Райли Сейгер - Home Before Dark - A Novel

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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“I was hoping we could talk,” she says. “The folks in Waterbury did a preliminary examination of the remains last night.”

“It’s Petra, isn’t it?”

“Not officially. They still need to check dental records. But the bones belonged to a female in her late teens. So, it’s looking pretty likely that it’s her.”

Even though I’m not surprised, the news leaves me feeling unmoored. I go to the porch and sit on the steps, my damp jeans chafing my thighs. I’d feel more comfortable in a change of clothes, but I’m not quite ready to enter Baneberry Hall.

“Do they know her cause of death?”

“Not definitively,” Chief Alcott says. “Her skull was fractured. That’s the only damage they could positively identify. They can’t conclude that’s what killed her. That’ll be hard to do, considering the condition those bones were in.”

“Why did you think Petra ran away all those years ago?” I say.

“Who says I did?”

“Brian Prince.”

“Figures,” she mutters. “The truth is that I did suspect something might have happened to Petra.”

“Why didn’t you do anything about it?”

“I wasn’t in charge, so I didn’t call the shots. That was three chiefs ago. No one else on the force gave two shits about a teenage girl. I did, but I stayed quiet anyway, which is something I’ve regretted every damn day for the past twenty-five years.” Chief Alcott takes a deep breath to collect herself. “But now I do get to call the shots. And I want to know what happened to that poor girl. So, let’s talk suspects. Other than your father, who else do you think could have put that body under your floorboards?”

“I should be asking you that,” I say. “Come to think of it, should we be discussing this at all?”

The chief removes her hat and runs a hand through her short silver hair. “I don’t see any harm in us talking. I’m just trying to cover all the bases. You shouldn’t consider me the enemy, Maggie.”

“You think my father murdered someone.”

“You haven’t given me any reason to think otherwise.”

Had my mother called me back, I might be better equipped for this conversation. But she didn’t, even after I called her again this morning. Now I can only blindly toss theories like darts in a dive bar.

“I know my father looks guilty,” I say. “And, for all I know, he might have done it. But if he did, then it doesn’t make sense why he mentioned Petra so much in his book. If he had some kind of affair with her, like Brian Prince thinks, or he killed her, like probably everyone thinks, it would have made more sense not to mention her at all.”

“Maybe that’s what he was hoping we’d think,” Chief Alcott suggests.

“Or maybe someone else did it.”

The chief jerks her head in the direction of the front door. “There wasn’t a whole lot of people with access to that house.”

“Walt Hibbets,” I say. “He had keys to the place.”

“True,” Chief Alcott says. “But what would his motive have been? Petra lived across the road from him all her life. He would have had plenty of chances to kill her. Not that old Walt was the killing type. But if he was, why wait until then?”

“Maybe he knew Baneberry Hall was empty,” I say, grasping. “And he put the body there to frame my father.”

“Hiding a body isn’t the best way to frame someone. But it’s interesting you mentioned someone from the Hibbets family.” The chief’s tone is loaded, making me squirm in discomfort. My jeans squeak on the steps. “I was surprised to see Dane here yesterday.”

“He’s helping me work on the house,” I say. “Why is that a surprise? He’s a contractor, after all, although he said business was light.”

“Did you ever stop to wonder why?”

I hadn’t. I didn’t give it any thought whatsoever. I needed help, Dane was there, we made a deal.

“What are you getting at?” I ask.

“I’m saying that most folks here aren’t too keen on hiring an ex-con,” the chief says.

My breath catches in my throat. This bit of news isn’t quite as shocking as yesterday’s events, but few things are.

“What did he do?”

“Aggravated assault,” the chief says. “This was in Burlington. About eight years back. There was a bar fight. Dane got overzealous and beat the other guy until he was unconscious. Cut him up real bad, to boot. His victim spent a month in the hospital, and Dane spent a year in prison.”

My mind seizes on an image of Dane in a dive bar, slamming his fist repeatedly into a stranger’s dazed, bloody face. I want to think he isn’t capable of such violence, but I’m unsure of everything, at least when it comes to the men in my life.

Chief Alcott senses this and says, “I wouldn’t fret over it, if I were you.” She stands, but not before giving my knee a friendly pat. “You have bigger things to worry about.”

She puts her hat back on, returns to her cruiser, and drives away, leaving me alone on the steps to consider three things. One, that Dane—the man I came this close to sleeping with last night—has a violent streak. Two, that I never did come up with a good reason as to why Chief Alcott shouldn’t suspect my father. And three, that it’s possible she brought up the former to prevent me from doing the latter.

This prompts one last thought—that despite her assurances to the contrary, maybe Chief Tess Alcott has her own agenda.

I don’t enter the house until thirty minutes after Chief Alcott departs. Part of that time is spent talking to an understandably pissed-off Allie.

“Why didn’t you tell me a dead girl was found inside Baneberry Hall?” she says as soon as I answer the phone.

“I didn’t want you to worry.”

“Well, I am,” she says. “Especially because I had to see it on Twitter. ‘Body found in House of Horrors mansion.’ That’s what the headline said. And for a second, I thought it was you.”

My heart sinks, for multiple reasons. I hate the fact that Allie, even for a moment, thought something bad had happened to me. Then there’s the matter of Baneberry Hall once again being national news. Because if Allie saw it, lots of people have as well.

“I’m sorry,” I say. “I should have told you.”

“Damn right, you should have.”

“But everything is crazy right now. I found the body of that poor girl, and the police think my father did it, and someone broke into the house.”

“There was an intruder?” Allie says, unable to conceal her alarm. “When?”

“Two nights ago. They didn’t do anything. Just roamed through the house a little.”

“That sounds like something,” Allie says.

“I’m not in any danger.”

“Yet.” Allie pauses to take a calming breath I can hear through the phone. “Maggie, I get that you need answers. I really do. But this isn’t worth it.”

“It will be,” I say. “Something happened in that house the night we left. And I’ve spent most of my life wondering what it was. I can’t leave now. I have to see this through.”

Allie says she understands, even though it’s clear she doesn’t. I don’t expect her to. Most people faced with such a fucked-up situation would be content to go home, let the police handle it, and wait for answers. But cut-and-dried answers about how Petra died will tell me only half the story.

I need context.

I need details.

I need truth .

If my father killed Petra, I want to know about it, mostly because then I’ll know how to feel about him.

I came here hoping to forgive my father.

I won’t be able to forgive a murderer.

Which is why I also can’t let go of the idea that he’s innocent. I am my father’s daughter. We chose different paths and we had our share of disagreements, but I had more in common with him than I do with my mother. He and I were far more alike than we were different. If he’s a killer, what does that make me?

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