Джон Макдональд - Area of Suspicion [= My Brother’s Widow]

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SHE HAD TWO PASTS — AND NO FUTURE?
But in the beginning Gev Dean didn’t know about that. It was one of those cold, misting December afternoons when dusk comes at three. He didn’t see the girl until she was suddenly in front of him, slim and dark and with her raincoat wrapped tight around her. She wanted a job at Dean Products, she said.
And why not... She didn’t look like the kind of girl she was. And even after her high-polish exterior had been ripped away to reveal a shadow of the ugly forces beneath, Gev Dean still wasn’t sure what she was really like.
A shorter version of this work appeared in Collier’s under the title “My Brother’s Widow.”

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There were some boys there we didn’t know, probably North Side High, hanging around to make trouble with the southsiders. Some of them had tried to crash the dance earlier and were tossed out. As we came out, one of them, in the shadows, made a remark about Ken’s date. It was very explicit and anatomical. Ken turned toward them and his date tugged at him and told him to ignore it. I didn’t want trouble, not with the girls there. I think Ken was going to turn away, but he never got a chance. The sucker punch sent him sprawling. I shoved Connie toward the doorway. She used her head and grabbed Ken’s date by the arm and they ran inside. Ken bounced up as one of them tried to kick him and grabbed the leg and spilled the guy on the sidewalk. Then I couldn’t see what was happening because I was suddenly very busy. Somebody banged me under the eye and I swung back and missed and the scrap moved into the shadows. It was very confusing. I hit somebody solidly and got kicked in the leg. There was grunting, and the sounds of blows, and then I heard somebody making that distinctive sound of trying to suck air back into the lungs after getting hit in the pit of the stomach. I wondered with part of my mind if it was Ken. Somebody ripped my coat and I got hold of a wrist and heaved and sent somebody spinning out across the curb into the lights. Then there was a police whistle and men running out of the hotel. The ones we were fighting ran down Pernie Street. The police were going to take us in, but Connie was very convincing about what happened. We were a mess.

I remember how we got laughing so hard in the car I could hardly drive. My eye was puffed shut by the time we got home. And by the time the story got around school, there were nine of them and Ken and I had knocked out at least five. We smiled in silent, manly modesty, and I felt disappointed when the last saffron hues had faded from my eye.

That was one of the memories. The city was full of them. And the countryside where bike tires had purred, and we had known where to get horse chestnuts. Ken was in the memories. I returned to a present tense, a world in which Ken no longer lived. If his death had any reason or purpose, I had to find it. I had to find out why life had become tasteless to him, why his recent letters had been so troubled, oblique, almost disjointed. Niki and Ken and plant politics and the brute hammer of lead against skull. I wanted it all sorted out, and I thought of the trite analogy of a jigsaw puzzle. But this was one of those where pieces are missing. I sensed that they were all there, but too many of them were turned face down, so that I could not see the colors.

I had a drugstore breakfast and walked eight blocks through the women shoppers to Police Headquarters. I told the desk sergeant my name and said I wanted to talk to whoever was in charge of the investigation of the murder of my brother. He turned me over to a uniformed patrolman who took me down a hall, across an open court, and into another wing of the big building. We went up a flight of stairs and into a big room. There were long rows of oak desks, with men working at about half of them. The patrolman led me down to one. The small wooden sign on the desk said Det. Sgt. K. V. Portugal. The patrolman bent over and murmured something to him. Portugal glanced at me and gestured toward the chair pulled up beside his desk. I sat down. I thanked the patrolman and he walked away.

Portugal kept working, not rudely, but with air of a man getting routine details out of the way so he could talk in peace. He glanced at reports, scrawled his initials, dropped them in his ‘out’ basket. I guessed his age at about forty. He was a pallid, heavy man, and he looked as if his health was poor. His hair was a scurfy brown, and the flesh of his face hung loose from his cheekbones and the bridge of his nose, sagging in folds against his collar. He breathed heavily through his mouth and his fingers were darkly stained with nicotine. He finished the last document, and looked at me. His chair creaked. He took the cigar from his ash tray and relit it, turning it slowly over the flame of the kitchen match.

“You’re the brother, eh? A sorry thing, Mr. Dean. A mess. Glad we could wrap it up so fast. What can we do for you?”

“I flew in last night. I read the newspaper account. I thought you could tell me the details.”

“A phone tip came in. If it wasn’t for informants, this business would be a lot roughe than it is.” His voice was wheezy and pitched high. “We sent a squad car over to the north side and picked up this Shennary fella. We’ve got two witnesses to testify that Shennary left his room around ten Friday night and didn’t come back until nearly two. The gun was in his room. Thirty-eight automatic. Hadn’t been cleaned since it was fired.”

He grunted as he bent over and pulled open the bottom drawer of his desk. He took out a Manila folder and opened it, took out a glossy print, and placed it in front of me. He used his pencil as a pointer.

“This here is a microphotograph from ballistics. This is the test slug, and this is the slug out of your brother’s body. See how it’s a perfect match. This Shennary is a punk. Picked up three times for armed robbery and did time twice. He was wanted for violation of parole. Here’s his pretty face.”

He slid the mug shot on top of the ballistics print. I picked it up. There was a double photograph, full face and profile, with a reproduction of fingerprints underneath, with print classification, and a reproduction of a typed slip giving vital statistics and criminal record. He looked to be in his middle twenties. He had dark eyes, deeply set, a lantern jaw, overlong, dark hair, and black brows that met above the bridge of his nose. He looked weak, shifty, sullen, and unremarkable. Looking at his face made Ken seem more dead, more completely gone.

“Paroled, you said?”

Portugal leaned back and frowned at his cigar and relit it. “I’m just a cop, not a social worker, Mr. Dean. Some people think they all ought to serve full time. I wouldn’t blame you if you think so, seeing how this one killed your brother. But a lot of them get the parole and straighten out. It’s exceptions like this Shennary who spoil it for the others. He must have convinced the parole board he was going to be okay, or he wouldn’t have been out. He’s a guy without pressure or contacts to do him any good. So he turns out to be a little man with a big gun and bad nerves, and that’s too bad for him and for your brother.”

“Could I get a look at him?”

Portugal shrugged. “If you want to, I guess so.”

“I don’t want to bother you.”

“No trouble. Come on.”

We went down the stairs and across the court to another wing. Portugal walked heavily, leaning forward, teeth clamped on the cigar. His suit was red-brown, shiny in the seat, the jacket wrinkled and hip sprung. An armed patrolman ran the elevator. Portugal asked for the top floor. There was a bull’s-eye window in the door at the top floor and a man looked through at us and unlocked the door. The man grinned at Portugal and, as he went back to his green steel desk, said, “Aces back to back. Don’t you ever get tired?”

“Ralphie, you know you can’t beat aces with a pair of ladies. We are calling on my pal, Mister Shennary, esquire.”

When the elevator went back down, the man called Ralphie unlocked the cell-block door. “Call me if Mr. Shennary wants his pillow fluffed up, or hot tea or anything.”

Shennary was in the end cell on the left. The plaster walls were painted a pale blue. The window was covered with heavy mesh. He glanced up and got up from the bunk and came over to the door, wrapping thin, dirty fingers around the bars. He wore a gray outfit cut like pajamas.

“How are you on this lovely morning, Wally?” Portugal asked him.

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