Джеффри Дивер - Nothing Good Happens After Midnight - A Suspense Magazine Anthology

George low-rumble groans. He can’t disclaim Kyle just yet, for an unstated rule is that mountain staff must cover mountain staff. Never know if you get caught in a drift in a blizzard, on the cold side of Richard’s, and need someone to race a tread patch to a shredded one on your snowcat before you freeze to death at 2:00 a.m.

“He’ll get the hang of it. Won’t you, Kyle?” George says.

“Sure, George, sure,” Kyle says, eyes narrowed on him. “Hey, Bartender, how about the news instead of the game?”

George hangs his head between his shoulders, as if an exhausted parent to a never-ending shit stream of bad behavior from a toddler. It’s like a rapid fire series of law breaking from this insolent Kyle. Nobody calls Kemper “Bartender.” And nobody, absolutely nobody — not even the oldest townie — asks Kemper to change the channel.

“Look, Kyle,” George intervenes before a townie steps up to face off with Kyle. That’s how quick the violence rises over such infractions in Malforson’s. The détente is actually a tinder box. “I’ll spell it out. You’re going to have to sit on over at that dark table by the bathrooms and keep your thoughts to yourself. See where nobody’s sitting? That’s for the new guys. You got some time there before you can get on up over here. K?”

“You know what?” Kemper the bartender says. “I’m in a good fuckin’ mood, guy. How ’bout I welcome you with this one-time prize, yeah? Here ya’ go.” Kemper clicks away from a re-run of a famous Patriots’ game over to the news. Immediately a weatherwoman with giant blonde hair is being tossed around on screen at the lakefront in Burlington. Wind, snow, typical blizzard words of hysteria and dire warnings to stay in and keep those generators ready. Hopes that people stocked up on milk and water and bread. Typical . None of the bar occupants, except maybe Kyle, listen to a word of it.

Kyle doesn’t say thanks for the channel change. Doesn’t smile. He walks backwards, nodding in turn at Pete and George and Kemper. He plucks at a phantom toothpick in his teeth with his tongue. George thinks he sees Kyle mouth the words “rude boy” to him, but George won’t allow himself to think that’s what Kyle said. A shiver runs down George’s spine, thinking on a violent day in his past when those same words were said by a stranger. No, no, he didn’t. He couldn’t have. I’m imagining things. Besides, don’t escalate this.

“Gotcha, cowboys. I’ll sit here at the table in the dark then,” Kyle says.

Kyle, tucked away at the least favorite table, sits tight. He accepts a black coffee from a waitress and catches an eggs-n-bacon hot disc tossed to him by Kemper. Otherwise, he disappears into the worst table’s shadows. He glares at the TV news, or he could be glaring at George or Pete, given that they sit directly under it. Or maybe Kemper, who moves behind the bar, under the television.

George proceeds to order and dine on both a greasy slider and a bacon-n-cheese, partly to show his solidarity with both factions in the bar. And partly to abide his hungry nerves.

He’s back to thinking on his plan with Karen.

“Tonight’s the night,” he says to Kemper.

“No shit,” Kemper says.

“Hell yeah. I’m going to rip off the Band-Aid and declare my love. I got to.”

“Big man like you, no way. Too chicken. Will never happen,” Kemper says, in good cheer.

“Yeah, well,” George says. “You’re wrong. Throw me in another slider. Extra cheese. And more coffee.”

Kemper goes about his work.

A number of townies and a couple more mountain staff have filtered in in the meantime. The entire while, Kyle has remained in shadow and silent. Now that the bar is more filled, people sitting at tables by the windows with candles, a few more at the bar, and a smattering few within the two green booths on a side wall, a bees’ hum of voices is rising. As with most major weather events, especially a blizzard, the outside has pushed the dark matter between barflies tighter. So this will be a communal conversation night.

Townie Pete, next to George, kicks it off with his loud booming voice.

“Well, now, George. Ain’t it was a night like this, what... seven, eight years ago? After you lost your Blessed Martha, bless her heart, may that good woman rest in peace.” Pete pauses to make a sign of the cross. As if in rote-practice in a Catholic mass, the entire bar, but for new boy Kyle, says, in clunky unison, “Bless that Blessed Martha. May she rest in peace.” George nods thanks to their deference for Martha.

“Anyway,” Pete continues. “Wasn’t it sometime years after, after Our Blessed Martha was stabbed by a, what you try to tell us? A robot?” The whole bar laughs, except for Kyle, who is still glaring at the TV or Kemper, or Pete or George. It’s hard to tell the angle of Kyle’s sightline, given the shadows of his exile.

George rolls his eyes. “Here we go. Go on then, get it over with. Go on with what you got to say, Pete.” These muggers are never going to believe George’s amazing true tales. And a robot did stab Martha. But whatever . “Whatever, Pete, whatever. Go on then.”

Pete, chuckling, says, “Hold on, hold on,” and takes a massive gulp of his rum and coke. It might be his tenth of the night. “Oh boy, George, you and your tales. So was after Blessed Martha, I know, but you come in a night after a blizzard just like this. And ho boy, did you lay one fresh pile of shit on us. I’ll never forget. You ever gonna forget it, Kemper?”

“Hell no,” Kemper yells, while setting down George’s extra-cheese slider.

“You ever gonna forget, Sue?” Pete says, swiveling to see a woman, sitting at the end of the bar, her designated townie seat. She has the frown lines of a lifelong smoker, and, incongruously to this deep dark forest of a troll bar, wears a shiny green sequined tank top.

“I ain’t ever gonna forget it, Pete. Neva,” Sue says. She tips her own rum and coke at George in salute. George tips back, even while he rolls his eyes, annoyed they don’t believe his true tales, but also willing to take a ribbing. He is, after all, a lover in his hot-furnace lumberjack core. And what none of these muggers knows is, he can, when he tries, be an actual poet. But whatever. Whatever . Let them roast him. He can take it. Because tonight is the night for telling Karen, no matter what. Ten years he’s been lonely, without his blessed Martha. It’s time for love again.

“Hey, I know this tale, Pete. Let me tell it,” annoying mountain staffer Bob interjects. Bob is sitting in one of the green booths. Kyle is still glaring at the news, or at Pete or at George or at Kemper, it is so hard to tell. George doesn’t want to call Kyle out because that would only escalate whatever it was it seemed Kyle wanted to previously escalate. George thinks it’s best to let the regulars roast him, finish his night breakfast, and get to the mountain.

In the background, the news has shifted from dystopia-level storm reports to the dominating news story of the last few weeks, the one George was listening to in his truck. All about some sick human-body filet artist that the authorities can’t seem to identify or catch. “The Spine Ripper is believed responsible for an alarming eight unsolved murders this winter thus far,” the newscaster says.

But the regulars are well into a communal story, and the news has to rise to the level of Mount Washington blowing and revealing herself to be a secret volcano for these muggers to quit a communal story.

“Go for it, Bob,” Pete blesses, ignoring the news. “Go on, tell that wild George tale.”

“Right, right. So, was a blizzard just like this,” Bob says, picking up the thread. “George here, he had the cold side of the mountain that night. I had Front Face. Anyway, we all worked all night. The next night, we’re back in here rearing up for another long night shift. George comes in. This George right here, you, George,” Bob says, pointing at George.