Alexandra Kryuchkova - A Trap for a Thought-Form. Playing Another Reality. M.A. Bulgakov award

The attitude of the author to her colleagues-writers is curious:

“…in fact, all writers are magicians”,

“All people are crazy in their own way, especially Creators, such as writers – they are engaged in real magic, the magic of the Word. The most talented are the craziest ones.”

“It was the destination: the soul descended to Earth in order to write about Solon.”

“A book is a separate world, too, isn’t it? And the author is its creator, such a little god, right?”

“After all, in the beginning there was the Word.”

In conclusion, I’ll quote the most powerful, in my opinion, thought of this book. It’s about the meaning of… creativity? – no, the meaning of the true Creator’s life.

“Can true magicians create worlds? Yes, definitely. But these worlds are worthy absolutely nothing if there is neither Love inside, nor the one for whom you create them, with whom you wander there, discovering something new and wonderful – feelings, emotions, knowledge, with whom you share joys and sorrows…

If the Magician’s world belongs only to himself and doesn’t intersect at any point with the world of a kindred soul, it is doomed to destruction…”

Nina A. Abrashina,

member of the Union of Writers of Russia,

writer and doctor

The magazine “ZINZIVER” No.1 (127), 2022

(Magazines’ Hall “Gorky media”)

https://magazines.gorky.media/zin/2022/1

https://magazines.gorky.media/zin/2022/1/vzglyad-1.html

https://reading-hall.ru/publication.php?id=30244

https://reading-hall.ru/zinziver/1(127)2022.pdf

http://www.zinziver.ru/contents.php?id=2900

In January 2022, in honor of the 190 thanniversary of the English writer Lewis Carroll (1832—1898), the head of the Open Literary Club (Moscow), Lyudmila Vyacheslavovna Koroleva, member of the Union of Writers of Russia, established the literary public award “The Looking-Glass”, the first winner of which became the book “A Trap for a Thought-Form” by Alexandra Kryuchkova 8 8 The newspaper “Poetograd” No. 1 (397), 2022, “The results of the Open Literary Club” by Ludmila Koroleva, https://reading-hall.ru/publication.php?id=30303, http://www.poetograd.ru/arch.html .

The “Trap” is a real fairy tale for adults! Fearless scary! However, it’s known to everybody that adults need fairy tales more than children, and love them stronger. In general, people tend to strive for the unknown, mystery, secrets. Such aspiration is as archaic as stories after hunting, around the campfire in prehistoric times. The entire text of the “Trap” is riddled with mystery.

The main character Alice – a lady, but in fact still a girl, because all people are children – holds literary parties in M.A. Bulgakov’s “bad flat”, recreated in the museum-theater Bulgakov House (Moscow, B. Sadovaya street, 10, 302 Bis), where a Portal to the Other Reality is located. Next door to the studio of the artist Georges Yakulov, where Sergey Yesenin and the brilliant dancer Isadora Duncan got acquainted. A well courtyard, a slice of the Moscow sky above. Loud steps. That air preserved the voices of all those who lived there, and who simply passed by, because nothing disappears without a trace!

Alice associates writers, heroes of the parties, with fairy-tale characters and various “ impure souls” (let’s quote the Guardian of the Portal, “the Impurities, are they from not pure writing or not pure hearing?” ): Witch, Kikimora, Flower Fairy, Syrinx Bird, Waterman, Werewolf, Arachne; and some are named in accordance with the Tarot cards: the King of Swords, the Page of Cups. No wonder the last night in the Mansion is advertised as the Ball of Impurities. Or… of Death?

Death lives in all scary fairy tales. Alice tries to talk Death off, distract it, recode herself towards Life. It’s like the Last Dance, the Last Fight of the Master. Every Master is entitled to the final triumph. If the Master is real, he can prolong his last fight. Not forever, alas. Bulgakov continued it for more than ten years, Yesenin had been tearing the “Black Man” poem from himself for two and a half.

The literary parties in the book are strung one on top of the other, like beads of bloody and frozen – in the Blizzard! – rowan berries on a thread. Does the thread really break at the end by the inevitability of Death? Do the 40 literary nights end up in a passage to the Other Reality? The souls spend the same number of days after Death on Earth. Is it a sacred number? The author constantly refers to numbers. Everything around is permeated by them. But can you play with numbers? Why does Alice have 44 dresses? It would be logical to mirror 40, however, “ In numerology 4 means ‘Death’, but 44 is 4 plus 4, or 8, and this is already a sign of infinity, that for me personally means ‘Love’…”

So if the parties are like beads, should the reader be bored? No! To the monotony of the Blizzard’s songs, lulling the mind, mysterious events occur both in the Mansion and in the reader’s soul.

We get to the School of Magicians for the seminar “How to become the Magician”. Forty wise and feasible tasks that Alice presents during the breaks of each chapter are a true wish-fulfillment marathon and a step-by-step guide to create your Happy Universe! The “breaking the pattern” technique seems to me very interesting! Therefore… aren’t you the Magician yet? This book is for you! In general, the whole “Trap” is Alchemy = Practicum of Secret Knowledge + Love in the mystical context of a puzzle plot on the verge of a detective story and even madness that keeps you in suspense until the last line…

Alice is reflecting, trying to understand: why does she seem not to live indeed? Isn’t she already dead? It is an interesting trick of the author to turn reality over, presenting the illusory one neither like a dream, nor like death, but vice versa…

Does any creation of the Creator have freedom of choice, or is the scenario rigidly fixed? Where do the glitches in the Matrix come from and how to surprise it? Does Love always defeat Death? And an almost rhetorical question with a reference to the World of Ideas of the philosopher Plato… Can a thought-form die? Can it be the Co-Creator of all things? Isn’t the independent life of a thought-form a heresy, a rebellion against the Creator?

In the mysterious interweaving of realities, Alexandra Kryuchkova, as usual, in an accessible and concise way talks about the complex, but each reader will find in the book exactly what he is ready to discover…

Any fairy tale pays tribute to reality. In the “Trap” there is a mysterious, quite thinking, huge talkative Cat, a kind of Bulgakov’s one. I saw him in the Bulgakov House, and I confirm, the Honorable Mister the Puss is really huge! And the Portal to the Other World, which is the fireplace, awakened in me the image of a Russian stove! Maybe the Guardian of the Portal is the Baba Yaga?

The final scene on the bridge of Eternity with the possibility of choosing the future is associated with a fork in the road, “If you go to the left, you will lose your horse; if you go to the right, you will lose your life; if you go straight, you will be alive and forget yourself.”