Стивен Кинг - The Body

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The Body: краткое содержание, описание и аннотация

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Set in the fictional town of Castle Rock, Maine
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—now available for the first time as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern Tessio come to terms with death and the harsh truths of growing up in a small factory town that doesn’t offer much in the way of a future.
A timeless exploration of the loneliness and isolation of young adulthood, Stephen King’s The Body is an iconic, unforgettable, coming-of-age story.

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Lightning flickered and stroked. Thunder ripped in behind each stroke as if a drag race had started over our heads.

“Sheeeee…” Chris said, the sound not quite a cuss word, not quite the country version of shit as it is pronounced around a slender stem of timothy grass when the baler breaks down—instead it was a long, tuneless syllable without meaning; a sigh that had just happened to pass through the vocal cords.

Vern was licking his lips in a compulsive sort of way, as if he had tasted some obscure new delicacy, a Howard Johnson’s 29th flavor, Tibetan Sausage Rolls, Interstellar Escargot, something so weird that it excited and revolted him at the same time.

Teddy only stood and looked. The wind whipped his greasy, clotted hair first away from his ears and then back over them. His face was a total blank. I could tell you I saw something there, and perhaps I did, in hindsight… but not then.

There were black ants trundling back and forth across the hand.

A great whispering noise began to rise in the woods on either side of the tracks, as if the forest had just noticed we were there and was commenting on it. The rain had started.

Dime-sized drops fell on my head and arms. They struck the embankment, turning the fill dark for a moment—and then the color changed back again as the greedy dry ground sucked the moisture up.

Those big drops fell for maybe five seconds and then they stopped. I looked at Chris and he blinked back at me.

Then the storm came all at once, as if a shower chain had been pulled in the sky. The whispering sound changed to loud contention. It was as if we were being rebuked for our discovery, and it was frightening. Nobody tells you about the pathetic fallacy until you’re in college… and even then I noticed that nobody but the total dorks completely believed it was a fallacy.

Chris jumped over the side of the washout, his hair already soaked and clinging to his head. I followed. Vern and Teddy came close behind, but Chris and I were first to reach the body of Ray Brower. He was face down. Chris looked into my eyes, his face set and stern—an adult’s face. I nodded slightly, as if he had spoken aloud.

I think he was down here and relatively intact instead of up there between the rails and completely mangled because he was trying to get out of the way when the train hit him, knocking him head over heels. He had landed with his head pointed toward the tracks, arms over his head like a diver about to execute. He had landed in this boggy cup of land that was becoming a small swamp. His hair was a dark reddish color. The moisture in the air had made it curl slightly at the ends. There was blood in it, but not a great deal, not a gross-out amount. The ants were grosser. He was wearing a solid color dark green tee-shirt and bluejeans. His feet were bare, and a few feet behind him, caught in tall blackberry brambles, I saw a pair of filthy low-topped Keds. For a moment I was puzzled—why was he here and his tennies there? Then I realized, and the realization was like a dirty punch below the belt. My wife, my kids, my friends—they all think that having an imagination like mine must be quite nice; aside from making all this dough, I can have a little mind-movie whenever things get dull. Mostly they’re right. But every now and then it turns around and bites the shit out of you with these long teeth, teeth that have been filed to points like the teeth of a cannibal. You see things you’d just as soon not see, things that keep you awake until first light. I saw one of those things now, saw it with absolute clarity and certainty. He had been knocked spang out of his Keds. The train had knocked him out of his Keds just as it had knocked the life out of his body.

That finally rammed it all the way home for me. The kid was dead. The kid wasn’t sick, the kid wasn’t sleeping. The kid wasn’t going to get up in the morning anymore or get the runs from eating too many apples or catch poison ivy or wear out the eraser on the end of his Ticonderoga No. 2 during a hard math test. The kid was dead; stone dead. The kid was never going to go out bottling with his friends in the spring, gunnysack over his shoulder to pick up the returnables the retreating snow uncovered. The kid wasn’t going to wake up at two o’clock a.m. on the morning of November 1st this year, run to the bathroom, and vomit up a big glurt of cheap Holloween candy. The kid wasn’t going to pull a single girl’s braid in home room. The kid wasn’t going to give a bloody nose, or get one. The kid was can’t, don’t, won’t, never, shouldn’t, wouldn’t, couldn’t. He was the side of the battery where the terminal says neg. The fuse you have to put a penny in. The wastebasket by the teacher’s desk, which always smells of wood-shavings from the sharpener and dead orange peels from lunch. The haunted house outside of town where the windows are crashed out, the NO TRESPASSING signs whipped away across the fields, the attic full of bats, the cellar full of rats. The kid was dead, mister, ma’am, young sir, little miss. I could go on all day and never get it right about the distance between his bare feet on the ground and his dirty Keds hanging in the bushes. It was thirty-plus inches, it was a googol of light-years. The kid was disconnected from his Keds beyond all hope of reconciliation. He was dead.

We turned him face up into the pouring rain, the lightning, the steady crack of thunder.

There were ants and bugs all over his face and neck. They ran briskly in and out of the round collar of his tee-shirt. His eyes were open, but terrifyingly out of sync—one was rolled back so far that we could see only a tiny arc of iris; the other stared straight up into the storm. There was a dried froth of blood above his mouth and on his chin—from a bloody nose, I thought—and the right side of his face was lacerated and darkly bruised. Still, I thought, he didn’t really look bad. I had once walked into a door my brother Dennis was shoving open, came off with bruises even worse than this kid’s, plus the bloody nose, and still had two helpings of everything for supper after it happened.

Teddy and Vern stood behind us, and if there had been any sight at all left in that one upward-staring eye, I suppose we would have looked to Ray Brower like pallbearers in a horror movie.

A beetle came out of his mouth, trekked across his fuzzless cheek, stepped onto a nettle, and was gone.

“D’joo see that?” Teddy asked in a high, strange, fainting voice. “I bet he’s fuckin fulla bugs! I bet his brains’ re—”

“Shut up, Teddy,” Chris said, and Teddy did, looking relieved.

Lightning forked blue across the sky, making the boy’s single eye light up. You could almost believe he was glad to be found, and found by boys his own age. His torso had swelled up and there was a faint gassy odor about him, like the smell of old farts.

I turned away, sure I was going to be sick, but my stomach was dry, hard, steady. I suddenly rammed two fingers down my throat, trying to make myself heave, needing to do it, as if I could sick it up and get rid of it. But my stomach only hitched a little and then was steady again.

The roaring downpour and the accompanying thunder had completely covered the sound of cars approaching along the Back Harlow Road, which lay bare yards beyond this boggy tangle. It likewise covered the crackle-crunch of the underbrush as they blundered through it from the dead end where they had parked.

And the first we knew of them was Ace Merrill’s voice raised above the tumult of the storm, saying: “Well what the fuck do you know about this?”

26

We all jumped like we had been goosed and Vern cried out—he admitted later that he thought, for just a second, that the voice had come from the dead boy.

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