Райли Сейгер - Home Before Dark - A Novel

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**One of . . .
** Huff Post **’s “10 Of The Most Anticipated Book Releases Of June 2020” •** Good Housekeeping **’s “The 35 Best Books of 2020 to Add to Your Reading List” •** Travel + Leisure **’s “20 Most Anticipated Summer 2020 Books” •** PopSugar **’s 17 Most Anticipated Summer Thrillers •** Working Mother **’s “The 20 Most Anticipated Books of 2020” •** Newsweek **’s 20 most anticipated summer reads •** Publishers Weekly's " **Summer Reads 2020" •** BookPage **’s “2020 Most Anticipated Thrillers and Mysteries” • Today.com’s “16 highly anticipated summer reads” •** The Star Tribune **’s “Great Escapes” summer reads •** BookPage **'s "Private Eye July"
In the latest thriller from **New York Times **bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
**
*What was it like? Living in that house.
* Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called *House of Horrors*. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling *The Amityville Horror* in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in *House of Horrors* , lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to ** Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Alternating between Maggie’s uneasy homecoming and chapters from her father’s book, *Home Before Dark* is the story of a house with long-buried secrets and a woman’s quest to uncover them—even if the truth is far more terrifying than any haunting. **
**Review**
"Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it."
**–Ruth Ware,** Book of the Month
"What could be better than a haunted house with ghosts aplenty?  *Home Before Dark*  is equally superb and terrifying. Buckle up for a wild ride. This book should come with a warning not to be read after dark." 
**–Mary Kubica,** New York Times **bestselling author of** The Other Mrs.  
"Flawless pacing, a dexterous dual narrative, and character through the roof. But the biggest revelation to be found in  *Home Before Dark* is this: There’s nobody writing scarier books than Riley Sager is right now."
**–Josh Malerman,** New York Times  **bestselling author of** Bird Box  **and** Malorie 
"Houses breathe. Some have a heartbeat. None forget. Grabbing you from the first page, Riley Sager crafts a devilish plot, twisted timelines, and horrors that linger in this haunting thriller that needs to be on your reading list!"
**–J.D. Barker, International Bestselling Author of** She Has A Broken Thing Where Her Heart Should Be *
*"Part ghost story, part murder mystery, *Home Before Dark* is a nightmare ride of haunting terror and suspense. Dripping with atmosphere and danger, Baneberry Hall is the new Hill House. I couldn’t turn the last 100 pages fast enough." *
* **–Richard Chizmar,** New York Times **bestselling author** *
*
“[An] outstanding supernatural thriller. . . . Sager, who makes the house a palpable, threatening presence, does a superb job of anticipating and undermining readers’ expectations. Haunted house fans will be in heaven.” *
*–Publishers Weekly **, starred review** *
*“The ghosts and poltergeist activity Sager conjures are truly chilling, and he does a masterful job of keeping readers guessing until the very end.”
–Kirkus *
*
“For fans of the *Amityville Horror* story comes yet another breath-stealer from the hit machine Sager.”
–Good Housekeeping **, “The 35 Best Books to Add to Your Reading List ASAP.”
** "Sager does a superb job of upsetting reader expectations in this horror thriller."
–Publishers Weekly **, "Summer Reads 2020"
** "[ *Home Before Dark]* is set to deliver major goose bumps."
–PopSugar **
**"King of thrillers, Sager returns with a pulse-pounding, goosebump-inducing tale of a woman who goes back to her childhood home—and the setting of a true horror story." **
**–Newsweek **
**“Another breathtaking hit from Sager, who’s proven himself a master at crafting new twists on classic horror tales.”
–Booklist 
### **About the Author**
*Home Before Dark* is the fourth thriller from Riley Sager, the pseudonym of an author who lives in Princeton, New Jersey. Riley's first novel,  *Final Girls* , was a national and international bestseller that has been published in more than two dozen countries and won the ITW Thriller Award for Best Hardcover Novel. Sager's subsequent novels,  *The Last Time I Lied*  and  *Lock Every Door,*  were  *New York Times*  bestsellers.

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I sip my gin and tonic and flash my mother a fake smile, realizing she gave me at least one snippet of truth during lunch.

Some promises do indeed need to be broken.

JUNE 25 The Closing

“I need you to make a promise,” Jess said as we drove to Baneberry Hall immediately after closing on the place.

“I promise you the moon,” I replied.

“I need more than that. This promise has to do with the house.”

Of course it did. We had ended up using the bulk of Jess’s inheritance to buy Baneberry Hall outright. That seemed more sensible than being saddled with a mortgage that, between Jess’s teaching salary and my meager freelance earnings, we might one day not be able to pay. And even though we got the house for dirt cheap, my hands shook as I wrote out a certified check for the full amount.

They were still shaking as I turned off the main road, on the way to our new home. Although we wouldn’t be moving in until the next day, Jess and I wanted to stop by the place, mostly just to let it sink in that it was now really ours.

“What about it?” I said.

“Now that we’re doing this—actually, truly, no-turning-back doing this—I need you to promise that you’ll let the past stay in the past.”

Jess paused, waiting for me to acknowledge that I understood what she meant. As a journalist, it was in my nature to poke around, searching for the stories that surrounded us. And it had certainly crossed my mind that moving into a massive estate where a man had murdered his daughter was one hell of a story. But I could tell from the stone-serious look on Jess’s face it was a subject she didn’t want me to touch.

