Patricia Cornwell - Body of Evidence

"Makes you wonder what to believe."

In fact, I wondered that most of the time.

The prime rib arrived. When the waiter was gone I asked, "How in the world did Beryl Madison ever get hooked up with him?"

"Through Gary Harper," Mark said. "That's the irony. Sparacino represented Harper for a number of years. When Beryl was coming along, Harper sent her to him. Sparacino has been shepherding her since the beginning, a combination agent, lawyer and godfather. I think Beryl was very vulnerable to older powerful men, and her career was pretty bland until she decided to do this autobiographical work. My guess is Sparacino originally suggested it. Whatever the case, Harper hasn't published anything since his Great American Novel. He's history, only valuable to someone like Sparacino if there's a possibility for exploitation."

I considered. "Is it possible Sparacino was playing his game with them? In other words, Beryl decides to break her silence-and break her contract with Harper-and Sparacino plays both sides. Goes behind the scenes and goads Harper into causing a problem."

He refilled our glasses and answered, "Yes, I think he was staging a dogfight and neither Beryl nor Harper was aware of it. As I've said, it's Sparacino's style."

We ate in silence for a moment. Gallagher's was living up to its reputation. You could cut the prime rib with a fork.

Mark finally said, "What's so awful, at least for me, Kay"-he looked up at me, his face hard-"that day we had lunch at the Algonquin, when Beryl mentioned she was being threatened, that someone was threatening to kill her…"

He hesitated. "To tell you the truth, knowing what I did about Sparacino…"

"You didn't believe her." I finished the sentence for him.

"No," he confessed. "I didn't. Frankly, it struck me as another publicity stunt. I was suspicious Sparacino put her up to it, had her stage the whole thing to help sell her book. Not only does she have this battle with Harper, but now someone's threatening to kill her. I didn't give what she said much credence."

He paused. "And I was wrong."

"Sparacino wouldn't go that far," I dared to suggest. "You're not implying…"

"I really think it's more likely he might have agitated Harper to the point he freaked, got so enraged maybe he came to see her and lost it. Or Harper hired someone else to do it."

"If that's the case," I said quietly, "he must have a lot to hide about what went on when Beryl lived with him."

"He might," Mark said, returning his attention to his meal. "Even if he doesn't, he knows Sparacino, knows how he operates. Truth or fiction, it doesn't matter. When Sparacino wants to raise a stink, he does, and nobody remembers the outcome, only the accusations."

"And now he's after me?" I asked dubiously. "I don't understand. How do I fit in?"

"Simple. Sparacino wants Beryl's manuscript, Kay. Now more than ever the book's a hot property because of what happened to the author."

He looked up at me. "He believes the manuscript was turned in to your office as evidence. Now it's missing."

I reached for the sour cream and was very calm when I asked, "What makes you think it's missing?"

"Sparacino somehow managed to get his hands on the police report," Mark said. "You've seen it, I assume?"

"It was fairly routine," I answered.

He jogged my memory. "On the back sheet's an itemized list of evidence collected-including papers found on her bedroom floor and a manuscript from her dresser."

Oh, God, I thought. Marino had found a manuscript. It was simply that he had found the wrong one.

"He talked to the investigator this morning," Mark said. "A lieutenant named Marino. He told Sparacino the cops don't have it, said all evidence was turned into the labs in your building. He suggested Sparacino call the medical examiner-you, in other words."

"It's pro forma," I said. "The cops send everyone to me and I send everyone back to them."

"Try telling Sparacino that. He's claiming it was turned in to you, that it came in with Beryl's body. And now it's missing. He's holding your office responsible."

"That's ridiculous!"

"Is it?"

Mark looked speculatively at me. I felt as if I were being cross-examined when he said, "Isn't it true some evidence comes in with the body and you personally receipt it to the labs or store it in your evidence room?"

Of course it was true.

"Are you part of the chain of evidence in Beryl's case?" he asked.

"Not in terms of what was found at the scene, such as in the instance of any personal papers," I said tensely. "Those were receipted to the labs by the cops, not by me. In fact, most of the items collected from her house would be in the P.D.'s property room."

Again he said, "Try telling Sparacino that."

"I never saw the manuscript," I said flatly. "My office doesn't have it, never had it. And as far as I know, it hasn't turned up, period."

"It hasn't turned up? You mean it wasn't in her house? The cops didn't find it?"

"No. The manuscript they found isn't the one you're talking about. It's an old one, possibly from a book published years ago, and it's incomplete, just a couple hundred pages at most. It was in her bedroom on the dresser. Marino took it in, had Fingerprints check in the event the killer might have touched it."

He leaned back in his chair.

"If you didn't find it," he asked quietly, "then where is it?"

"I have no idea," I answered. "I suppose it could be anywhere. Perhaps she mailed it to someone."

"She have a computer?"

"Yes."

"You check out her hard disk?"

"Her computer doesn't have a hard disk, just two floppy drives," I said. Marino's checking the floppies. I don't know what's on them."

"Doesn't make sense," he went on. "Even if she did mail the manuscript to someone, it doesn't make sense she wouldn't have made a copy first, that there wasn't a copy somewhere inside her house."

"It doesn't make sense her godfather Sparacino wouldn't have a copy," I said pointedly. "I can't believe he hasn't seen the book. In fact, I can't believe he doesn't have a draft somewhere, maybe even the latest version."

"He says he doesn't, and I'm inclined to believe him for one good reason. From what I've gathered about Beryl, she was very private when it came to her writing, didn't let anybody-including Sparacino-see what she was doing until it was finished. She'd kept him posted on her progress through telephone conversations, letters. According to him, the last time he heard from her was about a month ago. She supposedly told him she was busy revising and should have the book ready to submit for publication by the first of the year."

"A month ago?" I asked warily. "She wrote to him?"

"Called him."

"From where?"

"Hell, I don't know. Richmond, I guess."

"Is that what he told you?"

Mark thought for a moment. "No, he didn't mention where she was calling from."

He paused. "Why?"

"She'd been out of town for a while," I replied as if it didn't matter. "I'm just wondering if Sparacino knew where she was."

"The cops don't know where she was?"

"There's a lot the cops don't know," I said.

"That's not an answer."

"A better answer is we really shouldn't be discussing her case, Mark. I've already said too much, and I'm not sure why you're so interested."

"And you're not sure my motives are pure," he said. "You're not sure that I'm not trying to wine you and dine you because I want information."

"Yes, to be honest," I answered as our eyes met.

"I'm worried, Kay."

I could tell by the tension in his face-a face that still had power over me-that he was. I could scarcely take my eyes off him.

"Sparacino's up to something," he said. "I don't want you squeezed." He drained the last of the wine into our glasses.