Стивен Кинг - The Body

“Nothin like a smoke after a meal,” Teddy said.

“Fucking-A,” Vern agreed.

Crickets had started to hum in the green gloom. I looked up at the lane of sky visible through the railroad cut and saw that the blue was now bruising toward purple. Seeing that outrider of twilight made me feel sad and calm at the same time, brave but not really brave, comfortably lonely.

We tromped down a flat place in the underbrush beside the embankment and laid out our bedrolls. Then, for an hour or so, we fed the fire and talked, the kind of talk you can never quite remember once you get past fifteen and discover girls. We talked about who was the best dragger in Castle Rock, if Boston could maybe stay out of the cellar this year, and about the summer just past. Teddy told about the time he had been at White’s Beach in Brunswick and some kid had hit his head while diving off the float and almost drowned. We discussed at some length the relative merits of the teachers we had had. We agreed that Mr. Brooks was the biggest pussy in Castle Rock Elementary—he would just about cry if you sassed him back. On the other hand, there was Mrs. Cote (pronounced Cody)—she was just about the meanest bitch God had ever set down on the earth. Vern said he’d heard she hit a kid so hard two years ago that the kid almost went blind. I looked at Chris, wondering if he would say anything about Miss Simons, but he didn’t say anything at all, and he didn’t see me looking at him—he was looking at Vern and nodding soberly at Vern’s story.

We didn’t talk about Ray Brower as the dark drew down, but I was thinking about him. There’s something horrible and fascinating about the way dark comes to the woods, its coming unsoftened by headlights or streetlights or houselights or neon. It comes with no mothers’ voices, calling for their kids to leave off and come on in now, to herald it. If you’re used to the town, the coming of the dark in the woods seems more like a natural disaster than a natural phenomenon; it rises like the Castle River rises in the spring.

And as I thought about the body of Ray Brower in this light—or lack of it—what I felt was not queasiness or fear that he would suddenly appear before us, a green and gibbering banshee whose purpose was to drive us back the way we had come before we could disturb his— its —peace, but a sudden and unexpected wash of pity that he should be so alone and so defenseless in the dark that was now coming over our side of the earth. If something wanted to eat on him, it would. His mother wasn’t here to stop that from happening, and neither was his father, nor Jesus Christ in the company of all the saints. He was dead and he was all alone, flung off the railroad tracks and into the ditch, and I realized that if I didn’t stop thinking about it I was going to cry.

So I told a Le Dio story, made up on the spot and not very good, and when it ended as most of my Le Dio stories did, with one lone American dogface coughing out a dying declaration of patriotism and love for the girl back home into the sad and wise face of the platoon sergeant, it was not the white, scared face of some pfc from Castle Rock or White River Junction I saw in my mind’s eye but the face of a much younger boy, already dead, his eyes closed, his features troubled, a rill of blood running from the left corner of his mouth to his jawline. And in back of him, instead of the shattered shops and churches of my Le Dio dreamscape, I saw only dark forest and the cindered railway bed bulking against the starry sky like a prehistoric burial mound.

I came awake in the middle of the night, disoriented, wondering why it was so chilly in my bedroom and who had left the windows open. Denny, maybe. I had been dreaming of Denny, something about body-surfing at Harrison State Park. But it had been four years ago that we had done that.

This wasn’t my room; this was someplace else. Somebody was holding me in a mighty bearhug, somebody else was pressed against my back, and a shadowy third was crouched beside me, head cocked in a listening attitude.

“What the fuck?” I asked in honest puzzlement.

A long-drawn-out groan in answer. It sounded like Vern.

That brought things into focus, and I remembered where I was… but what was everybody doing awake in the middle of the night? Or had I only been asleep for seconds? No, that couldn’t be, because a thin sliver of moon was floating dead center in an inky sky.

“Don’t let it get me!” Vern gibbered. “I swear I’ll be a good boy, I won’t do nothin bad, I’ll put the ring up before I take a piss, I’ll… I’ll…” With some astonishment I realized that I was listening to a prayer—or at least the Vern Tessio equivalent of a prayer.

I sat bolt upright, scared. “Chris?”

“Shut up, Vern,” Chris said. He was the one crouching and listening. “It’s nothing.”

“Oh, yes it is,” Teddy said ominously. “It’s something.”

“ What is?” I asked. I was still sleepy and disoriented, unstrung from my place in space and time. It scared me that I had come in late on whatever had developed—too late to defend myself properly, maybe.

Then, as if to answer my question, a long and hollow scream rose languidly from the woods—it was the sort of scream you might expect from a woman dying in extreme agony and extreme fear.

“Oh-dear-to-Jesus!” Vern whimpered, his voice high and filled with tears. He re-applied the bearhug that had awakened me, making it hard for me to breathe and adding to my own terror. I threw him loose with an effort but he scrambled right back beside me like a puppy which can’t think of anyplace else to go.

“It’s that Brower kid,” Teddy whispered hoarsely. “His ghost’s out walkin in the woods.”

“Oh God!” Vern screamed, apparently not crazy about that idea at all. “I promise I won’t hawk no more dirty books out of Dahlie’s Market! I promise I won’t give my carrots to the dog no more! I… I… I…” He floundered there, wanting to bribe God with everything but unable to think of anything really good in the extremity of his fear. “I won’t smoke no more unfiltered cigarettes! I won’t say no bad swears! I won’t put my Bazooka in the offerin plate! I won’t—”

“Shut up, Vern,” Chris said, and beneath his usual authoritative toughness I could hear the hollow boom of awe. I wondered if his arms and back and belly were as stiff with gooseflesh as my own were, and if the hair on the nape of his neck was trying to stand up in hackles, as mine was.

Vern’s voice dropped to a whisper as he continued to expand the reforms he planned to institute if God would only let him live through this night.

“It’s a bird, isn’t it?” I asked Chris.

“No. At least, I don’t think so. I think it’s a wildcat. My dad says they scream bloody murder when they’re getting ready to mate. Sounds like a woman, doesn’t it?”

“Yeah,” I said. My voice hitched in the middle of the word and two ice-cubes broke off in the gap.

“But no woman could scream that loud,” Chris said… and then added helplessly: “Could she, Gordie?”

“It’s his ghost,” Teddy whispered again. His eyeglasses reflected the moonlight in weak, somehow dreamy smears. “I’m gonna go look for it.”

I don’t think he was serious, but we took no chances. When he started to get up, Chris and I hauled him back down. Perhaps we were too rough with him, but our muscles had been turned to cables with fear.

“Let me up, fuckheads!” Teddy hissed, struggling. “If I say I wanna go look for it, then I’m gonna go look for it! I wanna see it! I wanna see the ghost! I wanna see if—”

The wild, sobbing cry rose into the night again, cutting the air like a knife with a crystal blade, freezing us with our hands on Teddy—if he’d been a flag, we would have looked like that picture of the Marines claiming Iwo Jima. The scream climbed with a crazy ease through octave after octave, finally reaching a glassy, freezing edge. It hung there for a moment and then whirled back down again, disappearing into an impossible bass register that buzzed like a monstrous honeybee. This was followed by a burst of what sounded like mad laughter… and then there was silence again.