“I promise,” I said.

“I mean it, Ewan. That man—and what he did—is one story you don’t need to investigate. When we move into that house tomorrow, I want us to pretend its past doesn’t exist.”

“Otherwise it will always be hanging over us,” I agreed.

“Exactly,” Jess said with a firm nod. “Plus, there’s Maggie to consider.”

We had already agreed not to tell our daughter about the fates of Baneberry Hall’s previous residents. Although we knew there’d come a day when Maggie would need to know what happened, that could wait a few years. Jess and I avoided talking about the subject until Maggie was either sound asleep or, as was the case that afternoon, staying with Jess’s mother.

“I swear to you I’ll never utter the name Curtis Carver in her presence,” I said. “Just as I swear that I have no intention of trying to figure out what made him snap like that. I agree with you—the past is in the past.”

At that point, we were pulling up to Baneberry Hall’s front gate, which was already wide open. Waiting for us there was the caretaker, a scarecrow of a man wearing the state uniform of Vermont—corduroy pants and a flannel shirt.

“You must be the Holts,” he said as we got out of the car. “Janie June said you’d be stopping by today. The name’s Hibbets. Walt Hibbets. But you can call me Hibbs. Everybody else does.”

He grinned, exposing an honest-to-God gold tooth. Fit and flinty and pushing seventy, he reminded me of a character out of a Stephen King novel. Still, I found myself charmed by his breezy manner and outsize personality.

“I got the grounds all cleaned up for you,” he said. “And Elsa Ditmer gave the house itself a good scrubbing. So you should be all set. We know what we’re doing, Elsa and me. We grew up here, the both of us. Our families have worked Baneberry Hall for decades. I just wanted to make you aware in case you find yourself in need of full-time help.”

Honestly, we were. Baneberry Hall was too big for us to properly take care of on our own. But the purchase of the house meant there wasn’t much money left for anything else. That included hired help.

“About that,” I said. “From time to time, we might need the services of you or Mrs. Ditmer. But for right now—”

“You’re a hearty young man who can do things on your own,” Hibbs said with unexpected graciousness. “I respect and admire that. I envy it, as well. As you can see, I’m no spring chicken.”

“But I’ll be sure to call you if something comes up,” I said.

“Please do.” He jerked his head in the direction of the two cottages we had passed when we turned off the main road. “I live just over yonder. Give me a shout if you need help with anything. Even in the middle of the night.”

“That’s very kind, but I don’t plan on disturbing you too much.”

“I’m just letting you know.” Hibbs paused in a way I can only describe as ominous. “You might need my help during the witching hour.”

I had been on my way back to the car, but hearing that stopped me cold.

“What do you mean by that?”

Hibbs put a thin arm around my shoulder and pulled me away until Jess was out of earshot. Then, in a low voice, he said, “I just want to make sure Janie June told you everything you need to know about that house.”

“She did,” I said.

“Good. That’s good that you know what you’re getting yourself into. The Carvers weren’t prepared for the place and, well, the less said about them the better, I s’pose.” Hibbs gave me a genial slap on the back. “I’ve kept you long enough. Go on up with the missus and take another gander at your new house.”

Then he was gone, turning his back to us as he strolled away to his cottage. It wasn’t until we were back in the car and navigating the corkscrew of a driveway that I was struck by the oddness of the conversation.

“Hibbs asked if we knew what we were getting into,” I told Jess as Baneberry Hall rose into view, just as grand as I remembered. “At first, I thought he was talking about the Carver family.”

“I’m sure he was,” Jess said. “What else could there be?”

“That’s what I thought. But then he told me the Carvers weren’t prepared for the place, and now I’m wondering what he meant by that.” I brought the car to a stop in front of the house and peered upward at the pair of eyelike windows on the third floor. They stared back. “Do you think something else happened here? Something before the Carvers moved in?”

Jess shot me a look that was unmistakably a warning to drop it.

“The past is in the past, remember?” she said. “Starting now, we only focus on the future.”

With that future in mind, I left the car, hopped onto the porch, and unlocked the front door. Then, with a flourish, I helped Jess out of the car, lifted her into my arms, and carried her across the threshold. A romantic gesture I never had the chance to do when we got married.

Our courtship had been a whirlwind. I was an adjunct professor teaching a class on New Journalism at the University of Vermont. Jess was there getting her master’s in elementary education. We met at a party hosted by a mutual friend and spent the night discussing Truman Capote’s In Cold Blood . I’d never met someone like her—so carefree and bright and alive . Her face lit up when she smiled, which was often, and her eyes were like windows into her thoughts. By the end of that night, I knew Jess was the woman I wanted to spend the rest of my life with.

We got married six months later. Six months after that, Maggie was born.

“You want to officially christen this place now or tomorrow?” I asked as I set her down in the vestibule.

“Now,” Jess said with a wink. “Definitely now.”

Hand in hand, we moved deeper into the house. I stopped a second later, caught short by the sight of the chandelier drooping from the ceiling.

It was on, glowing brightly.

Jess noticed it, too, and said, “Maybe Hibbs left it on for us.”

I hoped that was the case. Otherwise it meant that the wiring problem Janie June had promised to look into had gone unattended. I didn’t worry too much, because by then Jess was tugging me toward the curved staircase, her smile naughty and her eyes bright with mischief.

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