Стивен Кинг - The Body

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The Body: краткое содержание, описание и аннотация

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Set in the fictional town of Castle Rock, Maine
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—now available for the first time as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern Tessio come to terms with death and the harsh truths of growing up in a small factory town that doesn’t offer much in the way of a future.
A timeless exploration of the loneliness and isolation of young adulthood, Stephen King’s The Body is an iconic, unforgettable, coming-of-age story.

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“Hey, Chris, that’s Daddy’s,” he said. “You’re gonna get the tar whaled out of you—”

“That’s nothing to what you’ll get,” Chris said. His face was horribly pale, and all the life in him seemed to have been sucked upward, into his eyes. They blazed out of his face.

“Gordie was right, you’re nothing but a bunch of cheap hoods. Charlie and Billy didn’t want their fuckin dibs and you all know it. We wouldn’t have walked way to fuck out here if they said they did. They just went someplace and puked the story up and let Ace Merrill do their thinkin for them.” His voice rose to a scream. “But you ain’t gonna get him, do you hear me?”

“Now listen,” Ace said. “You better put that down before you take your foot off with it. You ain’t got the sack to shoot a woodchuck.” He began to walk forward again, smiling his gentle smile as he came. “You’re just a sawed-off pint-sized pissy-assed little runt and I’m gonna make you eat that fuckin gun.

“Ace, if you don’t stand still I’m going to shoot you. I swear to God.”

“You’ll go to jayy-ail, ” Ace crooned, not even hesitating. He was still smiling. The others watched him with horrified fascination… much the same way as Teddy and Vern and I were looking at Chris. Ace Merrill was the hardest case for miles around and I didn’t think Chris could bluff him down. And what did that leave? Ace didn’t think a twelve-year-old punk would actually shoot him. I thought he was wrong; I thought Chris would shoot Ace before he let Ace take his father’s pistol away from him. In those few seconds I was sure there was going to be bad trouble, the worst I’d ever known. Killing trouble, maybe. And all of it over who got dibs on a dead body.

Chris said softly, with great regret: “Where do you want it, Ace? Arm or leg? I can’t pick. You pick for me.”

And Ace stopped.

27

His face sagged, and I saw sudden terror on it. It was Chris’s tone rather than his actual words, I think; the real regret that things were going to go from bad to worse. If it was a bluff, it’s still the best I’ve ever seen. The other big kids were totally convinced; their faces were squinched up as if someone had just touched a match to a cherry-bomb with a short fuse.

Ace slowly got control of himself. The muscles in his face tightened again, his lips pressed together, and he looked at Chris the way you’d look at a man who has made a serious business proposition—to merge with your company, or handle your line of credit, or shoot your balls off. It was a waiting, almost curious expression, one that made you know that the terror was either gone or tightly lidded. Ace had recomputed the odds on not getting shot and had decided that they weren’t as much in his favor as he had thought. But he was still dangerous—maybe more than before. Since then I’ve thought it was the rawest piece of brinkmanship I’ve ever seen. Neither of them was bluffing, they both meant business.

“All right,” Ace said softly, speaking to Chris. “But I know how you’re going to come out of this, motherfuck.”

“No you don’t,” Chris said.

“You little prick!” Eyeball said loudly. “You’re gonna wind up in traction for this!”

“Bite my bag,” Chris told him.

With an inarticulate sound of rage Eyeball started forward and Chris put a bullet into the water about ten feet in front of him. It kicked up a splash. Eyeball jumped back, cursing.

“Okay, now what?” Ace asked.

“Now you guys get into your cars and bomb on back to Castle Rock. After that I don’t care. But you ain’t getting him.” He touched Ray Brower lightly, almost reverently, with the toe of one sopping sneaker. “You dig me?”

“But we’ll get you, ” Ace said. He was starting to smile again. “Don’t you know that?”

“You might. You might not.”

“We’ll get you hard,” Ace said, smiling. “We’ll hurt you. I can’t believe you don’t know that. We’ll put you all in the fuckin hospital with fuckin ruptures. Sincerely.”

“Oh, why don’t you go home and fuck your mother some more? I hear she loves the way you do it.”

Ace’s smile froze. “I’ll kill you for that. Nobody ranks my mother.”

“I heard your mother fucks for bucks,” Chris informed him, and as Ace began to pale, as his complexion began to approach Chris’s own ghastly whiteness, he added: “In fact, I heard she throws blowjobs for jukebox nickels. I heard—”

Then the storm came back, viciously, all at once. Only this time it was hail instead of rain. Instead of whispering or talking, the woods now seemed alive with hokey B-movie jungle drums—it was the sound of big icy hailstones honking off treetrunks. Stinging pebbles began to hit my shoulders—it felt as if some sentient, malevolent force were throwing them. Worse than that, they began to strike Ray Brower’s upturned face with an awful splatting sound that reminded us of him again, of his terrible and unending patience.

Vern caved in first, with a wailing scream. He fled up the embankment in huge, gangling strides. Teddy held out a minute longer, then ran after Vern, his hands held up over his head. On their side, Vince Desjardins floundered back under some nearby trees and Fuzzy Bracowicz joined him. But the others stood pat, and Ace began to grin again.

“Stick with me, Gordie,” Chris said in a low, shaky voice. “Stick with me, man.”

“I’m right here.”

“Go on, now,” Chris said to Ace, and he was able, by some magic, to get the shakiness out of his voice. He sounded as if he were instructing a stupid infant.

“We’ll get you,” Ace said. “We’re not going to forget it, if that’s what you’re thinking. This is big time, baby.”

“That’s fine. You just go on and do your getting another day.”

“We’ll fuckin ambush you, Chambers. We’ll—”

“Get out!” Chris screamed, and levelled the gun. Ace stepped back.

He looked at Chris a moment longer, nodded, then turned around. “Come on,” he said to the others. He looked back over his shoulder at Chris and me once more. “Be seeing you.”

They went back into the screen of trees between the bog and the road. Chris and I stood perfectly still in spite of the hail that was welting us, reddening our skins, and piling up all around us like summer snow. We stood and listened and above the crazy calypso sound of the hail hitting the treetrunks we heard two cars start up.

“Stay right here,” Chris told me, and he started across the bog.

“Chris!” I said, panicky.

“I got to. Stay here.”

It seemed he was gone a very long time. I became convinced that either Ace or Eyeball had lurked behind and grabbed him. I stood my ground with nobody but Ray Brower for company and waited for somebody—anybody—to come back. After a while, Chris did.

“We did it,” he said. “They’re gone.”

“You sure?”

“Yeah. Both cars.” He held his hands up over his head, locked together with the gun between them, and shook the double fist in a wry championship gesture. Then he dropped them and smiled at me. I think it was the saddest scaredest smile I ever saw. “ ‘Suck my fat one’—whoever told you you had a fat one, Lachance?”

“Biggest one in four counties,” I said. I was shaking all over.

We looked at each other warmly for a second, and then, maybe embarrassed by what we were seeing, looked down together. A nasty thrill of fear shot through me, and the sudden splash/splash as Chris shifted his feet let me know that he had seen, too. Ray Brower’s eyes had gone wide and white, starey and pupilless, like the eyes that look out at you from Grecian statuary. It only took a second to understand what had happened, but understanding didn’t lessen the horror. His eyes had filled up with round white hailstones. Now they were melting and the water ran down his cheeks as if he were weeping for his own grotesque position—a tatty prize to be fought over by two bunches of stupid hick kids. His clothes were also white with hail. He seemed to be lying in his own shroud.

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