn't noticed any of the things I should have done to make the story of our voyage interesting to the ordinary public.

The trouble was of course attention . Human attention is like butter: you can only spread it so thin and no thinner. If you try to spread it over too many things at once you just don't remember them. And certainly during all our waking hours upon the Moon there was so much for our ears and eyes and minds to take in it is a wonder, I often think, that any clear memories at all remain.

The one who could have been of most help to me in writing my impressions of the Moon was Jamaro Bumblelily, the giant moth who carried us there. But as he was nowhere near me when I set to work upon this book I decided I had better not consider the particular wishes of Jip, Gub–Gub, my mother, Matthew or any one else, but set the story down in my own way. Clearly the tale must be in any case an imperfect, incomplete one. And the only thing to do is to go forward with it, step by step, to the best of my recollection, from where the great insect hovered, with our beating hearts pressed close against his broad back, over the near and glowing landscape of the Moon.

Any one could tell that the moth knew every detail of the country we were landing in. Planing, circling and diving, he brought his wide–winged body very deliberately down towards a little valley fenced in with hills. The bottom of this, I saw as we drew nearer, was level, sandy and dry.

The hills struck one at once as unusual. In fact all the mountains as well (for much greater heights could presently be seen towering away in the dim greenish light behind the nearer, lower ranges) had one peculiarity. The tops seemed to be cut off and cup–like. The Doctor afterwards explained to me that they were extinct volcanoes. Nearly all these peaks had once belched fire and molten lava but were now cold and dead. Some had been fretted and worn by winds and weather and time into quite curious shapes; and yet others had been filled up or half buried by drifting sand so that they had nearly lost the appearance of volcanoes. I was reminded of "The Whispering Rocks" which we had seen in Spidermonkey Island. And though this scene was different in many things, no one who had ever looked upon a volcanic landscape before could have mistaken it for anything else.

The little valley, long and narrow, which we were apparently making for did not show many signs of life, vegetable or animal. But we were not disturbed by that. At least the Doctor wasn't. He had seen a tree and he was satisfied that before long he would find water, vegetation and creatures.

At last when the moth had dropped within twenty feet of the ground he spread his wings motionless and like a great kite gently touched the sand, in hops at first, then ran a little, braced himself and came to a standstill.

We had landed on the Moon!

By this time we had had a chance to get a little more used to the new air. But before we made any attempt to "go ashore" the Doctor thought it best to ask our gallant steed to stay where he was a while, so that we could still further accustom ourselves to the new atmosphere and conditions.

This request was willingly granted. Indeed, the poor insect himself, I imagine, was glad enough to rest a while. From somewhere in his packages John Dolittle produced an emergency ration of chocolate which he had been saving up. All four of us munched in silence, too hungry and too awed by our new surroundings to say a word.

The light changed unceasingly. It reminded me of the Northern Lights, the Aurora Borealis. You would gaze at the mountains above you, then turn away a moment, and on looking back find everything that had been pink was now green, the shadows that had been violet were rose.

Breathing was still kind of difficult. We were compelled for the moment to keep the "moon–bells" handy. These were the great orange–coloured flowers that the moth had brought down for us. It was their perfume (or gas) that had enabled us to cross the airless belt that lay between the Moon and the Earth. A fit of coughing was always liable to come on if one left them too long. But already we felt that we could in time get used to this new air and soon do without the bells altogether.

The gravity too was very confusing. It required hardly any effort to rise from a sitting position to a standing one. Walking was no effort at all—for the muscles—but for the lungs it was another question. The most extraordinary sensation was jumping. The least little spring from the ankles sent you flying into the air in the most fantastic fashion. If it had not been for this problem of breathing properly (which the Doctor seemed to feel we should approach with great caution on account of its possible effect on the heart) we would all have given ourselves up to this most light–hearted feeling which took possession of us. I remember, myself, singing songs—the melody was somewhat indistinct on account of a large mouthful of chocolate—and I was most anxious to get down off the moth's back and go bounding away across the hills and valleys to explore this new world.

But I realize now that John Dolittle was very wise in making us wait. He issued orders (in the low whispers which we found necessary in this new clear air) to each and all of us that for the present the flowers were not to be left behind for a single moment.

They were cumbersome things to carry but we obeyed orders. No ladder was needed now to descend by. The gentlest jump sent one flying off the insect's back to the ground where you landed from a twenty–five–foot drop with ease and comfort. Zip! The spring was made. And we were wading in the sands of a new world.