Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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The Grove was located in the oldest part of Edgware hospital. The original redbrick Victorian building had long since been surrounded and dwarfed by larger, and generally uglier, additions and extensions. The Grove lay in the heart of this complex. The only hint of its dangerous occupants was the line of security cameras perched on the fences like watching birds of prey. In reception, every effort had been made to make it appear friendly—large blue couches, crude, childish artwork by the patients taped to the walls. It looked to me more like a kindergarten than a secure psychiatric unit.

A tall man appeared at my side. He grinned at me and held out his hand. He introduced himself as Yuri, head psychiatric nurse. “Welcome to the Grove. Not much of a welcoming committee, I’m afraid. Just me.”

Yuri was good-looking, well built, and in his late thirties. He had dark hair and a tribal tattoo creeping up his neck, above his collar. He smelled of tobacco and too much sweet aftershave.

Although he spoke with an accent, his English was perfect. “I moved here from Latvia seven years ago, and I didn’t speak a word of English when I arrived. But in a year I was fluent.”

“That’s very impressive.”

“Not really. English is an easy language. You should try Latvian.”

He laughed and reached for the jangling chain of keys around his belt. He pulled off a set and handed it to me. “You’ll need these for the individual rooms. And there are codes you need to know for the wards.”

“That’s a lot. I had fewer keys at Broadmoor.”

“Yeah, well. We stepped up security quite a bit recently—since Stephanie joined us.”

“Who’s Stephanie?”

Yuri didn’t reply, but nodded at the woman emerging from the office behind the reception desk.

She was Caribbean, in her midforties, with a sharp, angular bob. “I’m Stephanie Clarke. Manager of the Grove.”

Stephanie gave me an unconvincing smile. As I shook her hand, I noticed her grip was firmer and tighter than Yuri’s, and rather less welcoming.

“As manager of this unit, safety is my top priority. Both the safety of the patients, and of the staff. If you aren’t safe, then neither are your patients.” She handed me a small device—a personal attack alarm. “Carry this with you at all times. Don’t just leave it in your office.”

I resisted the inclination to say, Yes, ma’am. Better keep on the right side of her if I wanted an easy life. That had been my tactic with previous bossy ward managers—avoid confrontation and keep under their radar.

“Good to meet you, Stephanie.” I smiled.

Stephanie nodded but didn’t smile back. “Yuri will show you to your office.” She turned and marched off without a second glance.

“Follow me,” Yuri said.

I went with him to the ward entrance—a large reinforced steel door. Next to it, a metal detector was manned by a security guard.

“I’m sure you know the drill,” Yuri said. “No sharp objects—nothing that could be used as a weapon.”

“No lighters,” added the security guard as he frisked me, fishing my lighter from my pocket with an accusing look.

“Sorry. I forgot I had it.”

Yuri beckoned me to follow him. “I’ll show you to your office. Everyone’s in the Community meeting, so it’s pretty quiet.”

“Can I join them?”

“In Community?” Yuri looked surprised. “You don’t want to settle in first?”

“I can settle in later. If it’s all the same to you?”

He shrugged. “Whatever you want. This way.”

He led me down interconnecting corridors punctuated by locked doors—a rhythm of slams and bolts and keys turning in locks. We made slow progress.

It was obvious not much had been spent on the upkeep of the building in several years: paint was crawling away from the walls, and a faint musty smell of mildew and decay permeated the corridors.

Yuri stopped outside a closed door and nodded. “They’re in there. Go ahead.”

“Okay, thanks.”

I hesitated, preparing myself. Then I opened the door and went inside.

CHAPTER FIVE

COMMUNITY WAS HELD IN A LONG ROOM with tall barred windows that overlooked a redbrick wall. The smell of coffee was in the air, mingled with traces of Yuri’s aftershave. About thirty people were sitting in a circle. Most were clutching paper cups of tea or coffee, yawning and doing their best to wake up. Some, having drunk their coffees, were fidgeting with the empty cups, crumpling, flattening them, or tearing them to shreds.

Community met once or twice daily; it was something between an administrative meeting and a group therapy session. Items relating to the running of the unit or the patients’ care were put on the agenda to be discussed. It was, Professor Diomedes was fond of saying, an attempt to involve the patients in their own treatment and encourage them to take responsibility for their well-being, although this attempt didn’t always work. Diomedes’s background in group therapy meant he had a fondness for meetings of all kinds, and he encouraged as much group work as possible. You might say he was happiest with an audience. He had the faint air of a theatrical impresario, I thought, as he rose to his feet to greet me, hands outstretched in welcome, and beckoned me over.

“Theo. There you are. Join us, join us.”

He spoke with a slight Greek accent, barely detectable—he’d mostly lost it, having lived in England for over thirty years. He was handsome, and although in his sixties, he looked much younger—he had a youthful, mischievous manner, more like an irreverent uncle than a psychiatrist. This isn’t to say he wasn’t devoted to the patients in his care—he arrived before the cleaners did in the morning and stayed long after the night team had taken over from the day staff, sometimes spending the night on the couch in his office. Twice divorced, Diomedes was fond of saying his third and most successful marriage was to the Grove.

“Sit down here.” He gestured to an empty chair by his side. “Sit, sit, sit.”

I did as he asked.

Diomedes presented me with a flourish. “Allow me to introduce our new psychotherapist. Theo Faber. I hope you will join me in welcoming Theo to our little family—”

While Diomedes spoke, I glanced around the circle, looking for Alicia. But couldn’t see her anywhere. Apart from Professor Diomedes, impeccably dressed in suit and tie, the others were mostly in short-sleeved shirts or T-shirts. It was hard to tell who was a patient and who was a member of staff.

A couple of faces were familiar to me—Christian, for instance. I had known him at Broadmoor. A rugby-playing psychiatrist with a broken nose and a dark beard. Good-looking in a bashed-up kind of way. He’d left Broadmoor soon after I arrived. I didn’t like Christian much, but to be fair I hadn’t known him well, as we didn’t work together for long.

I remembered Indira, from the interview. She smiled at me, and I was grateful, for hers was the only friendly face. The patients mostly glared at me with surly mistrust. I didn’t blame them. The abuses they had suffered—physical, psychological, sexual—meant it would be a long time before they could trust me, if ever. The patients were all women—and most had course features, lined, scarred. They’d had difficult lives, suffering from horrors that had driven them to retreat into the no-man’s-land of mental illness; their journey was etched into their faces, impossible to miss.

But Alicia Berenson? Where was she? I looked around the circle again but still couldn’t find her. Then I realized—I was looking right at her. Alicia was sitting directly opposite me, across the circle.

I hadn’t seen her because she was invisible.

Alicia was slumped forward in the chair. She was obviously highly sedated. She was holding a paper cup, full of tea, and her trembling hand was spilling a steady stream of it onto the floor. I restrained myself from going over and straightening her cup. She was so out of it I doubt she’d have noticed if I had.

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