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Дэшил Хэммет: Woman in the Dark

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Дэшил Хэммет Woman in the Dark

Woman in the Dark: краткое содержание, описание и аннотация

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Nighttime. A young woman appears at the door of an isolated house. She is frightened and hurt. She speaks with a foreign accent. The man and woman inside take her in. Other strangers appear, in obvious pursuit of the girl. There is menace in the air — some unspoken, unexplained aura of violence and misdeed...

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“Then he is a—” She hesitated.

“A crook. We were cellmates a while.”

She frowned and said: “I do not like this.”

Fan came to the door, smiling, and said: “Breakfast is served. “

In the passageway Brazil turned and took a tentative step toward the front door, but checked himself when he caught Luise Fischer’s eye and, grinning a bit sheepishly, followed her and the blonde woman into the dining room.

Fan would not sit down with them. “I can’t eat this early,” she told Luise Fischer. “I’ll get you a hot bath ready and fix your bed, because I know you’re all in and’ll be ready to fall over as soon as you’re done.”

She went out, paying no attention to Luise Fischer’s polite remonstrances.

Donny stuck a fork into a small sausage and said: “Now about them rings. I can—”

“That can wait,” Brazil said. “We’ve got enough to go on a while.”

“Maybe; but it’s just as well to have a getaway stake ready in case you need it all of a sudden.” Donny put the sausage into his mouth. “And you can’t have too big a one.”

He chewed vigorously. “Now, for instance, you take the case of Shuffling Ben Devlin. You remember Ben? He was in the carpenter shop. Remember? The big guy with the gam?”

“I remember,” Brazil replied without enthusiasm. Donny stabbed another sausage. “Well, Ben was in a place called Finehaven once and—”

“He was in a place called the pen when we knew him,” Brazil said.

“Sure; that’s what I’m telling you. It was all on account of Ben thought—”

Fan came in. “Everything’s ready whenever you are,” she told Luise Fischer.

Luise Fischer put down her coffee cup and rose. “It is a lovely breakfast,” she said, “but I am too tired to eat much.”

As she left the room Donny was beginning again: “It was all on account of—”

Fan took her to a room in the rear of the flat where there was a wide wooden bed with smooth white covers turned down. A white nightgown and a red wrapper lay on the bed. On the floor there was a pair of slippers. The blonde woman halted at the door and gestured with one pink hand. “If there’s anything else you need, just sing out. The bathroom’s just across the hall and I turned the water on.”

“Thank you,” Luise Fischer said; “you are very kind. I am imposing on you most—”

Fan patted her shoulder. “No friend of Brazil’s can ever impose on me, darling. Now, you get your bath and a good sleep, and if there’s anything you want, yell.” She went out and shut the door.

Luise Fischer, standing just inside the door, looked slowly, carefully around the cheaply furnished room, and then, going to the side of the bed, began to take off her clothes. When she had finished she put on the red wrapper and the slippers and, carrying the nightgown over her arm, crossed the hallway to the bathroom. The bathroom was warm with steam. She ran cold water into the tub while she took the bandages off her knee and ankle.

After she had bathed she found fresh bandages in the cabinet over the basin, and rewrapped her knee but not her ankle. Then she put on nightgown, wrapper, and slippers, and returned to the bedroom. Brazil was there, standing with his back to her, looking out a window.

He did not turn around. Smoke from his cigarette drifted back past his head.

She shut the door slowly and leaned against it, the faintest of contemptuous smiles curving her mobile lips.

He did not move.

She went slowly to the bed and sat on the side farthest from him. She did not look at him but at a picture of a horse on the wall. Her face was proud and cold. She said: “I am what I am, but I pay my debts.” This time the deliberate calmness of her voice was insolence. “I brought this trouble to you. Well, now, if you can find any use for me—” She shrugged.

He turned from the window without haste. His copperish eyes, his face were expressionless. He said: “O.K.” He rubbed the fire of his cigarette out in an ashtray on the dressing table and came around the bed to her.

She stood up straight and tall, awaiting him.

He stood close to her for a moment, looking at her with eyes that weighed her beauty as impersonally as if she had been inanimate. Then he pushed her head back rudely and kissed her.

She made neither sound nor movement of her own, submitting completely to his caress, and when he released her and stepped back, her face was as unaffected, as mask-like, as his.

He shook his head slowly. “No, you’re no good at your job.” And suddenly his eyes were burning and he had her in his arms and she was clinging to him and laughing softly in her throat while he kissed her mouth and cheeks and eyes and forehead.

Donny opened the door and came in. He leered knowingly at them as they stepped apart, and said: “I just phoned Klaus. He’ll be over as soon’s he’s had breakfast.”

“O.K.,” Brazil said.

Donny, still leering, withdrew, shutting the door. “Who is this Klaus?” Luise Fischer asked. “Lawyer,” Brazil replied absent-mindedly. He was scowling thoughtfully at the floor. “I guess he’s our best bet, though I’ve heard things about him that—” He broke off impatiently. “When you’re in a jam you have to take your chances.” His scowl deepened. “And the best you can expect is the worst of it.”

She took his hand and said earnestly: “Let us go away from here. I do not like these people. I do not trust them.”

His face cleared and he put an arm around her again, but abruptly turned his attention to the door when a bell rang beyond it.

There was a pause; then Donny’s guarded voice could be heard asking: “Who is it?”

The answer could not be heard. Donny’s voice, raised a little: “Who?”

Nothing was heard for a short while after that. The silence was broken by the creaking of a floorboard just outside the bedroom door. The door was opened by Donny. His pinched face was a caricature of alertness. “Bulls,” he whispered. “Take the window.” He was swollen with importance.

Brazil’s face jerked around to Luise Fischer.

“Go!” she cried, pushing him toward the window. “I will be all right.”

“Sure,” Donny said; “me and Fan’ll take care of her. Beat it, kid, and slip us the word when you can. Got enough dough?”

“Uh-huh.” Brazil was kissing Luise Fischer.

“Go, go!” she gasped.

His sallow face was phlegmatic. He was laconic. “Be seeing you,” he said, and pushed up the window. His foot was over the sill by the time the window was completely raised. His other foot followed the first immediately, and, turning on his chest, he lowered himself, grinning cheerfully at Luise Fischer for an instant before he dropped out of sight.

She ran to the window and looked down. He was rising from among weeds in the unkempt backyard. His head turned quickly from right to left. Moving with a swiftness that seemed mere unhesitancy, he went to the left-hand fence, up it, and over into the yard next door.

Donny took her arm and pulled her from the window.

“Stay away from there. You’ll tip his mitt. He’s all right, though Christ help the copper he runs into — if they’re close.”

Something heavy was pounding on the flat’s front door. A heavy, authoritative voice came through: “Open up!”

Donny sneered in the general direction of the front door. “I guess I better let ’em in or they’ll be making toothpicks of my front gate.” He seemed to be enjoying the situation.

She stared at him with blank eyes.

He looked at her, looked at the floor and at her again, and said defensively: “Look — I love the guy. I love him!”

The pounding on the front door became louder.

“I guess I better,” Donny said, and went out.

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