Райли Сейгер - Home Before Dark - A Novel

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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Petra definitely wasn’t asleep.

You sat at the top of the stairs, gently sobbing. When we asked you what happened, you looked up at us and said, “It wasn’t me.”

You kept repeating it, almost as if you were trying to convince yourself as much as us.

“It wasn’t me. It wasn’t me. It wasn’t me.”

At first, I believed you. You were my daughter, after all. I knew you better than anyone, even your mother. You were sweet and kind. You wouldn’t purposely hurt anyone.

But then I thought about how you had punched Petra’s sister in the face during the sleepover. It shocked me then and shocked me again in recollection. It was proof that anger boiled just beneath your placid demeanor.

There was also physical evidence. Petra’s shirt had been torn. There was a gap in the seam at her shoulder, exposing pale skin. Just above it were three scratch marks on her neck, as if she’d been attacked. You also had a cut—a bad one under your left eye. I could only assume it was caused by Petra, fighting you off.

Still, you kept denying it.

“It wasn’t me. It wasn’t me.”

“Then who was it, Maggie?” I asked, wishing with all my power that you’d give us a logical response.

But you only looked us in the eyes and said, “Miss Pennyface.”

I remember that moment like it just happened. It was the moment I realized that my fears were correct. Since Miss Pennyface didn’t exist, that meant it was you who had killed Petra.

Things would have turned out very differently if Petra’s mother knew she was at Baneberry Hall. We would have had no choice but to go to the authorities. But no one else knew she was there. No one but us.

So when your mother tried to call 911, I stopped her before she could dial.

I told her we needed to think long and hard before we did that. That it might not be in our best interest to get the police involved.

“A girl is dead, Ewan,” she said. “I don’t care about our best interest.”

“What about Maggie’s?” I asked. “Because whatever we do next, it’s going to affect her for the rest of her life.”

I explained that if we called 911, the police would take even less time than it took us to see that this wasn’t an accident. Petra’s torn shirt and the scratches on her neck indicated far worse.

It showed that you had pushed her down those stairs.

I didn’t know what precipitated it. I didn’t want to know. I realized that the less I knew, the better. But I knew I still loved you, in spite of what you had done. I thought there was nothing you could do that would make me love you less. But I worried that knowing the details of what happened had the potential to change that thinking. And I didn’t want to see you as a monster, which is what everyone else would have thought if word got out that you had killed Petra.

It was that argument that finally convinced your mother to go along with my plan. I told her that perception is a tricky thing. When people think of you a certain way, it’s almost impossible to put that genie back in the bottle. And when the world considers someone a monster, people treat them like one, and it isn’t long before that person starts to believe it as well.

“Is that what we want for Maggie?” I said. “For her to be locked up in some juvenile detention center until she’s eighteen? Then to spend the rest of her life being judged by people? No matter what she does, for the rest of her life, people will look at her and only see a killer. What do you think that will do to her? What kind of life will that be?”

I’m not proud of what I did that night. The shame I carry weighs on my heart and keeps me up at night. But I need you to know that we did it for you. We wanted to spare you from the brutal existence you certainly would have had if the police got involved.

So we decided to keep it a secret.

While your mother took you upstairs to dress the wound on your face, I disposed of the body. Even though writing those words just now made me nauseous, that’s exactly what I did. This wasn’t an act of burial. It was disposal, pure and simple. I put Petra’s body in a canvas knapsack left over from my days as a traveling reporter. I dropped it into the hole in the floor where we’d found the letters to Indigo Garson, replaced the boards, and unrolled the carpet over them.

Just like that, Petra was gone.

It was your mother who demanded we leave Baneberry Hall. The two of you came downstairs, you with a bandage on your cheek and she carrying the teddy bear Petra had brought with her that night.

I suspect it was the bear that caused what happened next. It jerked your mother out of her shock, making her realize it wasn’t just a random person we had buried beneath the floorboards, but a young woman. Someone smart and sweet who still slept with a teddy bear.

“I can’t be here,” your mother gasped as the full weight of our actions sunk in. “Not knowing she’s here. Not after what we’ve done to her. I just can’t.”

I understood then that we had no choice but to leave. In a daze, I hid the bear in the closet of my study. We then piled into the car without packing a thing and went back to the Two Pines motel. Thanks to a shift change, there was a new clerk at the front desk. And since we’d paid with cash, there was no record we’d ever been there earlier that night.

“I’m never going back there,” your mother said once we were in our room. “I can’t, Ewan. I’m sorry.”

I, too, felt it wise not to return. We’d gotten away with a heinous deed. Going back to Baneberry Hall would remind us daily of what we’d done. All I wanted to do was forget.

“We’ll never go back,” I told her. “None of us will ever go back there.”

“But people will be looking for Petra,” your mother said. “Once they realize she’s missing, they’re going to ask why we’re here and not at Baneberry Hall. We need to give them a reason.”

I knew she was right. We needed to come up with an explanation for why we left. A solid one. An innocent-sounding one. But that wasn’t easy. Especially once people started looking for Petra. I knew that the police would search the house to back up our claim. All it would take was a half hour and a search warrant.

But inventing another calamity in the house was out of the question. There couldn’t be a burst pipe or another snake infestation. Our reason for leaving had to sound appropriately extreme while also being completely invisible.

It was you, ironically, who came up with the idea. Half-asleep in front of the muted motel TV, you said, “When are we going home?”

“We’re not,” your mother answered.

Your response prompted all that followed.

“Because Miss Pennyface scared us away?” you said.

At first, the thought of claiming we abandoned Baneberry Hall because it was haunted struck me as preposterous. No one would believe it. But the more I thought about it, the more sense it made. It would be impossible to prove that we were lying. Plus, by that point I knew enough of Baneberry Hall’s history to spin a decent tale. Then there was the fact that, because the idea of a haunting was so ridiculous, it might distract from the bigger secret hidden inside the house.

We went with it. We had no other choice.

Not that there was much time to think about it. I knew that, in order to deflect suspicion from us, we needed to be on record claiming Baneberry Hall was haunted before word got out that Petra had vanished.

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