Райли Сейгер - Home Before Dark - A Novel

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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“Brown.”

Which means the one I saw last night belongs to the Ditmers. Dane’s sits on the other side of the road.

“Now I have a question,” he says, eyeing the coffee mug in my hand. “Is there more of that, and can I have it?”

“There’s half a pot with your name on it.”

When we go down to the kitchen, I pour a giant mug and hand it to Dane.

He takes a sip and says, “Why did you ask about my cottage? Were you planning on paying me a visit?”

I note the flirtation in his voice. It’s impossible to miss. This time, unlike on the night of my arrival, it’s not entirely surprising. Or unwanted. But his timing could definitely be better. I have more pressing issues.

“Someone broke in last night,” I say.

“Seriously?”

“Seriously.”

I relay the events of last night, sparing no detail. He hears it all—the bell, the music, the missing bear, me shouting at whoever it was as they fled through the woods.

“And you thought it was me?” he says.

“Of course not,” I say, massaging the truth so as not to offend him. “I was just wondering if you saw anything suspicious last night.”

“Nothing. Have you asked Hannah if she did?”

“Haven’t had the chance. But do you know about the breach in the wall? There’s a spot where it’s crumbled away.”

“That’s been there for decades, I think. I wrote to your father last year asking if he wanted me to repair it, but he never got back to me.”

That’s because he was enduring aggressive rounds of chemotherapy, even though none of us had much hope it would help things. It was just a stalling tactic. A way to stretch out my father’s life by a few more months.

“Well, someone used it to get on the property,” I say. “They snuck into the house, although I don’t know how.”

Dane grabs a chair and sits down backward, his legs straddling the chair back. “Are you certain of that? The bear could have simply fallen behind the desk. We piled quite a bit of stuff on there.”

“That doesn’t explain the record player. It couldn’t have turned on by itself.”

“Not unless there’s something funky going on with the wiring. Have you noticed anything else weird?”

“Yes,” I say, recalling the night of my arrival. “The light switch in the Indigo Room doesn’t work. Not to mention the chandelier being on when I got home yesterday.”

“How about down here?” Dane looks to the kitchen ceiling and studies the light fixture, a chunky rectangle of smoked glass and gold trim that, like the rest of the kitchen, reeks of the eighties. His gaze soon moves to the bulging, stained swath of ceiling situated directly over the table.

“Looks like water damage,” he says.

“I’ve already added it to the very long list of things that need to be done to this kitchen.”

Dane climbs onto the table and stands beneath the bulge, trying to get a closer look.

“What are you doing?”

“Checking to see if the ceiling is compromised,” he says. “You may need to fix this sooner rather than later.”

He pokes the bulge with an index finger. Then, using his whole hand, he pushes on it. Seeing the ceiling give way slightly under his fingers unlocks another memory I know only from the Book. My stomach clenches as I picture the plaster opening up and snakes pouring out.

“Dane, don’t.” My voice is more anxious than I want it to be. “Just leave it alone for now.”

“This plaster is weak as hell,” he says as he keeps pushing. The ceiling expands and contracts slightly—like the rise and fall of a sleeping man’s chest.

It’s snakes , says the whispering voice I heard yesterday. My father’s voice. You know they’re there, Maggie.

If there are snakes coiled inside that ceiling, I want to pretend they’re not there, just like my parents pretended the Book didn’t tear our family apart.

“Dane, I’m serious,” I say, angry now. “Stop doing that.”

“I’m just—”

Dane’s hand bursts through the ceiling, punching into the plaster all the way up to his wrist. He curses and yanks away his fist.

The ceiling quivers as small chunks of plaster rain down around him.

The seams of the patch job darken, growing more pronounced. Puffs of plaster dust pop from newly formed crevices and spiral to the table.

A small groan follows.

The sound of the ceiling giving way.

Then it falls.

A rectangular section drops away like a trapdoor. It swings toward Dane, who tries to twist out of its path. The ceiling hits him anyway, knocking him over.

He lands hard and scoots backward, narrowly missing the swath of plaster as it fully rips away from the ceiling and breaks apart against the tabletop. Dust blooms from the rubble—a foul-smelling cloud that rolls through the kitchen.

I close my eyes and press against the kitchen counter, my hands gripping the edge, bracing for the snakes I’m certain will start raining down at any moment.

I’m not surprised when something drops from the ceiling.

I’ve been expecting it.

I don’t even flinch when I hear it land on the table with a muffled thud.

When the dust clears, Dane and I both open our eyes to see a formless blob sitting on the table like a centerpiece.

Dane blinks in disbelief. “What. The. Fuck.”

He jumps down from the table and backs away. I do the opposite, moving toward it.

It’s a sack. Burlap, I think. Or maybe canvas. The dust covering it makes it hard to tell. I poke it with an index finger, and whatever’s inside shifts, creating a sound I can only equate to Scrabble tiles inside their fabric pouch.

“Maybe it’s hidden treasure,” Dane says, his voice dazed so that I can’t tell if he’s being silly or serious.

Saying nothing, I lift the sack and tilt it. What’s inside pours out in a dusty stream and lands on the table in a dull-gray heap.

They’re bones.

Human ones.

I know because sliding out of the sack last is a skull, which rolls atop the pile. Leathery scraps of tissue cling to the bone, out of which sprout wiry strands of hair. Its eye sockets resemble twin black holes.

Transfixed and terrified, I stare into them, knowing deep down—in a place where only my darkest thoughts and fears reside—that this is why my family left Baneberry Hall.

JULY 3 Day 8

“You tell us, right this goddamn instant, what other problems are hiding inside that house, or I swear to Christ I’ll make sure you lose your Realtor’s license.”

Jess’s voice, already loud whenever she got angry, grew in both rage and volume as she spoke on the phone to Janie June.

“You’re damn right, I’m serious!” Jess yelled in response to something Janie June said. “Just like I’m serious about suing you for everything you’re worth.”

All were empty threats. There was nothing we could legally do. When we agreed to buy Baneberry Hall as is, all of its problems became our problems. We also had the house inspected, which found nothing to indicate there was a family of snakes living in the ceiling. This was simply a case of Mother Nature being an utter bitch.

Yet Jess continued to shout at Janie June for another fifteen minutes, her voice ringing off the wood-paneled walls of our room.

Even for a cheap roadside motel, the Two Pines Motor Lodge had seen better days. The rooms were minuscule, the lighting was poor, and an unpleasant combination of cigarette smoke and industrial-strength cleaner clung to every surface. Had there been anywhere else in Bartleby to call home for a night, we would have gone there. But the Two Pines was the only game in town. And since our house was overrun with snakes, we couldn’t be picky.

Still, we tried to make the best of a bad situation. After checking in the day before, Jess left to raid the vending machines. She returned with an armful of stale crackers, candy bars, and lukewarm sodas. We ate them sitting on the floor, Maggie all too happy to be having candy for lunch. After dinner at a diner a half-mile down the road, we spent the night crowded onto one of the twin beds, watching a TV that flickered with static no matter what channel we landed on.

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