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Дэшил Хэммет: Woman in the Dark

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Дэшил Хэммет Woman in the Dark

Woman in the Dark: краткое содержание, описание и аннотация

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Nighttime. A young woman appears at the door of an isolated house. She is frightened and hurt. She speaks with a foreign accent. The man and woman inside take her in. Other strangers appear, in obvious pursuit of the girl. There is menace in the air — some unspoken, unexplained aura of violence and misdeed...

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He turned to the mantelpiece, picked up his glass, and drank. Then, his eyes focused contemplatively on the lowered glass, he was about to speak when a telephone bell rang behind a door facing the fireplace. He opened the door, and as soon as he had passed out of sight his hoarse, unemotional voice could be heard. “Hello?... Yes... Yes, Nora... Just a moment.” He re-entered the room, saying to the girl: “Nora wants to talk to you.” He shut the bedroom door behind her.

Luise said: “You cannot have lived here long if you did not know Kane Robson before tonight.”

“A month or so; but, of course, he was in Europe till he came back last week” — he paused — “with you.” He picked up his glass. “Matter of fact, he is my landlord.”

“Then you—” She broke off as the bedroom door opened. Evelyn stood in the doorway, hands to breast, and cried: “Father’s coming — somebody phoned him I was here.” She hurried across the room to pick up hat and coat from a chair.

Brazil said: “Wait. You’ll meet him on the road if you go now. You’ll have to wait till he gets here, then duck out back and beat him home while he’s jawing at me. I’ll stick your car down at the foot of the back road.” He drained his glass and started for the bedroom door.

“But you won’t” — her lip quivered — “won’t fight with him? Promise me you won’t.”

“I won’t.” He went into the bedroom, returned almost immediately with a soft brown hat on his head and one of his arms in a raincoat. “It’ll only take me five minutes.” He went out the front door.

Luise Fischer said: “Your father does not approve?” The girl shook her head miserably. Then suddenly she turned to the woman, holding her hands out in an appealing gesture, lips — almost colorless — moving jerkily as her words tumbled out: “You’ll be here. Don’t let them fight. They mustn’t.”

The woman took the girl’s hands and put them together between her own, saying: “I will do what I can, I promise you.”

“He mustn’t get in trouble again,” the girl moaned. “He mustn’t!”

The door opened and Brazil came in.

“That’s done,” he said cheerfully, and took off his raincoat, dropped it on a chair, and put his damp hat on it. “I left it at the end of the fence.” He picked up the woman’s empty glass and his own and went to the table. “Better slide out to the kitchen in case he pops in suddenly.” He began to pour whiskey into the glasses.

The girl wet her lips with her tongue, said, “Yes, I guess so,” indistinctly, smiled timidly, pleadingly, at Luise Fischer, hesitated, and touched his sleeve with her fingers. “You — you’ll behave?”

“Sure.” He did not stop preparing his drinks.

“I’ll call you up tomorrow.” She smiled at Luise Fischer and moved reluctantly toward the door.

Brazil gave the woman her glass, pulled a chair around to face her more directly, and sat down.

“Your little friend,” the woman said, “she loves you very much.”

He seemed doubtful. “Oh, she’s just a kid,” he said.

“But her father,” she suggested, “he is not nice — eh?”

“He’s cracked,” he replied carelessly, then became thoughtful. “Suppose Robson phoned him?”

“Would he know?”

He smiled a little. “In a place like this everybody knows all about everybody.”

“Then about me,” she began, “you—”

She was interrupted by a pounding on the door that shook it on its hinges and filled the room with thunder. The dog came in, stiff-legged on its feet.

Brazil gave the woman a brief grim smile and called: “All right. Come in.”

The door was violently opened by a medium-sized man in a glistening black rubber coat that hung to his ankles. Dark eyes set too close together burned under the down-turned brim of his gray hat. A pale bony nose jutted out above ragged, short-cut, grizzled mustache and beard. One fist gripped a heavy applewood walking stick.

“Where is my daughter?” this man demanded. His voice was deep, powerful, resounding.

Brazil’s face was a phlegmatic mask. “Hello, Grant,” he said.

The man in the doorway took another step forward. “Where is my daughter?”

The dog growled and showed its teeth. Luise Fischer said: “Franz!” The dog looked at her and moved its tail sidewise an inch or two and back.

Brazil said: “Evelyn’s not here.”

Grant glared at him. “Where is she?”

Brazil was placid. “I don’t know.”

“That’s a lie!” Grant’s eyes darted their burning gaze around the room. The, knuckles of his hand holding the stick were white. “Evelyn!” he called.

Luise Fischer, smiling as if entertained by the bearded man’s rage, said: “It is so, Mr. Grant. There is nobody else here.”

He glanced briefly at her, with loathing in his mad eyes. “Bah! The strumpet’s word confirms the convict’s!” He strode to the bedroom door and disappeared inside.

Brazil grinned. “See? He’s cracked. He always talks like that — like a guy in a bum book.”

She smiled at him and said: “Be patient.”

“I’m being,” he said dryly.

Grant came out of the bedroom and stamped across to the rear door, opened it, and disappeared through it.

Brazil emptied his glass and put it on the floor beside his chair. “There’ll be more fireworks when he comes back.”

When the bearded man returned to the room, he stalked in silence to the front door, pulled it open, and, holding the latch with one hand, banging the ferrule of his walking stick on the floor with the other, roared at Brazil: “For the last time, I’m telling you not to have anything to do with my daughter! I shan’t tell you again.” He went out, slamming the door.

Brazil exhaled heavily and shook his head. “Cracked,” he sighed. “Absolutely cracked.”

Luise Fischer said: “He called me a strumpet. Do people here—”

He was not listening to her. He had left his chair and was picking up his hat and coat. “I want to slip down and see if she got away all right. If she gets home first she’ll be O.K. Nora — that’s her stepmother — will take care of her. But if she doesn’t — I won’t be long.” He went out the back way.

Luise Fischer kicked off her remaining slipper and stood up, experimenting with her weight on her injured leg. Three tentative steps proved her leg stiff but serviceable. She saw then that her hands and arms were still dirty from the road and, exploring, presently found a bathroom opening off the bedroom. She hummed a tune to herself while she washed and, in the bedroom again, while she combed her hair and brushed her clothes — but broke off impatiently when she failed to find powder or lipstick. She was studying her reflection in a tall looking glass when she heard the outer door opening.

Her face brightened. “I am here,” she called, and went into the other room.

Robson and Conroy were standing inside the door.

“So you are, my dear,” Robson said, smiling at her start of surprise. He was paler than before and his eyes were glassier, but he seemed otherwise unchanged. Conroy, however, was somewhat disheveled; his face was flushed and he was obviously rather drunk.

The woman had recovered composure. “What do you want?” she demanded bluntly.

Robson looked around. “Where’s Brazil?”

“What do you want?” she repeated.

He looked past her at the open bedroom door, grinned, and crossed to it. When he turned from the empty room she sneered at him. Conroy had gone to the fireplace, where the Great Dane was lying, and was standing with his back to the fire, watching them.

Robson said: “Well, it’s like this, Luise: you’re going back home with me.”

She said: “No.”

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